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Cale Gravity Well © Shervin Lainez
Music, PremieresOctober 30, 2017<October 31, 2017

Premiere: The Delightfully Loose Screws of Cale and the Gravity Well’s “Contessa”

by Mitch Mosk
Mabel © 2017
Music, ReviewsOctober 30, 2017<October 30, 2017

Strength, Poise and a Bit of Arrogance: A Track-by-Track Review of Mabel’s ‘Ivy to Roses’ Mixtape

by Sydney Sweeney
The Morning Yells © Chase Bescey
Music, Music Videos, PremieresOctober 30, 2017<October 30, 2017

Premiere: Dreamy Folk on The Morning Yells’ “She Knows Exactly What She’s Doing”

by Mitch Mosk
Kramies © Jerome Sevrette
Music, Music Videos, PremieresOctober 27, 2017<October 27, 2017

Premiere: Kramies’ “I Wish I Missed You” Is a Poignant Farewell

by Mitch Mosk
La Blogotheque x Phoenix
Columns, Music, Music Videos, ViewfinderOctober 27, 2017<October 28, 2017

Viewfinder: The Coevolution of Phoenix and La Blogothèque

by Carmen Chan
Strange Phases © 2017
Debut, Features, Music, PremieresOctober 27, 2017<October 27, 2017

Album Premiere: Strange Phases Debut ‘Art of Restart’ with Dynamic Fire

by Mitch Mosk
Features, Interviews, MusicOctober 27, 2017<March 16, 2018

Embracing the Present: A Conversation with Zhao

by Maggie McHale
Atwood Magazine's Weekly Roundup 10-27-2017
Columns, Music, Weekly RoundupOctober 27, 2017<December 11, 2017

Atwood Magazine’s Weekly Roundup: October 27, 2017

by Atwood Magazine Staff
Kayls © Jon Ecker & Larissa Zbryski
Debut, Music, PremieresOctober 27, 2017<October 27, 2017

Premiere: Kayls Basks in Dark Lust on Debut “Summer”

by Mitch Mosk
Rotoscope © Shaleigh Fairbanks
Features, Music, PremieresOctober 27, 2017<October 27, 2017

EP Premiere: Rotoscope’s ‘Clean Lines’ Captures Our Digital Disconnect

by Mitch Mosk
Woosah - Josephina
Debut, Music, Music Videos, PremieresOctober 26, 2017<October 26, 2017

Premiere: The Love & Liquored-Up Seduction of Josephina’s Debut “Woosah”

by Mitch Mosk
I, Alexander © Elena Montemurro
Debut, Music, PremieresOctober 26, 2017<October 26, 2017

Premiere: Intimacy & Intensity Color I, Alexander’s Debut “Divide”

by Mitch Mosk
Benta © 2017
Music, PremieresOctober 26, 2017<October 26, 2017

Premiere: BENTA Embraces Life’s Beauty on Pulsing “Everybody’s Somebody”

by Mitch Mosk
Slothrust © Ebru Yildriz
Columns, Music, Nostalgia TracksOctober 26, 2017<October 26, 2017

Nostalgia Tracks: The Resurrection of Grunge, Slothrust and the Hollowness of the Human Condition

by Danny Dyer
hunter & wolfe © aymann ismail
Music, PremieresOctober 26, 2017<October 26, 2017

Premiere: hunter & wolfe’s Poignant and Heartbreaking “Dear Annie”

by Mitch Mosk
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Brand New

  • “I Serve Me. I Take Care of Me. I Am My Keeper”: Medium Build on Surviving the Dream, Choosing Himself, & More Takeaways From a Career-Defining Year
  • Interview: From Malawi to Massachusetts, The Kasambwe Brothers Are Strumming Their Way to Success
  • “You Have Me Marked as Nice”: Ski Team Sits With Desire, Restraint, & the Mercy of Boundaries on “Santa”
  • Atwood Magazine’s 2025 Albums of the Year
  • “Raw, Experimental, & Definitive”: Low.bō Debuts with a Bruised, Intimate Alt-R&B Reckoning on ‘husk’
  • “Anger, Death, & Acceptance”: Adult Mom’s Stevie Knipe Gives Life’s Hardest Feelings a Voice on ‘Natural Causes’
  • “None of us are free until all of us are free”: Rick Alverson & Emilie Rex on Making ‘Passages: Artists in Solidarity with Immigrants, Refugees, and Asylum Seekers’

:: discover something new ::

Recent Posts

  • “I Serve Me. I Take Care of Me. I Am My Keeper”: Medium Build on Surviving the Dream, Choosing Himself, & More Takeaways From a Career-Defining Year December 18, 2025
  • Interview: From Malawi to Massachusetts, The Kasambwe Brothers Are Strumming Their Way to Success December 18, 2025
  • “You Have Me Marked as Nice”: Ski Team Sits With Desire, Restraint, & the Mercy of Boundaries on “Santa” December 18, 2025
  • Atwood Magazine’s 2025 Albums of the Year December 18, 2025
  • “Raw, Experimental, & Definitive”: Low.bō Debuts with a Bruised, Intimate Alt-R&B Reckoning on ‘husk’ December 17, 2025
  • “Anger, Death, & Acceptance”: Adult Mom’s Stevie Knipe Gives Life’s Hardest Feelings a Voice on ‘Natural Causes’ December 17, 2025
  • “None of us are free until all of us are free”: Rick Alverson & Emilie Rex on Making ‘Passages: Artists in Solidarity with Immigrants, Refugees, and Asylum Seekers’ December 17, 2025
  • “It’s Like the Kind of Dream Where You Just Wanna Scream”: Drauve Channel Raw Emotion into Heavy, Shimmering Shoegaze on ‘Timeline’ December 17, 2025
  • Today’s Song: The Barons Channel the Strength of Authentic Human Interaction in “Way Out” December 17, 2025
  • “We Have Fun, and That’s It”: Underbrook Are on the Way Up With ‘Was Happiness Too Boring for You?’ December 16, 2025
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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