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Porter Party - Nuke Fun
Debut, Music, ReviewsJanuary 24, 2018<January 24, 2018

EP Review: Nuke Fun Debut with Electric ‘Porter Party’

by Mitch Mosk
The Undercover Dream Lovers © 2018
Music, PremieresJanuary 24, 2018<January 24, 2018

Premiere: The Undercover Dream Lovers’ Hazy, Radiant “Stop & Listen”

by Mitch Mosk
Foxy Dads © 2018
Debut, Music, ReviewsJanuary 24, 2018<January 24, 2018

Review: Foxy Dads Explore the In-Betweens on Debut Album, ‘Songs from the LIRR’

by Carolyn Fasone
Tenderfoot © Ryan Baker
Debut, Music, PremieresJanuary 24, 2018<January 24, 2018

Premiere: Escapism and Indulgence Fuel Tenderfoot’s Raw “Palms”

by Mitch Mosk
Born Stranger © 2018
Music, PremieresJanuary 24, 2018<January 25, 2018

Premiere: Born Stranger & Vivienne Chi Embrace the “Pain” of Love

by Mitch Mosk
Chris Thile © Devin Pedde
Columns, Music, Today's SongJanuary 24, 2018<January 24, 2018

Today’s Song: Chris Thile and Sarah Jarosz’s Ode to “Modern Friendship”

by Mariel Fechik
JAIE © 2018
Debut, Features, Music, ReviewsJanuary 23, 2018<February 16, 2018

EP Review: JAIE Lights a Fire with Intimate Electro-RnB Debut ‘December’

by Mitch Mosk
White Lies - White Lies - WarmingWarming
Music, PremieresJanuary 23, 2018<January 23, 2018

Premiere: Warming’s Sunny “White Lies” Dives into Addiction

by Mitch Mosk
Aisha Badru © Neda Bridgeman
Debut, Features, Interviews, MusicJanuary 23, 2018<January 23, 2018

Evocative and Understated: A Conversation with Aisha Badru

by Baylee Less
Lake Jons © 2017
Debut, Features, Music, Our Take, ReviewsJanuary 23, 2018<April 12, 2019

Our Take: Lake Jons Turn Isolation into Connection in Emotive & Timeless Debut

by Mitch Mosk
Karen Souza © 2018
Columns, Music, Today's SongJanuary 23, 2018<February 9, 2018

Today’s Song: Karen Souza Is No One-Trick Vixen in “You Got That Something”

by Ilana Kalish
City of Union © 2018
Music, PremieresJanuary 22, 2018<January 22, 2018

EP Premiere: ‘Birds of Paradise,’ City of Union’s 4-Sided Emotional Tapestry

by Mitch Mosk
You or Nothing - FERGUS
Debut, Music, Music Videos, PremieresJanuary 22, 2018<January 22, 2018

Video Premiere: A Heartfelt Surrender in FERGUS’ Stunning Debut “You or Nothing”

by Mitch Mosk
"Papercut" screenshot © Tokyo Taboo
Music, Music Videos, PremieresJanuary 22, 2018<January 22, 2018

Video Premiere: Tokyo Taboo Get Bloody in “Papercut”

by Lindsay Call
Columns, Music, Today's SongJanuary 22, 2018<January 22, 2018

Today’s Song: Titus Andronicus Shoot for a Greater Ambition on “Number One (In New York)”

by James Crowley
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Brand New

  • Raye’s ‘THIS MUSIC MAY CONTAIN HOPE.’ Is Cinematic Pop That Dazzles and Delivers
  • Paris Paloma’s “Miyazaki” Is a Love Letter to Human Creation
  • “I think it’s time just to make awesome rock music”: Jonny Tex Returns to SXSW with a New Sound, New Band, & New Sense of Purpose
  • “I’m listening to me this time”: Brit Taylor Trusts the Signs on ‘Land of the Forgotten’
  • “It’s all waiting there for you”: Harry Styles Captures the Beauty of Music Discovery & Offers an Outlook on Life Itself on “Carla’s Song”
  • “You Can Reject the Script That’s Handed to You”: The Undercover Dream Lovers’ Matt Koenig Is Living Life on His Own Terms (And You Can, Too)
  • Roundtable Discussion: A Review of Harry Styles’ ‘Kiss All The Time. Disco, Occasionally.’

:: discover something new ::

Recent Posts

  • Raye’s ‘THIS MUSIC MAY CONTAIN HOPE.’ Is Cinematic Pop That Dazzles and Delivers April 8, 2026
  • Paris Paloma’s “Miyazaki” Is a Love Letter to Human Creation April 8, 2026
  • “I think it’s time just to make awesome rock music”: Jonny Tex Returns to SXSW with a New Sound, New Band, & New Sense of Purpose April 7, 2026
  • “I’m listening to me this time”: Brit Taylor Trusts the Signs on ‘Land of the Forgotten’ April 7, 2026
  • “It’s all waiting there for you”: Harry Styles Captures the Beauty of Music Discovery & Offers an Outlook on Life Itself on “Carla’s Song” April 7, 2026
  • “You Can Reject the Script That’s Handed to You”: The Undercover Dream Lovers’ Matt Koenig Is Living Life on His Own Terms (And You Can, Too) April 6, 2026
  • Roundtable Discussion: A Review of Harry Styles’ ‘Kiss All The Time. Disco, Occasionally.’ April 6, 2026
  • Joshua Quimby Is Redefining What It Means to Be Country April 6, 2026
  • Melanie Martinez’s ‘HADES’: A Descent into Pop’s Most Unsettling Underworld April 6, 2026
  • The Magical Renaissance of U2: A Reflection on ‘Days of Ash’ and ‘Easter Lily’ April 6, 2026
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