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Mulherin © Tommy Kha
Columns, Music, Today's SongFebruary 15, 2018<February 15, 2018

Today’s Song: Mulherin Indulge in “All to Myself”

by Ethan Germann
Swoll - Swoll
Debut, Music, PremieresFebruary 15, 2018<February 15, 2018

Premiere: Get SWOLL in the Bright Darkness & Disconnect of “You’ve Gone Away”

by Mitch Mosk
Kiss Like A Woman - MONA
Features, Music, Music Videos, Reviews, This Just InFebruary 14, 2018<February 14, 2018

This Just In: Celebrate Your Love with MONA’s Impassioned “Kiss Like a Woman”

by Mitch Mosk
Harry Pane Beautiful Life
Features, Music, PremieresFebruary 14, 2018<February 15, 2018

Premiere: The Haunting Embrace of Harry Pane’s “Beautiful Life”

by Mitch Mosk
Music, PlaylistsFebruary 14, 2018<February 16, 2018

Valentine’s Day Playlists: With and Without Love, Atwood Magazine

by Atwood Magazine Staff
Living a Lie - Royal Canoe
Music, Music Videos, PremieresFebruary 14, 2018<February 14, 2018

Video Premiere: Royal Canoe’s “Living a Lie” Explores Intimacy & Taboo Desire

by Mitch Mosk
Tyler Sjostrom © Kevin J. Rose
Features, Music, PremieresFebruary 14, 2018<February 14, 2018

Premiere: Tyler Sjöström Dwells in the Throes of Love on “I Don’t Know You Don’t Know”

by Mitch Mosk
Beautiful People Will Ruin Your Life - The Wombats album art
Features, Music, Reviews, RoundtableFebruary 14, 2018<June 29, 2024

Roundtable Discussion: A Review of The Wombats’ ‘Beautiful People Will Ruin Your Life’

by Atwood Magazine Staff
MILKK © Ryan Smallhands
Columns, Music, Today's SongFebruary 14, 2018<August 21, 2023

Today’s Song: MILKK’s New Track Is Cool as Ice and Sweet as Sugar

by Sara Santora
More Giraffes © Jasmine Safaeian
Columns, Debut, Music, Today's SongFebruary 13, 2018<February 13, 2018

Today’s Song: Chill Out to More Giraffes’ Euphoric Debut Single “Basement”

by Mitch Mosk
Natti Vogel © 2018
Music, ReviewsFebruary 13, 2018<April 26, 2018

Review: Natti Vogel Dissects Modern Relationships on ‘Serving Body’ EP

by James Crowley
Nadia Kazmi © Krisanne Johnson
Music, Music Videos, PremieresFebruary 13, 2018<February 13, 2018

Video Premiere: Nadia Kazmi’s Intimately Dark “Like a Cat”

by Mitch Mosk
Nina Nesbitt © Julia Underwood, "Somebody Special
Features, Interviews, MusicFebruary 13, 2018<March 6, 2018

Making Pop Personal: A Conversation with Nina Nesbitt

by Baylee Less
Arms Akimbo © 2018
Music, PremieresFebruary 13, 2018<February 13, 2018

Premiere: Arms Akimbo Ignite with Fiery Grace on “Seven Mirrors”

by Mitch Mosk
Derrival © AntiFragile Music
Debut, Features, Music, PremieresFebruary 13, 2018<February 16, 2018

Album Premiere: Energy & Emotion Swell on Derrival’s Dynamic Debut

by Mitch Mosk
Posts pagination
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Brand New

  • “It’s the Modern Way”: Conor Miley Tears Open the Theater of Outrage on “Peepshow,” a Roaring Indie Rock Reckoning for the Algorithmic Age
  • “All You Need Is Community, Food, Nature, Music”: Hannah Cohen Is Finding Her Way Forward
  • “Tell the Kids We Tried”: Jacob Brodovsky Faces the Future with Love, Dread, & Grace on “Kids,” a Driving Indie Folk Reckoning
  • ‘Overnight Delivery’: How the New Delicate Steve EP Is Reviving the Role of Guitarist
  • “I Want People to Know That They Have a Voice”: Fiona-Lee Says the Quiet Part Aloud on ‘Every Woman,’ an Unflinching EP of Survival, Reclamation, & Release
  • “Your Songs Are Smarter Than You”: Jordan Joy Makes Her Debut with Shimmering Indie Pop Anthem, “Don’t Kill the Vibe”
  • “The Thing About Having Nowhere to Sit, Is You Have to Stand Out”: Kat Cunning Finds Hard-Won Power in “Sore Thumb,” an Open-Hearted Anthem for Queers, Freaks, & Shapeshifters

:: discover something new ::

Recent Posts

  • “It’s the Modern Way”: Conor Miley Tears Open the Theater of Outrage on “Peepshow,” a Roaring Indie Rock Reckoning for the Algorithmic Age June 2, 2026
  • “All You Need Is Community, Food, Nature, Music”: Hannah Cohen Is Finding Her Way Forward June 2, 2026
  • “Tell the Kids We Tried”: Jacob Brodovsky Faces the Future with Love, Dread, & Grace on “Kids,” a Driving Indie Folk Reckoning June 2, 2026
  • ‘Overnight Delivery’: How the New Delicate Steve EP Is Reviving the Role of Guitarist June 2, 2026
  • “I Want People to Know That They Have a Voice”: Fiona-Lee Says the Quiet Part Aloud on ‘Every Woman,’ an Unflinching EP of Survival, Reclamation, & Release June 2, 2026
  • “Your Songs Are Smarter Than You”: Jordan Joy Makes Her Debut with Shimmering Indie Pop Anthem, “Don’t Kill the Vibe” June 1, 2026
  • “The Thing About Having Nowhere to Sit, Is You Have to Stand Out”: Kat Cunning Finds Hard-Won Power in “Sore Thumb,” an Open-Hearted Anthem for Queers, Freaks, & Shapeshifters June 1, 2026
  • “I Don’t Sleep Anymore”: Harvey Street Turn Sleepless Nights into an Indie Rock Confession on “Insomnia” May 31, 2026
  • “We Just Didn’t Wanna Be Lonely”: Bleachers Drift Through Memory-Laced Americana on “the van,” a Softly Cinematic, Road-Worn Reverie May 30, 2026
  • “Girls Like Us Like It Loud”: BERENICE Puts Her People Front & Center on “Everybody Loves Italian Girls,” an Irresistible Pop Anthem for Being Seen in Full May 29, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
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