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Atwood Magazine Halloween 2017 playlist
Music, PlaylistsOctober 31, 2017<November 2, 2017

Atwood Magazine Presents: Halloween 2017

by Atwood Magazine Staff
Matt Westerman © 2017
Debut, Music, PremieresOctober 31, 2017<October 31, 2017

Premiere: Matt Westerman’s “Don’t Give Up On You” Evokes Inner Strength and Beauty

by Mitch Mosk
SVVN © 2017
Debut, Music, Music Videos, PremieresOctober 31, 2017<February 22, 2019

Premiere: SVVN’s “Sand and Snow” Captures Birth’s Ambient Beauty

by Mitch Mosk
Tag Cloud © 2017
Debut, Music, PremieresOctober 31, 2017<October 31, 2017

Premiere: Tag Cloud’s “Will Work” Debuts in Dreamy Reverie

by Mitch Mosk
Luke Underhill © 2017
Music, Music Videos, PremieresOctober 31, 2017<October 31, 2017

Premiere: The Timelessness of Luke Underhill’s Acoustic “I Wanna Make You Dance”

by Mitch Mosk
Cale Gravity Well © Shervin Lainez
Music, PremieresOctober 30, 2017<October 31, 2017

Premiere: The Delightfully Loose Screws of Cale and the Gravity Well’s “Contessa”

by Mitch Mosk
Mabel © 2017
Music, ReviewsOctober 30, 2017<October 30, 2017

Strength, Poise and a Bit of Arrogance: A Track-by-Track Review of Mabel’s ‘Ivy to Roses’ Mixtape

by Sydney Sweeney
The Morning Yells © Chase Bescey
Music, Music Videos, PremieresOctober 30, 2017<October 30, 2017

Premiere: Dreamy Folk on The Morning Yells’ “She Knows Exactly What She’s Doing”

by Mitch Mosk
Kramies © Jerome Sevrette
Music, Music Videos, PremieresOctober 27, 2017<October 27, 2017

Premiere: Kramies’ “I Wish I Missed You” Is a Poignant Farewell

by Mitch Mosk
La Blogotheque x Phoenix
Columns, Music, Music Videos, ViewfinderOctober 27, 2017<October 28, 2017

Viewfinder: The Coevolution of Phoenix and La Blogothèque

by Carmen Chan
Strange Phases © 2017
Debut, Features, Music, PremieresOctober 27, 2017<October 27, 2017

Album Premiere: Strange Phases Debut ‘Art of Restart’ with Dynamic Fire

by Mitch Mosk
Features, Interviews, MusicOctober 27, 2017<March 16, 2018

Embracing the Present: A Conversation with Zhao

by Maggie McHale
Atwood Magazine's Weekly Roundup 10-27-2017
Columns, Music, Weekly RoundupOctober 27, 2017<December 11, 2017

Atwood Magazine’s Weekly Roundup: October 27, 2017

by Atwood Magazine Staff
Kayls © Jon Ecker & Larissa Zbryski
Debut, Music, PremieresOctober 27, 2017<October 27, 2017

Premiere: Kayls Basks in Dark Lust on Debut “Summer”

by Mitch Mosk
Rotoscope © Shaleigh Fairbanks
Features, Music, PremieresOctober 27, 2017<October 27, 2017

EP Premiere: Rotoscope’s ‘Clean Lines’ Captures Our Digital Disconnect

by Mitch Mosk
Posts pagination
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Brand New

  • Joshua Quimby Is Redefining What It Means to Be Country
  • Melanie Martinez’s ‘HADES’: A Descent into Pop’s Most Unsettling Underworld
  • The Magical Renaissance of U2: A Reflection on ‘Days of Ash’ and ‘Easter Lily’
  • “Not what you said, but how you said it”: Charlie Lim Lays Himself Bare on “Nobody’s Home,” a Gut-Wrenching Portrait of Grief and Emotional Reckoning
  • “SWEET LOVE”: Stephen Sanchez Falls Head Over Heels into a Feel-Good, Heart-on-Sleeve Retro-Pop Anthem
  • The Clockworks’ Sophomore Album ‘The Entertainment’ Is Where the Noise Softens and the Truth Slips Through
  • MONSTA X Rework Their English Sound With a More Personal Edge on ‘Unfold’

:: discover something new ::

Recent Posts

  • Joshua Quimby Is Redefining What It Means to Be Country April 6, 2026
  • Melanie Martinez’s ‘HADES’: A Descent into Pop’s Most Unsettling Underworld April 6, 2026
  • The Magical Renaissance of U2: A Reflection on ‘Days of Ash’ and ‘Easter Lily’ April 6, 2026
  • “Not what you said, but how you said it”: Charlie Lim Lays Himself Bare on “Nobody’s Home,” a Gut-Wrenching Portrait of Grief and Emotional Reckoning April 3, 2026
  • “SWEET LOVE”: Stephen Sanchez Falls Head Over Heels into a Feel-Good, Heart-on-Sleeve Retro-Pop Anthem April 3, 2026
  • The Clockworks’ Sophomore Album ‘The Entertainment’ Is Where the Noise Softens and the Truth Slips Through April 3, 2026
  • MONSTA X Rework Their English Sound With a More Personal Edge on ‘Unfold’ April 3, 2026
  • “Chose Faith Instead of Facing the Past”: Brooklyn’s Myra Lee Erupt with “Magpie,” a Feverish, Slow-Burning Indie Rock Reintroduction April 2, 2026
  • “I Know How to Hurt Myself on You”: MUNA Turn Heartbreak into Kinetic Euphoria on “Dancing on the Wall” April 2, 2026
  • Editor’s Picks 151: The Temper Trap, Lola Blue, Mount St. Helen, Eliza Edens, Radium Dolls, & Local the Neighbour! April 1, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
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