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Weezer © Crush Music
Columns, Music, Today's SongDecember 19, 2017<December 19, 2017

Today’s Song: Weezer’s “Get Right” is the Perfect Bummer Song

by Monica Mellon
Girls Like You - DENNY
Music, Music Videos, PremieresDecember 19, 2017<January 3, 2018

Premiere: DENNY Hail “Girls Like You” with Youth, Passion, and Reckless Abandon

by Mitch Mosk
Mahalia © 2017
Columns, Music, Today's SongDecember 18, 2017<December 18, 2017

Today’s Song: Mahalia Is Casual and Effortless on “No Pressure”

by Matthew Tordoff
Waste My Time - CAPPA
Features, Music, Music Videos, Reviews, This Just InDecember 15, 2017<December 15, 2017

This Just In: CAPPA Flexes Her Confidence & Charisma in “Waste My Time”

by Mitch Mosk
PHANGS © 2017
Music, Reviews, This Just InDecember 15, 2017<December 15, 2017

This Just In: PHANGS Can’t Take His “Eyes Off You”

by Maggie McHale
Atwood Magazine’s Best Music Videos of 2017
Features, Music, Music Videos, NewsDecember 15, 2017<January 8, 2019

Atwood Magazine’s Best Music Videos of 2017

by Atwood Magazine Staff
Atwood Magazine's Weekly Roundup 12-15-2017
Columns, Features, Music, Weekly RoundupDecember 15, 2017<December 20, 2017

Atwood Magazine’s Weekly Roundup: December 15, 2017

by Atwood Magazine Staff
Peyton McMahon © Zack Smith Photography
Music, PremieresDecember 15, 2017<December 15, 2017

Premiere: Peyton McMahon’s “Tell Me Why” Blends Fire and Fury

by Mitch Mosk
Aisha Badru © Neda Bridgeman
Columns, Music, Music Videos, Today's SongDecember 15, 2017<December 18, 2017

Today’s Song: The Agonizing, Underlying Truth in Aisha Badru’s Video for “Bridges”

by Baylee Less
Peace © 2017
Columns, Features, Music, Reviews, This Just InDecember 14, 2017<January 3, 2018

This Just In: “From Under Liquid Glass,” Peace’s Mental Health Anthem

by Mitch Mosk
Chris Zurich © 2017
Music, Music Videos, PremieresDecember 14, 2017<December 14, 2017

Premiere: Chris Zurich Finds Closure in the Fond Farewell of “Our Routine”

by Mitch Mosk
Tara Beier © 2017
Music, PremieresDecember 14, 2017<December 14, 2017

Premiere: Tara Beier is Liberated with “Forgiveness”

by James Crowley
Tonya Harding - Sufjan Stevens
Columns, Music, Music Videos, Today's SongDecember 14, 2017<December 14, 2017

Today’s Song: Sufjan Stevens Shares His Dark Fascination with a Disgraced Figure Skater in “Tonya Harding”

by Carolyn Fasone
Sam Small © 2017
Music, PremieresDecember 13, 2017<December 13, 2017

EP Premiere: Raw Folk & Fleeting Romance in Sam Small’s ‘Hazel’

by Mitch Mosk
Peach Pit © Lester Lyons-Hookham
Debut, Features, Interviews, MusicDecember 13, 2017<January 3, 2018

Surreality Feels So Normal: A Conversation with Peach Pit

by Olivia Perry
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Brand New

  • “Deep Falling Towards Myself Again”: Melbourne Duo Wishlist Drift, Pulse, & Unravel on the Hypnotic “I’m Sorry,” a Weightless Emotional Spiral
  • “It Wasn’t a Typical Sad Song”: Sasha Joy Found a New Kind of Clarity on “Got You Something”
  • “Life Is Much More Colorful”: Heddy Edwards Summons the Divine on ‘The Other Side of Hell Is a Heaven So Delicate’
  • “Drama Is Pleasure”: Flare and Fear from Planette Automatic’s Sparkling “Dance Around”
  • “I Loved You Then and I Love You Now”: William Harries Graham Traces the Afterlife of Connection on “NYC,” a Brooding Ambient Folk Reverie from ‘Belrose Motel’
  • “This Time I Intend to Swim”: Satya Comes Home to Herself on ‘Yellow House,’ a Soul-Stirring Debut of Healing, Love, & Release
  • Editor’s Picks 156: Green Gardens, Casper Sage, MUANH, Filiah, Lockimara, & Widemouth!

:: discover something new ::

Recent Posts

  • “Deep Falling Towards Myself Again”: Melbourne Duo Wishlist Drift, Pulse, & Unravel on the Hypnotic “I’m Sorry,” a Weightless Emotional Spiral June 6, 2026
  • “It Wasn’t a Typical Sad Song”: Sasha Joy Found a New Kind of Clarity on “Got You Something” June 5, 2026
  • “Life Is Much More Colorful”: Heddy Edwards Summons the Divine on ‘The Other Side of Hell Is a Heaven So Delicate’ June 5, 2026
  • “Drama Is Pleasure”: Flare and Fear from Planette Automatic’s Sparkling “Dance Around” June 4, 2026
  • “I Loved You Then and I Love You Now”: William Harries Graham Traces the Afterlife of Connection on “NYC,” a Brooding Ambient Folk Reverie from ‘Belrose Motel’ June 4, 2026
  • “This Time I Intend to Swim”: Satya Comes Home to Herself on ‘Yellow House,’ a Soul-Stirring Debut of Healing, Love, & Release June 4, 2026
  • Editor’s Picks 156: Green Gardens, Casper Sage, MUANH, Filiah, Lockimara, & Widemouth! June 3, 2026
  • “The Alchemy Is Getting Stronger”: Montreal’s Art-Rock Band Museums Are Well Worth a Visit June 3, 2026
  • “Truth Calls Us Back to Who We Were Made to Be”: Watashi Wa Meet Themselves Again on “I Am,” a Radiant Power-Pop Revival of Faith, Identity, & the Divine Spirit June 3, 2026
  • “Where’s the Optimist in Me?”: Oakwood Reflect on Bygone Days and Look to the Future on ‘Blurred Away’ June 3, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
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