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Goths - The Mountain Goats
Music, ReviewsJune 7, 2017<June 7, 2017

Review: The Mountain Goats Brighten their Sound for Goths’ Dark Exterior

by James Crowley
You Are Coming To My Birthday - Psymon Spine
Debut, Features, Music, Our Take, Premieres, ReviewsJune 7, 2017<June 29, 2017

Premiere: Psymon Spine’s Groundbreaking Debut ‘You Are Coming to My Birthday’

by Mitch Mosk
Connect the Dots - MisterWives
Music, ReviewsJune 6, 2017<June 6, 2017

Review: MisterWives’ ‘Connect the Dots’ Is a Compilation of Mini Masterpieces

by Kelly McCafferty Dorogy
Rich in Love - Afterlife Revival
Debut, Music, PremieresJune 6, 2017<June 6, 2017

Premiere: Afterlife Revival Debuts with Inspiring “Rich in Love”

by Mitch Mosk
Trü EP Cover Art
Debut, Music, PremieresJune 6, 2017<June 6, 2017

Premiere: Trü’s “Kirsti” Is More than a Silly Love Song

by Mitch Mosk
Siberian Traps © Walt Burns
Features, Music, Our Take, Premieres, ReviewsJune 6, 2017<June 24, 2017

Album Premiere: The Hypnotic Summer Drive of Siberian Traps’ Indicator

by Mitch Mosk
Sleep Good © Zane Ruttenberg
Music, PremieresJune 6, 2017<June 6, 2017

Premiere: The Dreamy Gauze of Sleep Good’s “Somewhere”

by Mariel Fechik
Mitski © Ebru Yildiz
Columns, Music, Today's SongJune 6, 2017<June 5, 2017

Today’s Song: Mitski Imagines Happiness on “A Burning Hill”

by Matilda Berke
Cat Delphi © Adam J Spinks @ Initiative Motion Pictures
Music, Music Videos, PremieresJune 5, 2017<June 5, 2017

Video Premiere: Cat Delphi’s “Message” Explores a Deeper Side of Life

by Mitch Mosk
Black Honey © Charlotte Patmore
Features, Interviews, MusicJune 5, 2017<June 5, 2017

The Joys of Creating and Being “Perfect Weirdos”: An Interview with Black Honey

by Lindsay Call
Kinky Love © 2017
Music, PremieresJune 5, 2017<June 5, 2017

Premiere: The Hazy Hypnosis of Kinky Love’s “Glamour Child”

by Mitch Mosk
Bonnaroo 2017 logo
Features, Festival, Music, News, PreviewsJune 5, 2017<June 24, 2017

Surviving the Farm: (Y)Our Music Guide to Bonnaroo 2017

by Baylee Less
Paramore © Fueled by Ramen
Columns, Music, Today's SongJune 5, 2017<March 2, 2025

Today’s Song: Paramore Retain Emo Mastery on “Idle Worship”

by Kendall Graham
Hopeless Fountain Kingdom - Halsey album art
Features, Music, Reviews, RoundtableJune 2, 2017<June 29, 2024

Roundtable Discussion: A Review of Halsey’s ‘Hopeless Fountain Kingdom’

by Atwood Magazine Staff
A Crow Looked At Me - Mount Eerie
Music, Our Take, ReviewsJune 2, 2017<June 2, 2017

Our Take: Mount Eerie Transmit Devastation with ‘A Crow Looked at Me’

by Lucas Koprowski
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Brand New

  • “This Is What It Feels Like to Not Feel Anything”: Petey USA on Turning Private Thoughts into Shared Space & the Fictional Truths of ‘The Yips’
  • “We’re all just friends making music”: Brooklyn’s Anyhow Are an Emerging Indie Rock Duo Built on Collaboration, Trust, & Guitars
  • Atwood Magazine Presents Mistletones: 2025’s Best New Holiday Songs, Pt. 1!
  • “I Serve Me. I Take Care of Me. I Am My Keeper”: Medium Build on Surviving the Dream, Choosing Himself, & More Takeaways From a Career-Defining Year
  • Interview: From Malawi to Massachusetts, The Kasambwe Brothers Are Strumming Their Way to Success
  • “You Have Me Marked as Nice”: Ski Team Sits With Desire, Restraint, & the Mercy of Boundaries on “Santa”
  • Atwood Magazine’s 2025 Albums of the Year

:: discover something new ::

Recent Posts

  • “This Is What It Feels Like to Not Feel Anything”: Petey USA on Turning Private Thoughts into Shared Space & the Fictional Truths of ‘The Yips’ December 19, 2025
  • “We’re all just friends making music”: Brooklyn’s Anyhow Are an Emerging Indie Rock Duo Built on Collaboration, Trust, & Guitars December 19, 2025
  • Atwood Magazine Presents Mistletones: 2025’s Best New Holiday Songs, Pt. 1! December 19, 2025
  • “I Serve Me. I Take Care of Me. I Am My Keeper”: Medium Build on Surviving the Dream, Choosing Himself, & More Takeaways From a Career-Defining Year December 18, 2025
  • Interview: From Malawi to Massachusetts, The Kasambwe Brothers Are Strumming Their Way to Success December 18, 2025
  • “You Have Me Marked as Nice”: Ski Team Sits With Desire, Restraint, & the Mercy of Boundaries on “Santa” December 18, 2025
  • Atwood Magazine’s 2025 Albums of the Year December 18, 2025
  • “Raw, Experimental, & Definitive”: Low.bō Debuts with a Bruised, Intimate Alt-R&B Reckoning on ‘husk’ December 17, 2025
  • “Anger, Death, & Acceptance”: Adult Mom’s Stevie Knipe Gives Life’s Hardest Feelings a Voice on ‘Natural Causes’ December 17, 2025
  • “None of us are free until all of us are free”: Rick Alverson & Emilie Rex on Making ‘Passages: Artists in Solidarity with Immigrants, Refugees, and Asylum Seekers’ December 17, 2025
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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