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Souvenir Driver © Heather Boyd
Features, Music, Our Take, ReviewsFebruary 2, 2017<February 2, 2017

Our Take: Souvenir Driver Present the 4 Stages of Grief on Powerful Anti-Trump EP

by Mitch Mosk
The xx © Laura Coulson
Music, Our Take, ReviewsFebruary 2, 2017<May 9, 2017

Our Take: The xx’s “I See You” Is a Noncommittal Surrender of Silence

by Sydney Sweeney
Emma White © 2017
Features, Music, PremieresFebruary 2, 2017<February 8, 2017

Exclusive Premiere: Emma White Brings an Intimate, Fresh Voice to Country-Pop

by Mitch Mosk
Car Seat Headrest © Matador Records
Columns, Music, Today's SongFebruary 2, 2017<September 14, 2024

Don’t Drink & Drive Please: Car Seat Headrest’s “Drunk Drivers/Killer Whales”

by Erika Kooda
Judah & the Lion © Chloe Horseman
Features, Interviews, MusicFebruary 1, 2017<February 1, 2017

Nothing but Authenticity and Folk Hop: A Conversation with Judah & the Lion

by Renae Weaver
The Captain's Son © 2017
Columns, Debut, Music, Today's SongFebruary 1, 2017<January 24, 2017

Today’s Song: The Captain’s Son’s “Walking Around Purposely” is the Hangover You Want to Have

by James Crowley
Grumpus © 2017
Features, Music, PremieresJanuary 31, 2017<January 31, 2017

Exclusive Premiere: Grumpus’ “Divides” Takes a Moment for Real Reflection

by Mitch Mosk
Slowdive © Ingrid Pop
Columns, Music, Today's SongJanuary 31, 2017<January 24, 2017

Today’s Song: On Slowdive’s First Song in 22 Years “Star Roving,” the All-Embracing Journey Perseveres

by K
Garrett Pierce © 2017
Features, Music, PremieresJanuary 30, 2017<January 30, 2017

Exclusive Premiere: A Stirring Empathy in Garrett Pierce’s “Get Me Out of This Place”

by Mitch Mosk
Chris McClenney © 2017
Debut, Music, Our Take, ReviewsJanuary 30, 2017<January 30, 2017

Our Take: Chris McClenney Proves His Promise on Debut EP “Portrait in Two”

by Alex Killian
Snakehips & MØ (source: Instagram)
Columns, Music, Today's SongJanuary 30, 2017<January 24, 2017

Today’s Song: Snakehips and MØ’s “Don’t Leave” Leaves Us Torn Dancing and Crying

by Urooj Ali Rizvi
Star Slinger © Michaela Selmani
Features, Interviews, MusicJanuary 27, 2017<January 27, 2017

Striving for More: A Conversation with Star Slinger

by Nicole Almeida
Fawns of Love (L-R): Jenny Andreotti, Joseph Andreotti © Joseph Andreotti
Features, Music, PremieresJanuary 27, 2017<January 27, 2017

Exclusive Premiere: Fawns of Love Capture Turmoil on Melancholy “Silly Boy”

by Mitch Mosk
Julia Michaels © Meredith Truax
Columns, Debut, Music, Today's SongJanuary 27, 2017<March 8, 2017

Today’s Song: Julia Michaels Has 99 “Issues” but Songwriting Ain’t One

by Kelly McCafferty Dorogy
Julien Baker © Nolan Knight
Music, ReviewsJanuary 26, 2017<January 26, 2017

Review: Julien Baker’s “Funeral Pyre” Finds Immaculate Beauty in Hollow Places

by Nicholas Anderson
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Brand New

  • “This Is What It Feels Like to Not Feel Anything”: Petey USA on Turning Private Thoughts into Shared Space & the Fictional Truths of ‘The Yips’
  • “We’re all just friends making music”: Brooklyn’s Anyhow Are an Emerging Indie Rock Duo Built on Collaboration, Trust, & Guitars
  • Atwood Magazine Presents Mistletones: 2025’s Best New Holiday Songs, Pt. 1!
  • “I Serve Me. I Take Care of Me. I Am My Keeper”: Medium Build on Surviving the Dream, Choosing Himself, & More Takeaways From a Career-Defining Year
  • Interview: From Malawi to Massachusetts, The Kasambwe Brothers Are Strumming Their Way to Success
  • “You Have Me Marked as Nice”: Ski Team Sits With Desire, Restraint, & the Mercy of Boundaries on “Santa”
  • Atwood Magazine’s 2025 Albums of the Year

:: discover something new ::

Recent Posts

  • “This Is What It Feels Like to Not Feel Anything”: Petey USA on Turning Private Thoughts into Shared Space & the Fictional Truths of ‘The Yips’ December 19, 2025
  • “We’re all just friends making music”: Brooklyn’s Anyhow Are an Emerging Indie Rock Duo Built on Collaboration, Trust, & Guitars December 19, 2025
  • Atwood Magazine Presents Mistletones: 2025’s Best New Holiday Songs, Pt. 1! December 19, 2025
  • “I Serve Me. I Take Care of Me. I Am My Keeper”: Medium Build on Surviving the Dream, Choosing Himself, & More Takeaways From a Career-Defining Year December 18, 2025
  • Interview: From Malawi to Massachusetts, The Kasambwe Brothers Are Strumming Their Way to Success December 18, 2025
  • “You Have Me Marked as Nice”: Ski Team Sits With Desire, Restraint, & the Mercy of Boundaries on “Santa” December 18, 2025
  • Atwood Magazine’s 2025 Albums of the Year December 18, 2025
  • “Raw, Experimental, & Definitive”: Low.bō Debuts with a Bruised, Intimate Alt-R&B Reckoning on ‘husk’ December 17, 2025
  • “Anger, Death, & Acceptance”: Adult Mom’s Stevie Knipe Gives Life’s Hardest Feelings a Voice on ‘Natural Causes’ December 17, 2025
  • “None of us are free until all of us are free”: Rick Alverson & Emilie Rex on Making ‘Passages: Artists in Solidarity with Immigrants, Refugees, and Asylum Seekers’ December 17, 2025
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
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