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DREAMERS (Jacob Wick, Nick Wold, Marc Nelson)
Features, Interviews, MusicMay 4, 2017<May 4, 2017

Expanding and Thinking and Doing: A Conversation with DREAMERS

by Maggie McHale
Stoop Kids © 2017
Features, Music, PremieresMay 4, 2017<May 4, 2017

Premiere: The Purposeful Pandemonium of Stoop Kids’ Mixtape ‘Queue’

by Ethan Germann
I See Rivers © 2017
Debut, Features, Music, Our Take, ReviewsMay 4, 2017<May 12, 2017

Our Take: The Enchanting Siren Song of I SEE RIVERS’ Debut ‘Standing Barefoot’ EP

by Mitch Mosk
Son Lux © Zenith Richards
Columns, Features, Music, Reviews, Today's SongMay 4, 2017<May 4, 2017

On “Dangerous,” Son Lux Decipher the Mute Violence of a Post-Truth World

by Urooj Ali Rizvi
Falling Off the Earth - Rachel Price still
Music, Music Videos, PremieresMay 4, 2017<May 4, 2017

Video Premiere: Pain and Passion in Rachel Price’s Lovelorn “Falling Off the Earth”

by Mitch Mosk
Music, Time MachineMay 4, 2017<May 4, 2017

Time Machine: Leonard Cohen and More Sing, “Hallelujah”

by Erika Kooda
TATRAN "Eyes" still
Music, Music Videos, PremieresMay 3, 2017<May 4, 2017

Premiere: The Sensational, Unsettling Power of TATRAN’s Epic “Eyes”

by Mitch Mosk
Battlehooch © Marta Barensfeld
Music, PremieresMay 3, 2017<May 3, 2017

Premiere: Battlehooch’s “Used to Think of You” Is a Psych-Rock Trip Down Memory Lane

by Mitch Mosk
Jon and Roy © Kim Jay Photography
Features, Music, PremieresMay 3, 2017<May 3, 2017

Premiere: Jon and Roy’s “The Better Life” Embraces Today for a Hopeful Tomorrow

by Mitch Mosk
Priests © Audrey Melton
Debut, Music, ReviewsMay 3, 2017<May 3, 2017

Review: The Fiercely Ambitious Foundation of Priests’ ‘Nothing Feels Natural’

by Shayna Chabrow
Be Happy - FRND
Features, Interviews, Music, ReviewsMay 3, 2017<May 3, 2017

The Tender Emotion and Poignant Closure of FRND’s “Be Happy”

by Mitch Mosk
WVM © 2017
Music, Music Videos, PremieresMay 2, 2017<May 2, 2017

Premiere: The Dark Allure and Primal Urge of WVM’s “I Will Run”

by Mitch Mosk
Modern Mal © 2017
Music, PremieresMay 2, 2017<May 2, 2017

Premiere: The Forlorn Lament of Modern Mal’s Dreamy “Wild Heart”

by Mitch Mosk
Steve Lacy's Demo - Steve Lacy
Columns, Music, Music You Should Know, ReviewsMay 2, 2017<May 2, 2017

Music You Should Know: Foreshadowing Steve Lacy’s Production Mastery & Breakout Stardom

by Brandon Payano
Jeremy Messersmith 11 Obscenely Optimistic Songs... cover
Music, ReviewsMay 2, 2017<May 1, 2017

Review: Jeremy Messersmith’s “Obscenely Optimistic” Offers Kittens, Magic, & More

by Erika Kooda
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Brand New

  • Raye’s ‘THIS MUSIC MAY CONTAIN HOPE.’ Is Cinematic Pop That Dazzles and Delivers
  • Paris Paloma’s “Miyazaki” Is a Love Letter to Human Creation
  • “I think it’s time just to make awesome rock music”: Jonny Tex Returns to SXSW with a New Sound, New Band, & New Sense of Purpose
  • “I’m listening to me this time”: Brit Taylor Trusts the Signs on ‘Land of the Forgotten’
  • “It’s all waiting there for you”: Harry Styles Captures the Beauty of Music Discovery & Offers an Outlook on Life Itself on “Carla’s Song”
  • “You Can Reject the Script That’s Handed to You”: The Undercover Dream Lovers’ Matt Koenig Is Living Life on His Own Terms (And You Can, Too)
  • Roundtable Discussion: A Review of Harry Styles’ ‘Kiss All The Time. Disco, Occasionally.’

:: discover something new ::

Recent Posts

  • Raye’s ‘THIS MUSIC MAY CONTAIN HOPE.’ Is Cinematic Pop That Dazzles and Delivers April 8, 2026
  • Paris Paloma’s “Miyazaki” Is a Love Letter to Human Creation April 8, 2026
  • “I think it’s time just to make awesome rock music”: Jonny Tex Returns to SXSW with a New Sound, New Band, & New Sense of Purpose April 7, 2026
  • “I’m listening to me this time”: Brit Taylor Trusts the Signs on ‘Land of the Forgotten’ April 7, 2026
  • “It’s all waiting there for you”: Harry Styles Captures the Beauty of Music Discovery & Offers an Outlook on Life Itself on “Carla’s Song” April 7, 2026
  • “You Can Reject the Script That’s Handed to You”: The Undercover Dream Lovers’ Matt Koenig Is Living Life on His Own Terms (And You Can, Too) April 6, 2026
  • Roundtable Discussion: A Review of Harry Styles’ ‘Kiss All The Time. Disco, Occasionally.’ April 6, 2026
  • Joshua Quimby Is Redefining What It Means to Be Country April 6, 2026
  • Melanie Martinez’s ‘HADES’: A Descent into Pop’s Most Unsettling Underworld April 6, 2026
  • The Magical Renaissance of U2: A Reflection on ‘Days of Ash’ and ‘Easter Lily’ April 6, 2026
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