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Rousseau © 2017
Debut, Features, Music, PremieresFebruary 9, 2017<February 14, 2017

Exclusive Premiere: Rousseau’s Haunting “Desert Road” and the Raw Pain of Change

by Mitch Mosk
Surf Rock is Dead © Jacqueline Harriet
Features, Interviews, MusicFebruary 9, 2017<February 9, 2017

Consistency, Creation, and Contentment: A Conversation with Surf Rock is Dead

by Maggie McHale
Ross Nicol © Alex Justice
Music, Music Videos, PremieresFebruary 9, 2017<February 9, 2017

Exclusive Premiere: Less Is More with Ross Nicol’s “I’ve Got You”

by Kelly McCafferty Dorogy
PodcastFebruary 8, 2017<February 8, 2017

The Tour Manager’s Guide: 3 Hours with Eli Maiman of Walk the Moon

by Danny Carissimi
Gianni Paci © 2017
Features, Music, Music Videos, PremieresFebruary 8, 2017<February 8, 2017

Exclusive Premiere: The Raw, Intimate Duality of Gianni Paci’s “Tonight’s The Night”

by Mitch Mosk
Bloodboy © Milicent Hailes
Columns, Music, Music You Should KnowFebruary 8, 2017<February 8, 2017

Music You Should Know: Smart Pop Prevails in Bloodboy’s “Best of Bloodboy”

by Lindsay Call
Ray BLK © HL Brown
Columns, Music, Today's SongFebruary 8, 2017<February 8, 2017

Today’s Song: Ray BLK’s “Patience (Freestyle)” is a Candid, Old-School Take on Contemporary R&B

by Sydney Sweeney
All Things Blue © Erika Mugglin
Features, Music, PremieresFebruary 7, 2017<February 7, 2017

Exclusive Premiere: The Intimate Staying Power of All Things Blue’s “Milk and Honey”

by Mitch Mosk
PATV Splashh The Britany's tour poster 2017
Concerts, MusicFebruary 7, 2017<February 7, 2017

A Bunch of “Good Boys”: Public Access T.V., Splashh, and The Britanys at Schubas, Chicago

by Erika Kooda
Nothing Yet - Surf Curse
Columns, Music, Today's SongFebruary 7, 2017<February 6, 2017

Today’s Song: Surf Curse Run Through Life Dazed and Confused on “The Strange and the Kind”

by Shayna Chabrow
Strange Lot © 2017
Features, Music, PremieresFebruary 6, 2017<February 6, 2017

Exclusive Premiere: Strange Lot Comes to a Realization in “Gods & Clods”

by Nicole Almeida
2NE1 © 2017
Columns, Music, Today's SongFebruary 6, 2017<February 6, 2017

Today’s Song: K-Pop’s 2NE1 Bid a Solemn Farewell on “Goodbye”

by Kevin Young
Making Matters Worse - Le Trouble
Music, PremieresFebruary 3, 2017<February 3, 2017

Exclusive Premiere: An Emphasis on Catharsis in Le Trouble’s ‘Making Matters Worse’ LP

by Alex Killian
Expiration Date - Brett Gleason single cover
Features, Music, PremieresFebruary 3, 2017<February 3, 2017

Exclusive Premiere: “Expiration Date,” Brett Gleason’s Funeral Dirge for Lost Love

by James Crowley
Rosie Carney © Lisa Byrne
Columns, Music, Today's SongFebruary 3, 2017<January 21, 2020

Today’s Song: Of Self-Confession and Strength – Rosie Carney’s “Awake Me”

by Lindsay Call
Posts pagination
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Brand New

  • “This Is What It Feels Like to Not Feel Anything”: Petey USA on Turning Private Thoughts into Shared Space & the Fictional Truths of ‘The Yips’
  • “We’re all just friends making music”: Brooklyn’s Anyhow Are an Emerging Indie Rock Duo Built on Collaboration, Trust, & Guitars
  • Atwood Magazine Presents Mistletones: 2025’s Best New Holiday Songs, Pt. 1!
  • “I Serve Me. I Take Care of Me. I Am My Keeper”: Medium Build on Surviving the Dream, Choosing Himself, & More Takeaways From a Career-Defining Year
  • Interview: From Malawi to Massachusetts, The Kasambwe Brothers Are Strumming Their Way to Success
  • “You Have Me Marked as Nice”: Ski Team Sits With Desire, Restraint, & the Mercy of Boundaries on “Santa”
  • Atwood Magazine’s 2025 Albums of the Year

:: discover something new ::

Recent Posts

  • “This Is What It Feels Like to Not Feel Anything”: Petey USA on Turning Private Thoughts into Shared Space & the Fictional Truths of ‘The Yips’ December 19, 2025
  • “We’re all just friends making music”: Brooklyn’s Anyhow Are an Emerging Indie Rock Duo Built on Collaboration, Trust, & Guitars December 19, 2025
  • Atwood Magazine Presents Mistletones: 2025’s Best New Holiday Songs, Pt. 1! December 19, 2025
  • “I Serve Me. I Take Care of Me. I Am My Keeper”: Medium Build on Surviving the Dream, Choosing Himself, & More Takeaways From a Career-Defining Year December 18, 2025
  • Interview: From Malawi to Massachusetts, The Kasambwe Brothers Are Strumming Their Way to Success December 18, 2025
  • “You Have Me Marked as Nice”: Ski Team Sits With Desire, Restraint, & the Mercy of Boundaries on “Santa” December 18, 2025
  • Atwood Magazine’s 2025 Albums of the Year December 18, 2025
  • “Raw, Experimental, & Definitive”: Low.bō Debuts with a Bruised, Intimate Alt-R&B Reckoning on ‘husk’ December 17, 2025
  • “Anger, Death, & Acceptance”: Adult Mom’s Stevie Knipe Gives Life’s Hardest Feelings a Voice on ‘Natural Causes’ December 17, 2025
  • “None of us are free until all of us are free”: Rick Alverson & Emilie Rex on Making ‘Passages: Artists in Solidarity with Immigrants, Refugees, and Asylum Seekers’ December 17, 2025
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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