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Arkells © 2016 8.9
Music, Our Take, ReviewsOctober 21, 2016<March 2, 2025

Our Take: The Messy Perfection of Arkells’ ‘Morning Report’

by Shannon Ruzgys
ALIA © 2016
Columns, Music, Today's SongOctober 21, 2016<January 9, 2018

Today’s Song: Revel in Guilty Pleasure with ALIA’s “Gin & Honey”

by Ethan Germann
Watching for Foxes
Features, Music, Premieres, VideoOctober 20, 2016<October 20, 2016

Exclusive Premiere: Watching for Foxes’ Fresh Start and Raw Wounds on “Prelude”

by Mitch Mosk
One Way Ticket - Midnight to Monaco
Features, Music, PremieresOctober 20, 2016<October 20, 2016

Exclusive Premiere: Recycle Jordan Dancifies Midnight to Monaco’s Nu-Wop Hit “One Way Ticket”

by Mitch Mosk
Handgrenades © Doug Coombe
Features, Music, PremieresOctober 20, 2016<October 20, 2016

Exclusive Premiere: Handgrenades Play with Perception in “The Watcher”

by Nicole Almeida
Big Scary
Columns, Music, Today's SongOctober 20, 2016<October 20, 2016

Today’s Song: Finding Calm within the Storm in Big Scary’s “The Opposite of Us”

by Hannah Maire
JonoJosh
Features, Music, PremieresOctober 19, 2016<October 26, 2016

Exclusive Premiere: JonoJosh Rides the Sonic Zeitgeist on Formative Debut ‘Outside’ EP

by Mitch Mosk
LUCA LUSH
Columns, Music, Today's SongOctober 19, 2016<October 19, 2016

Today’s Song: Seamless Cut & Sew Production on LUCA LUSH’s “Anything 4 U”

by Alex Killian
Oli Hannaford
Music, Our Take, ReviewsOctober 18, 2016<October 18, 2016

Our Take: Oli Hannaford Explores Life and Love Through ‘Free Things’

by Maggie McHale
Mulherin © 2016
Columns, Music, Today's SongOctober 18, 2016<October 18, 2016

Today’s Song: A Story of Mistrust with Mulherin’s “Leagues”

by Ethan Germann
Ben Hobbs © Caitlin Mogridge
Features, Music, PremieresOctober 18, 2016<October 26, 2016

Exclusive Premiere: Ben Hobbs’ “Take The Blame” Is a Vulnerable, Ominous Anthem

by Mitch Mosk
Driftwood © Danielle Geristen
Features, Music, PremieresOctober 17, 2016<October 17, 2016

Exclusive Premiere: Driftwood’s “Too Afraid” Explores Attraction’s Pleasure and Pain

by Mitch Mosk
and the Anonymous Nobody... De La Soul 8.4
Music, Our Take, ReviewsOctober 17, 2016<September 5, 2023

Our Take: De La Soul… Still Going Strong After 27 Years

by Josh Weiner
Foxygen © 2016
Columns, Features, Music, Reviews, Today's SongOctober 17, 2016<October 7, 2022

Foxygen’s “America” or: How I Learned to Accept Bowie’s Death and Keep Loving Indie Rock

by Ross Finney
Bob Dylan
Editorials, MusicOctober 15, 2016<September 30, 2025

Editorial: Why Bob Dylan’s Music Is Literature

by Jon Hecht
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Brand New

  • “I Serve Me. I Take Care of Me. I Am My Keeper”: Medium Build on Surviving the Dream, Choosing Himself, & More Takeaways From a Career-Defining Year
  • Interview: From Malawi to Massachusetts, The Kasambwe Brothers Are Strumming Their Way to Success
  • “You Have Me Marked as Nice”: Ski Team Sits With Desire, Restraint, & the Mercy of Boundaries on “Santa”
  • Atwood Magazine’s 2025 Albums of the Year
  • “Raw, Experimental, & Definitive”: Low.bō Debuts with a Bruised, Intimate Alt-R&B Reckoning on ‘husk’
  • “Anger, Death, & Acceptance”: Adult Mom’s Stevie Knipe Gives Life’s Hardest Feelings a Voice on ‘Natural Causes’
  • “None of us are free until all of us are free”: Rick Alverson & Emilie Rex on Making ‘Passages: Artists in Solidarity with Immigrants, Refugees, and Asylum Seekers’

:: discover something new ::

Recent Posts

  • “I Serve Me. I Take Care of Me. I Am My Keeper”: Medium Build on Surviving the Dream, Choosing Himself, & More Takeaways From a Career-Defining Year December 18, 2025
  • Interview: From Malawi to Massachusetts, The Kasambwe Brothers Are Strumming Their Way to Success December 18, 2025
  • “You Have Me Marked as Nice”: Ski Team Sits With Desire, Restraint, & the Mercy of Boundaries on “Santa” December 18, 2025
  • Atwood Magazine’s 2025 Albums of the Year December 18, 2025
  • “Raw, Experimental, & Definitive”: Low.bō Debuts with a Bruised, Intimate Alt-R&B Reckoning on ‘husk’ December 17, 2025
  • “Anger, Death, & Acceptance”: Adult Mom’s Stevie Knipe Gives Life’s Hardest Feelings a Voice on ‘Natural Causes’ December 17, 2025
  • “None of us are free until all of us are free”: Rick Alverson & Emilie Rex on Making ‘Passages: Artists in Solidarity with Immigrants, Refugees, and Asylum Seekers’ December 17, 2025
  • “It’s Like the Kind of Dream Where You Just Wanna Scream”: Drauve Channel Raw Emotion into Heavy, Shimmering Shoegaze on ‘Timeline’ December 17, 2025
  • Today’s Song: The Barons Channel the Strength of Authentic Human Interaction in “Way Out” December 17, 2025
  • “We Have Fun, and That’s It”: Underbrook Are on the Way Up With ‘Was Happiness Too Boring for You?’ December 16, 2025
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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