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Bleached © Nicole Anne Robbins
Columns, Music, Today's SongApril 19, 2016<April 19, 2016

Today’s Song: Sour. Sweet. Both? Bleached’s “Sour Candy” as Pop and Punk

by Lindsay Call
Kendrick Lamar at Øyafestivalen 2013 // Photo © Kim Erlandsen 8.9
Features, Music, Our Take, ReviewsApril 19, 2016<September 5, 2023

Untitled, but Masterly: Kendrick Lamar Extends His Stunning Repertoire

by Josh Weiner
The Northcoast
Features, Interviews, Music, Premieres, ReviewsApril 18, 2016<May 8, 2016

Exclusive Premiere: Limitless Possibility as The Northcoast “Reach into the Stars”

by Mitch Mosk
Take It From Me - KONGOS
Columns, Music, Today's SongApril 16, 2016<April 26, 2016

Today’s Song: “Take It From Me,” KONGOS’ Unrelenting Return

by Mitch Mosk
Sept. 5th - dvsn
Debut, Features, Music, Our Take, ReviewsApril 15, 2016<April 15, 2016

Our Take: dvsn Dive Fearlessly into the Unfamiliar on “Sept. 5th”

by Hailey McAdams
"Fever" promo shot by Agelast
Columns, Debut, Features, Music, Music Videos, Today's SongApril 14, 2016<April 15, 2016

Today’s Song: The Heat of Agelast’s “Fever”

by Mitch Mosk
The Zolas
Music, Our Take, ReviewsApril 12, 2016<April 11, 2016

Our Take: The Zolas Fall in Love with Life on “Swooner”

by Natalie Harmsen
LANY
Features, Interviews, MusicApril 11, 2016<April 11, 2016

More Than Decent: A Conversation with LANY

by Maggie McHale
Kwamie Liv
Columns, Music, Music You Should KnowApril 8, 2016<April 8, 2016

Music You Should Know: Kwamie Liv “Can Take You Higher” — Or Lower, Depending on Preference

by Julia Naman
Genevieve © Erin Brown Photography
Features, Interviews, MusicApril 8, 2016<April 8, 2016

Show Your Colors: A Guide to Accepting Love and Celebrating Life with Genevieve

by Erin Brown
Conrad Sewell // credit Facebook
Essays, Features, MusicApril 7, 2016<April 7, 2016

Conrad Sewell: Finding Depth within the Silence

by Hannah Maire
Gwen Stefani © Jamie Nelson 7.1
Music, Our Take, ReviewsApril 6, 2016<September 5, 2023

Our Take: Gwen Stefani Stays Cool on “Truth”

by Josh Weiner
ALIA
Columns, Debut, Music, Today's SongApril 6, 2016<April 14, 2016

Today’s Song: ALIA Blazes Her Own Trail with “Penthouse”

by Ethan Germann
Denny - Press - March 2016
Columns, Features, Music, Today's SongApril 5, 2016<December 19, 2017

Today’s Song: DENNY Break the Mold with “Bloom”

by Mitch Mosk
MOTHXR © Eric Bouccan
Features, Music, Our Take, ReviewsApril 5, 2016<April 10, 2016

Our Take: The Melancholic Dream of “Centerfold” by MOTHXR

by Maggie McHale
Posts pagination
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Brand New

  • “I think it’s time just to make awesome rock music”: Jonny Tex Returns to SXSW with a New Sound, New Band, & New Sense of Purpose
  • “I’m listening to me this time”: Brit Taylor Trusts the Signs on ‘Land of the Forgotten’
  • “It’s all waiting there for you”: Harry Styles Captures the Beauty of Music Discovery & Offers an Outlook on Life Itself on “Carla’s Song”
  • “You Can Reject the Script That’s Handed to You”: The Undercover Dream Lovers’ Matt Koenig Is Living Life on His Own Terms (And You Can, Too)
  • Roundtable Discussion: A Review of Harry Styles’ ‘Kiss All The Time. Disco, Occasionally.’
  • Joshua Quimby Is Redefining What It Means to Be Country
  • Melanie Martinez’s ‘HADES’: A Descent into Pop’s Most Unsettling Underworld

:: discover something new ::

Recent Posts

  • “I think it’s time just to make awesome rock music”: Jonny Tex Returns to SXSW with a New Sound, New Band, & New Sense of Purpose April 7, 2026
  • “I’m listening to me this time”: Brit Taylor Trusts the Signs on ‘Land of the Forgotten’ April 7, 2026
  • “It’s all waiting there for you”: Harry Styles Captures the Beauty of Music Discovery & Offers an Outlook on Life Itself on “Carla’s Song” April 7, 2026
  • “You Can Reject the Script That’s Handed to You”: The Undercover Dream Lovers’ Matt Koenig Is Living Life on His Own Terms (And You Can, Too) April 6, 2026
  • Roundtable Discussion: A Review of Harry Styles’ ‘Kiss All The Time. Disco, Occasionally.’ April 6, 2026
  • Joshua Quimby Is Redefining What It Means to Be Country April 6, 2026
  • Melanie Martinez’s ‘HADES’: A Descent into Pop’s Most Unsettling Underworld April 6, 2026
  • The Magical Renaissance of U2: A Reflection on ‘Days of Ash’ and ‘Easter Lily’ April 6, 2026
  • “Not what you said, but how you said it”: Charlie Lim Lays Himself Bare on “Nobody’s Home,” a Gut-Wrenching Portrait of Grief and Emotional Reckoning April 3, 2026
  • “SWEET LOVE”: Stephen Sanchez Falls Head Over Heels into a Feel-Good, Heart-on-Sleeve Retro-Pop Anthem April 3, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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