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Future Soul © Kyle Gilbert
Features, Music, PremieresAugust 24, 2016<August 24, 2016

Exclusive Premiere: Future Soul’s “Faith” Seeks Light in the Dark

by Mitch Mosk
PHANGS // Jake Germany
Debut, Interviews, Music, PremieresAugust 24, 2016<August 23, 2016

Chasing a Feeling: Introducing PHANGS

by Maggie McHale
Hey Violet is Rena Lovelis, Nia Lovelis, Miranda Miller, and Casey Moreta
Features, Interviews, MusicAugust 23, 2016<March 2, 2025

Love, Pop, and Brand New Moves: A Conversation with Hey Violet

by Mitch Mosk
Screengrab from "No Pain" by Emily Blue
Debut, Music, Music Videos, PremieresAugust 22, 2016<December 5, 2017

Exclusive Premiere: Finding Strength in Emily Blue’s “No Pain”

by Atwood Magazine Staff
YJY © Nick Matsas
Features, Music, PremieresAugust 19, 2016<August 19, 2016

Exclusive Premiere: YJY’s “The Same Noise” EP Reinvigorates Surf-Punk

by Ross Finney
Sleepy Kitty is Paige Brubeck and Evan Sult // © Mr. Iozo
Features, Interviews, MusicAugust 19, 2016<August 19, 2016

Capturing Moments of Flux: A Conversation with Sleepy Kitty

by Erin Brown
California - blink-182
Essays, Features, Music, ReviewsAugust 18, 2016<August 18, 2016

blink-182’s California: The Good, The Bad, and The Comeback

by Shannon Ruzgys
Fake Boyfriend © Alex Udowenko
Columns, Debut, Music, Music You Should KnowAugust 18, 2016<August 18, 2016

Music You Should Know: Revisiting Fake Boyfriend’s ‘Mercy’ EP

by Connor Bush
Wages "Rattlesnake" still
Features, Music, Music Videos, PremieresAugust 18, 2016<August 18, 2016

Exclusive Premiere: Wages’ “Rattlesnake” Copes with Pain in Darkness

by Mitch Mosk
VARSITY © Nick Matsas
Features, Interviews, MusicAugust 17, 2016<August 17, 2016

Escaping the Obvious and Reaching People: A Conversation with VARSITY

by Nicole Almeida
NEEDTOBREATHE © Eric Ryan Anderson
Music, Our Take, ReviewsAugust 17, 2016<August 17, 2016

Our Take: On “Hard Love,” NEEDTOBREATHE Deliver a Powerful Message

by Renae Weaver
Bon Iver "10 d E A T h b R E a s T ⚄ ⚄" still
Columns, Music, Today's SongAugust 16, 2016<October 17, 2016

Today’s Song: Love and Fear Wrestle on Bon Iver’s “10 d E A T h b R E a s T ⚄ ⚄”

by Olivia Seville
Ptarmigan 2016
Features, Music, PremieresAugust 16, 2016<August 16, 2016

Exclusive Premiere: Ptarmigan Take Flight on “O Zephyr”

by Kaitlyn Zorilla
Broods is Georgia and Caleb Nott
Features, Interviews, MusicAugust 15, 2016<August 29, 2016

Bigger, Bolder, and ‘Conscious’: A Conversation with Broods

by Mitch Mosk
Burning in Birmingham - Amy León
Columns, Music, Today's SongAugust 15, 2016<August 15, 2016

Today’s Song: Amy León Ignites in “Burning in Birmingham”

by Lindsay Call
Posts pagination
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Brand New

  • “I Don’t Sleep Anymore”: Harvey Street Turn Sleepless Nights into an Indie Rock Confession on “Insomnia”
  • “We Just Didn’t Wanna Be Lonely”: Bleachers Drift Through Memory-Laced Americana on “the van,” a Softly Cinematic, Road-Worn Reverie
  • “Girls Like Us Like It Loud”: BERENICE Puts Her People Front & Center on “Everybody Loves Italian Girls,” an Irresistible Pop Anthem for Being Seen in Full
  • “I’m a Maximalist at My Core”: Maya Engen Arrives Breathtaking and Unafraid with “Fool,” a Soulfully Smoldering Debut That Finds Power in Feeling Everything
  • “I’ma Gonna Tell You How It Is”: A Good Hard Look At Primus’ ‘A Handful of Nuggs’ EP
  • “I Think the Dance Floor Is Dead”: Charli xcx’s “Rock Music” Is a Kick-Off into a Dauntless Idea, But Not a Pivot
  • Atwood Magazine’s Weekly Roundup: May 29, 2026

:: discover something new ::

Recent Posts

  • “I Don’t Sleep Anymore”: Harvey Street Turn Sleepless Nights into an Indie Rock Confession on “Insomnia” May 31, 2026
  • “We Just Didn’t Wanna Be Lonely”: Bleachers Drift Through Memory-Laced Americana on “the van,” a Softly Cinematic, Road-Worn Reverie May 30, 2026
  • “Girls Like Us Like It Loud”: BERENICE Puts Her People Front & Center on “Everybody Loves Italian Girls,” an Irresistible Pop Anthem for Being Seen in Full May 29, 2026
  • “I’m a Maximalist at My Core”: Maya Engen Arrives Breathtaking and Unafraid with “Fool,” a Soulfully Smoldering Debut That Finds Power in Feeling Everything May 29, 2026
  • “I’ma Gonna Tell You How It Is”: A Good Hard Look At Primus’ ‘A Handful of Nuggs’ EP May 29, 2026
  • “I Think the Dance Floor Is Dead”: Charli xcx’s “Rock Music” Is a Kick-Off into a Dauntless Idea, But Not a Pivot May 29, 2026
  • Atwood Magazine’s Weekly Roundup: May 29, 2026 May 29, 2026
  • Finding the Way Back: Hudson Ingram on Nostalgia, Growth, and ‘The Long Way Home’ May 28, 2026
  • “Jazz Isn’t a Museum Piece”: Black Nile Cultivate a Bountiful ‘Indigo Garden’ Full of Fresh Jazzy Delights May 28, 2026
  • “When I Pull Your Body Close, It’s Like Ecstasy”: Wake the Wild Bring Dance-Floor Desire to Life in “Satisfaction,” a Sweat-Kissed Funk Reverie May 28, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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