Columns, Features, Music, Weekly RoundupApril 28, 2023<May 15, 2023 Atwood Magazine’s Weekly Roundup: April 28, 2023 by Atwood Magazine Staff
Columns, Music, Today's SongMarch 21, 2023<April 30, 2023 Today’s Song: girlhouse’s Lauren Luiz Shares an Intimate Look into Relationships and Proves She’s “worth it” by Brianna Corrine
Columns, Editor's Picks, Features, MusicMarch 17, 2023<March 17, 2023 Editor’s Picks 92: Gordi, Under the Rug, Tash Sultana, Karson., Stolen Jars, & girlhouse! by Mitch Mosk
Features, Lists, MusicDecember 12, 2022<March 11, 2023 The 22 Best EPs of 2022 by Atwood Magazine Staff
Features, Interviews, MusicMay 9, 2022<May 10, 2022 Coming to Grips with Reality: girlhouse’s Lauren Luiz Shares the Influences & Inspirations Behind Unfiltered ‘the third ep’ by Mitch Mosk
Columns, Editor's Picks, Features, MusicApril 15, 2022<April 26, 2024 Editor’s Picks 59: BEL & girlhouse, Mt. Joy, Ken Yates, McCall, Typhoon, & Nora Mae by Mitch Mosk
Columns, Features, Music, Weekly Roundup, Women's History MonthMarch 18, 2022<March 18, 2022 Atwood Magazine’s Weekly Roundup: Women’s History Month 2022 by Atwood Magazine Staff
Features, Lists, MusicJanuary 18, 2022<September 29, 2022 Atwood Magazine’s 2022 Artists to Watch by Atwood Magazine Staff
Features, Lists, MusicJanuary 5, 2022<February 7, 2022 Atwood Magazine’s Top Artist Discoveries of 2021 by Atwood Magazine Staff
Music, ReviewsAugust 11, 2021<August 11, 2021 Review: girlhouse Channels Dark, Intimate & Intense Emotions into New Single “happy now” by Mitch Mosk
Artist to Watch, Debut, Music, Reviews, Track-by-TrackMay 14, 2021<May 14, 2021 “Sad Ginger Music”: girlhouse Goes Track-by-Track Through Her Visceral Debut EP by Mitch Mosk
Artist to Watch, Columns, Music, Today's SongMarch 18, 2021<March 18, 2021 Artist to Watch: girlhouse Reckons with Inherited Trauma & Finds Renewal on “loaded gun” by Mitch Mosk
Columns, Editor's Picks, Features, MusicMarch 10, 2021<April 8, 2021 Editor’s Picks 47: Loviet, Baby Queen, Ysabel Bain, girlhouse, Fousheé, & Babygirl by Mitch Mosk