Features, Interviews, MusicSeptember 30, 2021<October 1, 2021 Interview: Nashville Artist Boon on Negative Relationships, His Striking Style, and His Father’s Influence by Chloe Robinson
Music, PremieresSeptember 21, 2021<September 21, 2021 Premiere: Nashville’s Kelsey Abbott Finds Release in Impassioned Alt-Rock Anthem “Distractions” by Mitch Mosk
Concerts, Music, ReviewsSeptember 14, 2021<September 14, 2021 Live Review: Lilly Hiatt Reaps What She Rocks at Harvest Music Festival 2021 by Oliver Crook
Features, Music, Premieres, Reviews, Track-by-TrackSeptember 1, 2021<September 1, 2021 EP Premiere: Gold Star Dives into His Dynamic, Vulnerable & Candid ‘Headlights U.S.A.’ by Mitch Mosk
Columns, Interviews, Music, Today's SongAugust 31, 2021<August 31, 2021 Today’s Song: The Go Rounds’ “Harpees,” a Flawless Chill Indie Single on Their Journey to Fulfillment by Diego Morales
9.7 Music, Our Take, ReviewsAugust 31, 2021<February 7, 2022 Our Take: The Killers’ Devastatingly Beautiful, Bittersweet & Breathtaking ‘Pressure Machine’ by Mitch Mosk
Features, Interviews, MusicAugust 30, 2021<September 3, 2021 Interview: Hiss Golden Messenger’s Intimate ‘Quietly Blowing It’ Finds Beauty in Fracture, Redemption, Turmoil, & Strength by Mitch Mosk
Music, ReviewsAugust 26, 2021<August 26, 2021 Jango Flash’s “My Mercedes” Is Loud, Feverish, & Raw Indie Rock by Mitch Mosk
Columns, Music, Today's SongAugust 19, 2021<August 19, 2021 Today’s Song: WANDERERS’ Sweet, Irresistible “Penny” Channels Sunshine & Seduction by Mitch Mosk
Music, Premieres, Track-by-TrackAugust 19, 2021<August 19, 2021 Premiere: Kate Dinsmore’s Cathartic New EP ‘Version of Me’ by Mariel Fechik
Features, Interviews, Music, Reviews, Track-by-TrackAugust 18, 2021<August 18, 2021 Reflection & Rediscovery: Eliza Shaddad Dives into Her Stirring Sophomore LP ‘The Woman You Want’ by Mitch Mosk
Debut, Features, Music, Reviews, Track-by-TrackAugust 13, 2021<August 13, 2021 “Attention. Deficit. Disorder.”: Bendigo Fletcher Enjoy ‘Fits of Laughter’ on Dazzling Debut Album by Mitch Mosk
Features, Music, Reviews, Track-by-TrackAugust 13, 2021<August 13, 2021 “A F*cking Classic”: M.A.G.S. Dives into His Fearless & Unapologetic Sophomore Album ‘Say Things That Matter’ by Mitch Mosk
Music, ReviewsAugust 10, 2021<August 10, 2021 Wyse’s “Not That Sorry” Is a Beautifully Unapologetic Upheaval by Mitch Mosk
Features, Music, Reviews, Track-by-TrackAugust 5, 2021<August 5, 2021 “Liberating, Confrontational, Yearning”: Pageants Shine on Sophomore Album ‘Sun and Settled Days’ by Mitch Mosk