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Josh Weiner

Josh Weiner

I am a Washington, DC native and graduate of Tufts University and Georgetown University. I have been a contributing writer for Atwood Magazine since spring 2015.

MC Hammer
Does Anybody Remember Laughter?April 1, 2021<April 1, 2021

’90s Nostalgia Boys Rejoice! MC Hammer Is Back Again with “U Can’t Touch This 2”

Kurt Deemer Band
Music, ReviewsMarch 31, 2021<March 30, 2021

Review: Kurt Deemer Band Paint a ‘World Upside Down’ with Both Current & Pre-Pandemic Themes

Edwin Raphael © Gaelle Leroyer
Interviews, MusicMarch 23, 2021<March 23, 2021

A Conversation with Edwin Raphael: A Dubai Native Making Waves in Montreal with New EP ‘Staring at Ceilings’

Steve Brian © denn_is_art
Interviews, MusicMarch 23, 2021<March 23, 2021

Interview with Steve Brian: A ‘1986’ Offspring from Germany Delivers a Second Stunning Offering of EDM

Ray Moon © The Nikon Icon
Interviews, MusicMarch 22, 2021<March 22, 2021

From Darkness to “Glowin”: A Conversation with Ray Moon

alexdgoldberg
Debut, Interviews, MusicMarch 18, 2021<March 18, 2021

Interview with Alexdgoldberg: Brooklyn’s Finest Bounces Back From Bad Health & Releases Compelling Debut LP ‘Loste’

Huitième Art - Sinik 8
Music, Our Take, ReviewsMarch 17, 2021<March 16, 2021

Our Take: Sinik Maintains His Streak of Dominance in the French Rap Game with ‘Huitième art’

XIXA © Puspa Loh Meyer
Music, ReviewsMarch 12, 2021<March 12, 2021

Review: XIXA Embark on an Unsettling Tour of the Sonoran Desert on Sophomore Record ‘Genesis’

Novi © 2021
MusicMarch 10, 2021<March 11, 2021

Novi Crafts a Refreshing Synth-Pop Antidote to Lockdown Woes with ‘For the Wild Ones’ EP

Jesse Gold © Arman Saturday
Music, ReviewsMarch 3, 2021<March 3, 2021

Jesse Gold Honors His Trademark Sounds & Longtime Creative Allies on “We Good”

Foo Fighters © Danny Clinch 8.3
Music, Our Take, ReviewsFebruary 24, 2021<June 2, 2023

Our Take: With ‘Medicine at Midnight’, Foo Fighters’ Album Total Cracks the Double Digits in Grand Style

Rome & Duddy
Features, Interviews, MusicFebruary 22, 2021<February 21, 2021

Interview with Rome & Duddy: Two Friends & Seasoned Performers Try Their Luck As a Feel-Good Duo

Planet Giza © Igal Perets
Columns, Music, Today's SongFebruary 8, 2021<February 11, 2021

Today’s Song: Planet Giza Get Things Going with “When the Moving Stops”

AFSHeen © 2021
Interviews, MusicFebruary 4, 2021<February 3, 2021

Interview with AFSHeeN: An Electronica Expert Who’s Eager to Offer You Some ‘HAPPY TUNES’

inverness © Meg Meyer
Music, ReviewsFebruary 3, 2021<February 3, 2021

Review: Inverness, Anthony Russo, & Kang Daniel Conjure a Marvelous “State of Wonder” in the Studio

Posts pagination
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Recent Posts

  • Editor’s Picks 149: MEEK, Ray Bull, The Maine, Soda Blonde, Silverdeer, & Noshows! March 9, 2026
  • “We Came, We Saw, We Partied”: Almost Heaven Debut with a Sweaty and Feverish Disco Ball Haze on ‘RAW CRANIUM’ March 9, 2026
  • “Dancing with the Sacred Wound”: Rosina Buck Reflects on Transforming Pain into Art for International Women’s Day March 8, 2026
  • “The Mercurial, Missing Music of Motherhood”: An Essay by Sailing Stones for International Women’s Day March 8, 2026
  • “Some Voices Do Not Fade”: The I AM PROUD Collective Honors Sojourner Truth’s Enduring Legacy for International Women’s Day March 8, 2026
  • John-Robert’s “Anna” Brings Back the Art of Crushing – and the Thrill That Comes With It March 8, 2026
  • Today’s Song: Desert Collider Summon the Sandworm on “ThumpeRRR” March 7, 2026
  • “We Live, We Learn, We Love”: David Keenan on Irish Storytelling, Belonging, and the Human Struggle Behind ‘Modern Mythologies’ March 6, 2026
  • “Am I the problem?:” Dogpark Break Down Industry Pressure and the World Behind ‘Corporate Pudding’ March 6, 2026
  • “I’m First and Foremost a Traveler”: Gabi Hartmann’s Mesmerizing Voice Carries Wonder, Fragility, and a World of Sound March 6, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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