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Josh Weiner

Josh Weiner

I am a Washington, DC native and graduate of Tufts University and Georgetown University. I have been a contributing writer for Atwood Magazine since spring 2015.

EXODUS 1:7 - DMX 7.5
Music, Our Take, ReviewsJune 10, 2021<June 10, 2021

Our Take: DMX Sounds His Final Bark on ‘EXODUS 1:7’

The Bitter Truth - Evanescence 8.3
Music, Our Take, ReviewsJune 8, 2021<June 8, 2021

Our Take: Evanescence Dazzle Like the Seasoned Rock Veterans They Are on ‘The Bitter Truth’

Love Truls © Linus Bertholdsson
Columns, Music, Today's SongJune 4, 2021<June 4, 2021

Today’s Song: Sweden’s Love Truls Displays Tender Feelings of Affection on “Tell Her”

Lycoriscoris © 2021
Interviews, MusicMay 13, 2021<May 13, 2021

Interview with Lycoriscoris: A Master EDM-Maker from Japan Delivers a Spellbinding Record with ‘Chiyu’

Jauz & HALIENE
MusicApril 22, 2021<August 3, 2021

With “Oceans & Galaxies,” Jauz & HALIENE Are Celebrating Earth Day in High EDM Style

Columns, Music, Today's SongApril 21, 2021<April 21, 2021

Today’s Song: Yuki Dreams Again Chases Girls & Delivers the Cross-Genre Goods on Third Single “Cold World”

MC Hammer
Does Anybody Remember Laughter?April 1, 2021<April 1, 2021

’90s Nostalgia Boys Rejoice! MC Hammer Is Back Again with “U Can’t Touch This 2”

Kurt Deemer Band
Music, ReviewsMarch 31, 2021<March 30, 2021

Review: Kurt Deemer Band Paint a ‘World Upside Down’ with Both Current & Pre-Pandemic Themes

Edwin Raphael © Gaelle Leroyer
Interviews, MusicMarch 23, 2021<March 23, 2021

A Conversation with Edwin Raphael: A Dubai Native Making Waves in Montreal with New EP ‘Staring at Ceilings’

Steve Brian © denn_is_art
Interviews, MusicMarch 23, 2021<March 23, 2021

Interview with Steve Brian: A ‘1986’ Offspring from Germany Delivers a Second Stunning Offering of EDM

Ray Moon © The Nikon Icon
Interviews, MusicMarch 22, 2021<March 22, 2021

From Darkness to “Glowin”: A Conversation with Ray Moon

alexdgoldberg
Debut, Interviews, MusicMarch 18, 2021<March 18, 2021

Interview with Alexdgoldberg: Brooklyn’s Finest Bounces Back From Bad Health & Releases Compelling Debut LP ‘Loste’

Huitième Art - Sinik 8
Music, Our Take, ReviewsMarch 17, 2021<March 16, 2021

Our Take: Sinik Maintains His Streak of Dominance in the French Rap Game with ‘Huitième art’

XIXA © Puspa Loh Meyer
Music, ReviewsMarch 12, 2021<March 12, 2021

Review: XIXA Embark on an Unsettling Tour of the Sonoran Desert on Sophomore Record ‘Genesis’

Novi © 2021
MusicMarch 10, 2021<March 11, 2021

Novi Crafts a Refreshing Synth-Pop Antidote to Lockdown Woes with ‘For the Wild Ones’ EP

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Recent Posts

  • “Funhouse Mirror Rock”: Theophobia Restore Possibility to Rock with Their Gleefully Theatrical Self-Titled Debut August 5, 2026
  • “Caught Somewhere Between Numbness and Clarity”: Larlin Capture the Dreamlike Drift of Chronic Dissociation on “Sondheim,” an Intoxicating Alt-Rock Exorcism August 5, 2026
  • “The World Often Feels Loud Enough Already”: Brighton’s Memorial Find Power in Softness on ‘Jera,’ a Breathtakingly Beautiful Alt-Folk Triumph August 5, 2026
  • “I Feel Like There Are Infinite Possibilities in Music”: Ora Cogan Follows the Pull Toward Tenderness on ‘Hard Hearted Woman’ August 4, 2026
  • “Some Bridges Are Meant to Be Burned”: BAILEN Break Free with “SWIM!!!” – Roaring Back Fiercer, Freer, & on Their Own Terms August 4, 2026
  • “Re-Membering My Skin”: Bad Tiger Reawakens the Body on “Spin,” a Kaleidoscopic Rush of Rupture & Renewal August 4, 2026
  • In Memoriam: Glen Hansard, the Dublin Busker Who Made the World Feel Less Alone August 3, 2026
  • “Our Sounds and Energy Just Blend”: Ginger Winn and Lost Leaders Bring Songs & Shared Spirit to Woodstock’s Third Annual Waterfall Sessions July 31, 2026
  • Mad Cool Festival 2026: Ten Years of Music and World Community July 31, 2026
  • Atwood Magazine’s Weekly Roundup: July 31, 2026 July 31, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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