Columns, Interviews, Music, Today's SongNovember 19, 2023<November 19, 2023 Today’s Song: Longtime Friends BIJOU & Drezo Launch Debut Collaboration “Goons” by Josh Weiner
Columns, Music, Today's SongNovember 18, 2023<November 17, 2023 David Maine Returns to Indie Rock as David AM With Throwback Debut Single “What Was Isn’t Now” by Beau Hayhoe
Columns, Features, Music, Weekly RoundupNovember 17, 2023<November 17, 2023 Atwood Magazine’s Weekly Roundup: November 17, 2023 by Atwood Magazine Staff
Features, Interviews, MusicNovember 17, 2023<November 19, 2023 Feature: AWOLNATION Lean into the Sweet Authenticity of ‘Candy Pop’ by Anthony Kozlowski
Features, Interviews, MusicNovember 17, 2023<November 19, 2023 Interview: K-RnB Artists Jimmy Brown & Rovv Discuss Their Sober Tour, Artistic Goals, & the Creation of Their Album ‘Like the First Time’ by Freya Rinaldi
Columns, Music, Today's SongNovember 17, 2023<November 17, 2023 Today’s Song: Kelsey Abbott’s Dreamy “Night Vision Goggles” Basks in Love’s Eternal Warmth & Beauty by Mitch Mosk
Features, Interviews, Music, Track-by-TrackNovember 17, 2023<November 17, 2023 Track-by-Track: Richard Walters Soars on ‘Murmurate,’ a Record of Reconnection and the New Normal by Mitch Mosk
8.3 Music, Our Take, ReviewsNovember 16, 2023<November 16, 2023 Our Take: Blink-182 Return ‘One More Time…’ and Are Still As Welcome As Ever by Josh Weiner
Columns, Today's SongNovember 16, 2023<November 16, 2023 Today’s Song: Portland, OR’s Glitterfox Ache With Anxiety & Exhaustion on “TV,” a Cathartic Indie Rock Anthem by Mitch Mosk
10 Debut, Music, ReviewsNovember 16, 2023<November 16, 2023 Our Take: Holly Humberstone’s ‘Paint My Bedroom Black’ Is a Bold, Brutal, & Breathtaking Debut by Mitch Mosk
Features, Interviews, Music, Track-by-TrackNovember 15, 2023<November 15, 2023 Track-by-Track: Lindsay Lou’s Tender Tempest ‘Queen of Time’ Unpacks Grief, Healing, Self-Knowledge & More by Mitch Mosk
Concerts, Music, ReviewsNovember 15, 2023<November 15, 2023 Houndmouth’s 1 Night 2 Night 3 Night Tour: Live in New Orleans by Audrey Connelly
Columns, Music, Today's SongNovember 15, 2023<November 20, 2023 Today’s Song: “Uh Oh,” Truth Club’s Heavy-Hitting Grunge Cuts Like a Knife & Chills to the Bone by Mitch Mosk
Essays, Music, ReviewsNovember 15, 2023<January 6, 2024 Wenner’s Reckoning: Re-Framing the Rock & Roll Hall of Fame by Aidan Moyer
Music, PremieresNovember 15, 2023<November 15, 2023 Premiere: LA’s Black Polish Blooms in “Streetsigns,” an Achingly Intimate & Beautifully Vulnerable Confessional by Mitch Mosk
For the Love of Music
For the Love of Music
