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The Sometimes Island © 2023
Interviews, MusicSeptember 6, 2023<September 6, 2023

Interview: The Sometimes Island Inject Sunshine into Our Lives With “Neon Summer”

by Joe Beer
The Brook & The Bluff © Noah Tidmore
MusicSeptember 6, 2023<September 6, 2023

“A lighthouse out in the storm”: The Brook & The Bluff Dive “Headfirst” into a New Era As ‘Bluebeard’ Approaches

by Mitch Mosk
V of BTS © BIGHIT
Columns, Music, Today's SongSeptember 5, 2023<September 6, 2023

Today’s Song: BTS’ V Shows Us a New Side with “Rainy Days”

by Jada Moore
S. Carey & John Raymond © Kyle Lehman
Music, PremieresSeptember 5, 2023<September 5, 2023

Premiere: John Raymond & S. Carey Rise Up From the Shadowlands to Coalesce in “Chrysalis”

by Mitch Mosk
RIIZE © SM Entertainment
Debut, Music, ReviewsSeptember 5, 2023<December 8, 2023

SM Entertainment & RCA Records Debut Boy Group RIIZE With “Get a Guitar”

by Freya Rinaldi
ELECTRIC EP - EASYFUN 6.7
Music, Our Take, ReviewsSeptember 5, 2023<September 5, 2023

Our Take: London’s EASYFUN Shocks and Energizes With New ‘ELECTRIC EP’

by Julia Dzurillay
The Dionysus Effect © 2023
Interviews, MusicSeptember 5, 2023<September 5, 2023

Interview: The Dionysus Effect Discuss Their Name, the New York Music Scene, Eve 6, & Nietzsche

by Julius Robinson
Rosie H Sullivan © Marc Sharp
Columns, Music, Today's SongSeptember 3, 2023<November 24, 2023

Today’s Song: The Beauty of the Mundane in Rosie H Sullivan’s “Chapters”

by Lauren Hicks
billy woods © Backwoodz Studioz
Columns, Music, Today's SongSeptember 2, 2023<September 2, 2023

Today’s Song: Billy Woods Is Alone in the Company of Others on “FaceTime” with Kenny Segal & Samuel T. Herring

by Adam Davidson
Atwood Magazine's Weekly Roundup | September 1, 2023
Columns, Features, Music, Weekly RoundupSeptember 1, 2023<September 1, 2023

Atwood Magazine’s Weekly Roundup: September 1, 2023

by Atwood Magazine Staff
Elderbrook © 2023
Features, Interviews, MusicSeptember 1, 2023<September 1, 2023

Family, Ibiza, and a New Musical Chapter: A Conversation With Grammy-Nominated Artist Elderbrook

by Nick Polak
Puma Blue © Olivia Han
Features, Interviews, MusicSeptember 1, 2023<September 1, 2023

Exploring the Shadows of Music with Puma Blue

by Claire Meyer
Briston Maroney © Muriel Margaret
Features, Interviews, MusicSeptember 1, 2023<September 1, 2023

Interview: Briston Maroney on Life’s “Ultrapure” Moments

by Nasim Elyasi
Gram Parsons
Essays, Features, MusicSeptember 1, 2023<September 6, 2023

Gram Parsons: An Elegy

by Joe McAvoy
deary © Emelie Eckerud
Columns, Music, Today's SongAugust 31, 2023<March 2, 2025

“A vision equally glamorous and dirty”: The Tender Turmoil of deary’s “Beauty in All Blue Satin”

by Mitch Mosk
Posts pagination
1 … 167 168 169 170 171 … 726

Brand New

  • “Not what you said, but how you said it”: Charlie Lim Lays Himself Bare on “Nobody’s Home,” a Gut-Wrenching Portrait of Grief and Emotional Reckoning
  • “SWEET LOVE”: Stephen Sanchez Falls Head Over Heels into a Feel-Good, Heart-on-Sleeve Retro-Pop Anthem
  • The Clockworks’ Sophomore Album ‘The Entertainment’ Is Where the Noise Softens and the Truth Slips Through
  • MONSTA X Rework Their English Sound With a More Personal Edge on ‘Unfold’
  • “Chose Faith Instead of Facing the Past”: Brooklyn’s Myra Lee Erupt with “Magpie,” a Feverish, Slow-Burning Indie Rock Reintroduction
  • “I Know How to Hurt Myself on You”: MUNA Turn Heartbreak into Kinetic Euphoria on “Dancing on the Wall”
  • Editor’s Picks 151: The Temper Trap, Lola Blue, Mount St. Helen, Eliza Edens, Radium Dolls, & Local the Neighbour!

:: discover something new ::

Recent Posts

  • “Not what you said, but how you said it”: Charlie Lim Lays Himself Bare on “Nobody’s Home,” a Gut-Wrenching Portrait of Grief and Emotional Reckoning April 3, 2026
  • “SWEET LOVE”: Stephen Sanchez Falls Head Over Heels into a Feel-Good, Heart-on-Sleeve Retro-Pop Anthem April 3, 2026
  • The Clockworks’ Sophomore Album ‘The Entertainment’ Is Where the Noise Softens and the Truth Slips Through April 3, 2026
  • MONSTA X Rework Their English Sound With a More Personal Edge on ‘Unfold’ April 3, 2026
  • “Chose Faith Instead of Facing the Past”: Brooklyn’s Myra Lee Erupt with “Magpie,” a Feverish, Slow-Burning Indie Rock Reintroduction April 2, 2026
  • “I Know How to Hurt Myself on You”: MUNA Turn Heartbreak into Kinetic Euphoria on “Dancing on the Wall” April 2, 2026
  • Editor’s Picks 151: The Temper Trap, Lola Blue, Mount St. Helen, Eliza Edens, Radium Dolls, & Local the Neighbour! April 1, 2026
  • Today’s Song: Stock Band Return with “Today’s Song,” an Indie Anthem That Checks All the Boxes April 1, 2026
  • “I Just Got My Heart Broken, But I Look F**kin’ Fabulous”: MEEK Breaks Out with “Fabulous,” a Loud, Unapologetic, & Utterly Irresistible Pop Anthem April 1, 2026
  • “I Needed to Make Something Beautiful as Things Fell Apart”: Maria Taylor Finds Renewal in the Ruins on ‘Story’s End’ April 1, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
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