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'The Good Witch' album artwork - Maisie Peters
Music, ReviewsJune 23, 2023<June 23, 2023

Review: Maisie Peters’ Sophomore Album ‘The Good Witch’ Is Magical & Flawless

by Kelly McCafferty Dorogy
Blondshell © Nick Walker
Features, Interviews, MusicJune 22, 2023<January 30, 2024

Clawing Her Way Out: A Conversation With Blondshell

by Nasim Elyasi
Mya Byrne © Lauren Tabak
Columns, Editorials, Music, Pride MonthJune 22, 2023<June 15, 2023

“Our Promised Land”: A Pride Month Essay by Mya Byrne

by Guest Writer
Miss Machina © 2023
Columns, Music, Today's SongJune 21, 2023<June 13, 2023

Today’s Song: Miss Machina’s “Like That” Has All the Shiny, Seductive Thrills We Crave

by Chloe Robinson
Tei Shi © Leeay
Features, Interviews, MusicJune 21, 2023<July 9, 2023

Interview: Tei Shi’s ‘BAD PREMONITION’ Sets Her Free

by Alex Killian
Donna Missal © Jasmine Rutledge
Columns, Editorials, Music, Pride MonthJune 21, 2023<June 15, 2023

“What Queerness Means to Me”: A Pride Month Essay by Donna Missal

by Guest Writer
Jessye DeSilva © Emma Delevante
Columns, Editorials, Music, Pride MonthJune 20, 2023<June 15, 2023

“I Am No Shrinking Violet”: A Pride Month Essay by Jessye DeSilva

by Guest Writer
The Backseat Lovers' Joshua Harmon at Hangout Music Fest 2023 © Alive Coverage
Features, Interviews, MusicJune 20, 2023<June 21, 2023

Finding Inspiration While Starstruck: A Conversation With The Backseat Lovers

by Nick Polak
Tomorrow Never Comes - Rancid
Music, ReviewsJune 20, 2023<June 16, 2023

Review: Rancid’s ‘Tomorrow’ Is Here, But Yesterday Sounded Better

by Kevin Krein
Richy Mitch & The Coal Miners
Columns, Music, Today's SongJune 20, 2023<June 16, 2023

“An Honest, Raw, Beautiful Folk Tune”: Mt. Joy Join Richy Mitch & The Coal Miners for “Lake Missoula”

by Miles Campbell
Julia Dzurillay
Columns, Meet Our WritersJune 17, 2023<July 18, 2023

Meet Our Writers: New Jersey’s Julia Dzurillay!

by Julia Dzurillay
Jo Hill © Charlotte Alex
Features, Interviews, Music, Track-by-TrackJune 16, 2023<June 16, 2023

Feature: Jo Hill Is Ready to Soundtrack the Summer With ‘Cinematic Baby’

by Mitch Mosk
Atwood Magazine's Weekly Roundup | June 16, 2023
Columns, Features, Music, Weekly RoundupJune 16, 2023<June 16, 2023

Atwood Magazine’s Weekly Roundup: June 16, 2023

by Atwood Magazine Staff
Peach Music Festival 2023
Festival, Music, PreviewsJune 16, 2023<June 16, 2023

Preview: The 2023 Peach Music Festival Brings Music on the Mountain

by Christopher Snyder
Bonnaroo Music and Arts Festival 2022 © Taylor Regulski
Festival, Music, PreviewJune 16, 2023<July 10, 2023

2023 Bonnaroo Music & Arts Festival Preview: The Ultimate Camping Music Festival Featuring Odesza, Kendrick Lamar, Foo Fighters, & More!

by Nick Polak
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Brand New

  • “We’re all just friends making music”: Brooklyn’s Anyhow Are an Emerging Indie Rock Duo Built on Collaboration, Trust, & Guitars
  • Atwood Magazine Presents Mistletones: 2025’s Best New Holiday Songs, Pt. 1!
  • “I Serve Me. I Take Care of Me. I Am My Keeper”: Medium Build on Surviving the Dream, Choosing Himself, & More Takeaways From a Career-Defining Year
  • Interview: From Malawi to Massachusetts, The Kasambwe Brothers Are Strumming Their Way to Success
  • “You Have Me Marked as Nice”: Ski Team Sits With Desire, Restraint, & the Mercy of Boundaries on “Santa”
  • Atwood Magazine’s 2025 Albums of the Year
  • “Raw, Experimental, & Definitive”: Low.bō Debuts with a Bruised, Intimate Alt-R&B Reckoning on ‘husk’

:: discover something new ::

Recent Posts

  • “We’re all just friends making music”: Brooklyn’s Anyhow Are an Emerging Indie Rock Duo Built on Collaboration, Trust, & Guitars December 19, 2025
  • Atwood Magazine Presents Mistletones: 2025’s Best New Holiday Songs, Pt. 1! December 19, 2025
  • “I Serve Me. I Take Care of Me. I Am My Keeper”: Medium Build on Surviving the Dream, Choosing Himself, & More Takeaways From a Career-Defining Year December 18, 2025
  • Interview: From Malawi to Massachusetts, The Kasambwe Brothers Are Strumming Their Way to Success December 18, 2025
  • “You Have Me Marked as Nice”: Ski Team Sits With Desire, Restraint, & the Mercy of Boundaries on “Santa” December 18, 2025
  • Atwood Magazine’s 2025 Albums of the Year December 18, 2025
  • “Raw, Experimental, & Definitive”: Low.bō Debuts with a Bruised, Intimate Alt-R&B Reckoning on ‘husk’ December 17, 2025
  • “Anger, Death, & Acceptance”: Adult Mom’s Stevie Knipe Gives Life’s Hardest Feelings a Voice on ‘Natural Causes’ December 17, 2025
  • “None of us are free until all of us are free”: Rick Alverson & Emilie Rex on Making ‘Passages: Artists in Solidarity with Immigrants, Refugees, and Asylum Seekers’ December 17, 2025
  • “It’s Like the Kind of Dream Where You Just Wanna Scream”: Drauve Channel Raw Emotion into Heavy, Shimmering Shoegaze on ‘Timeline’ December 17, 2025
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