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Greta Van Fleet © Neil Krug 7.6
Music, Our Take, ReviewsSeptember 27, 2023<September 25, 2023

Our Take: Greta Van Fleet’s ‘Starcatcher’ Embarks Upon the Hero’s Journey

by Audrey Connelly
Levitation Room © Ivan Trejo
Columns, Interviews, Music, Today's SongSeptember 27, 2023<September 27, 2023

Interview: Levitation Room Tackle Climate Change With Fresh Single “Cool It, Baby”

by Miles Campbell
Wild Nothing's Jack Tatum © Ethan Hickerson
Columns, Music, Today's SongSeptember 26, 2023<September 26, 2023

Today’s Song: Wild Nothing Return With Vibrant, ‘80s-Esque Earworm “Suburban Solutions”

by Beau Hayhoe
Reneé Rapp's debut album 'Snow Angel,' released in August 2023 via Interscope Records
Concerts, Music, ReviewsSeptember 26, 2023<September 26, 2023

Live Review: Reneé Rapp Proves the Hype Is Right on ‘Snow Hard Feelings’ Tour, Night 1

by Kelly McCafferty Dorogy
Faye Webster © Michelle Mercado
Columns, Music, Today's SongSeptember 25, 2023<September 25, 2023

Today’s Song: Faye Webster Matures With Romantic New Single “Lifetime”

by Julia Dzurillay
nobody likes you pat © Sawyer Brice
Features, Interviews, Music, Track-by-TrackSeptember 25, 2023<September 25, 2023

“Bittersweet, but Beautiful”: nobody likes you pat Sings Six Letters to Loved Ones in ‘dear…’ EP

by Mitch Mosk
Soda Blonde © Patricio Cassinoni
Features, Interviews, Music, Track-by-TrackSeptember 25, 2023<October 23, 2024

Feature: Soda Blonde ‘Dream Big’ and Win Big on Ambitious, Empowered, & Liberating Sophomore Album

by Mitch Mosk
Tupac Shakur
Music, ReviewsSeptember 24, 2023<September 24, 2023

Why the Message of Tupac Shakur’s “Keep Ya Head Up” Still Resonates with Us, 30 Years After Its Release

by Jada Moore
Josh Weiner
Columns, Meet Our WritersSeptember 23, 2023<September 23, 2023

Meet Our Writers: Boston’s Josh Weiner!

by Josh Weiner
stillblue © 2023
Columns, Music, Today's SongSeptember 23, 2023<September 23, 2023

Today’s Song: Miami’s stillblue Assert That Love Exists With “Wait for Me”

by Laurent Chavannes
Glassio & Beauty Queen © 2023
Columns, Music, Today's SongSeptember 22, 2023<September 22, 2023

The Friendly Fire and Smoldering Seduction of Glassio & Beauty Queen’s “A Friend Like You”

by Mitch Mosk
semiwestern's Ty Bohrnstedt and his dog
Debut, Features, Interviews, Music, Track-by-TrackSeptember 22, 2023<September 24, 2023

Unpolished, Melodic, & Introverted: semiwestern’s Self-Titled Debut Is a Dusty, Lo-Fi Seduction

by Mitch Mosk
Abby Holliday © Grace Holliday
Features, Interviews, Music, Track-by-TrackSeptember 22, 2023<September 22, 2023

Track-by-Track: Abby Holliday’s ‘I’M OK NO I’M NOT (Deluxe Edition)’ Is an Intimate & Cinematic Expansion

by Mitch Mosk
Atwood Magazine's Weekly Roundup | September 22, 2023
Columns, Features, Music, Weekly RoundupSeptember 22, 2023<September 22, 2023

Atwood Magazine’s Weekly Roundup: September 22, 2023

by Atwood Magazine Staff
Phillip Phillips © George Whiddon
Features, Interviews, MusicSeptember 21, 2023<September 21, 2023

Interview with Phillip Phillips: “If you love someone, you’ve got to love them hard.”

by Brianna Corrine
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Brand New

  • Atwood Magazine’s Weekly Roundup: June 23, 2026
  • “Arms Out Wide Like an Aeroplane”: Aquilo Capture Love’s Sweetness on “Under My Skin,” a Sun-Kissed Indie Pop Daydream
  • “I Don’t Owe You a Goddamn Thing”: Lisa Molinaro Claims the Sweetness for Herself on “Peach Fuzz,” a Feverish Indie Rock Eruption of Refusal & Release
  • Ryan Bingham Reinvents Cowboy Country with ‘They Call Us the Lucky Ones’
  • Railbird 2026 Was Derby Roads, Country Music, and a Community Coming Together
  • “I Know I’ve Arrived”: Yan Qing Explores the Weight of Indecision and the Solace of Love on “The Arrival,” an Achingly Honest Acoustic Ballad
  • “Rule Me, Stone Me”: Personal Trainer’s “Punch Drunk Love” Captures the Tender Chaos of Infatuation

:: discover something new ::

Recent Posts

  • Atwood Magazine’s Weekly Roundup: June 23, 2026 June 23, 2026
  • “Arms Out Wide Like an Aeroplane”: Aquilo Capture Love’s Sweetness on “Under My Skin,” a Sun-Kissed Indie Pop Daydream June 23, 2026
  • “I Don’t Owe You a Goddamn Thing”: Lisa Molinaro Claims the Sweetness for Herself on “Peach Fuzz,” a Feverish Indie Rock Eruption of Refusal & Release June 22, 2026
  • Ryan Bingham Reinvents Cowboy Country with ‘They Call Us the Lucky Ones’ June 22, 2026
  • Railbird 2026 Was Derby Roads, Country Music, and a Community Coming Together June 22, 2026
  • “I Know I’ve Arrived”: Yan Qing Explores the Weight of Indecision and the Solace of Love on “The Arrival,” an Achingly Honest Acoustic Ballad June 22, 2026
  • “Rule Me, Stone Me”: Personal Trainer’s “Punch Drunk Love” Captures the Tender Chaos of Infatuation June 22, 2026
  • “All That I Wanted Was You”: Adrian Lyles Sets Love’s Wreckage Ablaze in an Achingly Intimate Reckoning with Heartbreak & Helplessness June 19, 2026
  • “Mixed Sentiments Surrounding June as Designated Month of Celebration”: An Essay by Terri Lyne Carrington June 19, 2026
  • Editor’s Picks 158: Games We Play, Weird Nightmare, Nora Kelly Band, Erotic Secrets of Pompeii, Tooth, & Riley! June 18, 2026
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