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Tafari Anthony © Joshua Rille
Columns, Music, Today's SongMay 5, 2023<May 17, 2023

Artist to Watch Tafari Anthony Returns with Dazzling Dance-Pop Seduction “Falling Back”

by Mitch Mosk
Atwood Magazine's Editor's Picks 98
Columns, Editor's Picks, Features, MusicMay 4, 2023<May 4, 2023

Editor’s Picks 98: Superbloom, Nick & June, eundohee, Claud, Arliston, & Kaleah Lee!

by Mitch Mosk
cool girl island © 2023
Music, PremieresMay 4, 2023<May 4, 2023

Premiere: Basking in Cool Girl Island’s Intimate & Enchanting “LA Lullaby”

by Mitch Mosk
Brittain Ashford © Jacki Paolella
Music, PremieresMay 4, 2023<May 5, 2023

Premiere: Brittain Ashford Dwells in Soul-Stirring Melancholy on “Hand Wringing/In the Wings”

by Mitch Mosk
Sadye © SJ Spreng
Columns, Debut, Music, Today's SongMay 4, 2023<May 4, 2023

Today’s Song: Sadye Explores the Pitfalls of Blind Faith in “Biblical”

by Sophie Severs
Draag © Devonte Johnson
Features, Interviews, Music, Track-by-TrackMay 3, 2023<May 3, 2023

“Soothing Existential Dread”: Dwelling in Draag’s Cathartic Debut Album, ‘Dark Fire Heresy’

by Mitch Mosk
Ann Annie © 2023
Asian American and Pacific Islander Heritage Month, Columns, Editorials, MusicMay 3, 2023<May 31, 2023

“Finding My Identity in Film Scores”: An Essay by Ann Annie for AAPI Heritage Month

by Guest Writer
Firewoodisland © Dave Newbould
Music, Music Videos, PremieresMay 3, 2023<May 3, 2023

“The beauty starts the moment you love yourself”: Firewoodisland Premiere “Looking for Love,” Their Inspiring Song & Mantra

by Mitch Mosk
Tayls © 2023
Music, Music Videos, PremieresMay 3, 2023<May 3, 2023

Video Premiere: Tayls’ “Nightmare” Is a Haunting, Heavy-Hitting Anthem for These Hard Times

by Kelly McCafferty Dorogy
DPR LIVE & DPR IAN
Concerts, Music, ReviewsMay 3, 2023<June 2, 2023

Concert Review: DPR Live & DPR Ian Reign Supreme at Their Coachella ’23 Debut

by Freya Rinaldi
Photo Ops © 2023
Features, Interviews, Music, Track-by-TrackMay 2, 2023<May 2, 2023

Feature: Photo Ops ‘Burns Bright’ on His Iridescent, Honest & Melodic Fourth Album

by Mitch Mosk
Babygirl © Becca Hamel
Features, Interviews, MusicMay 2, 2023<May 3, 2023

“Both timely and timeless”: Babygirl Bridge Humanity & Musicianship on ‘Be Still My Heart’

by Isabella Le
A member of The Old 97’s and Chris Pratt as Peter Quill/Star-Lord in Marvel Studios' The Guardians of the Galaxy Holiday Special, exclusively on Disney+. Photo by Jessica Miglio. © 2022 MARVEL
Editorials, MusicMay 2, 2023<May 2, 2023

‘Guardians of the Galaxy Vol. 3’ and Marvel’s Lessons in Music Therapy

by Julia Dzurillay
Everything But The Girl © Edward Bishop, 2022
Music, ReviewsMay 2, 2023<May 2, 2023

Album Review: Everything But The Girl’s ‘Fuse’ & the Weight of the World

by David Buyze
"Learn To Swim, Pt II" music video still - Joshua Idehen
Debut, Music, Music Videos, PremieresMay 2, 2023<June 9, 2023

Video Premiere: Joshua Idehen’s Moving “Learn to Swim Pt 2” Is Food for the Soul

by Mitch Mosk
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Brand New

  • “This Is What It Feels Like to Not Feel Anything”: Petey USA on Turning Private Thoughts into Shared Space & the Fictional Truths of ‘The Yips’
  • “We’re all just friends making music”: Brooklyn’s Anyhow Are an Emerging Indie Rock Duo Built on Collaboration, Trust, & Guitars
  • Atwood Magazine Presents Mistletones: 2025’s Best New Holiday Songs, Pt. 1!
  • “I Serve Me. I Take Care of Me. I Am My Keeper”: Medium Build on Surviving the Dream, Choosing Himself, & More Takeaways From a Career-Defining Year
  • Interview: From Malawi to Massachusetts, The Kasambwe Brothers Are Strumming Their Way to Success
  • “You Have Me Marked as Nice”: Ski Team Sits With Desire, Restraint, & the Mercy of Boundaries on “Santa”
  • Atwood Magazine’s 2025 Albums of the Year

:: discover something new ::

Recent Posts

  • “This Is What It Feels Like to Not Feel Anything”: Petey USA on Turning Private Thoughts into Shared Space & the Fictional Truths of ‘The Yips’ December 19, 2025
  • “We’re all just friends making music”: Brooklyn’s Anyhow Are an Emerging Indie Rock Duo Built on Collaboration, Trust, & Guitars December 19, 2025
  • Atwood Magazine Presents Mistletones: 2025’s Best New Holiday Songs, Pt. 1! December 19, 2025
  • “I Serve Me. I Take Care of Me. I Am My Keeper”: Medium Build on Surviving the Dream, Choosing Himself, & More Takeaways From a Career-Defining Year December 18, 2025
  • Interview: From Malawi to Massachusetts, The Kasambwe Brothers Are Strumming Their Way to Success December 18, 2025
  • “You Have Me Marked as Nice”: Ski Team Sits With Desire, Restraint, & the Mercy of Boundaries on “Santa” December 18, 2025
  • Atwood Magazine’s 2025 Albums of the Year December 18, 2025
  • “Raw, Experimental, & Definitive”: Low.bō Debuts with a Bruised, Intimate Alt-R&B Reckoning on ‘husk’ December 17, 2025
  • “Anger, Death, & Acceptance”: Adult Mom’s Stevie Knipe Gives Life’s Hardest Feelings a Voice on ‘Natural Causes’ December 17, 2025
  • “None of us are free until all of us are free”: Rick Alverson & Emilie Rex on Making ‘Passages: Artists in Solidarity with Immigrants, Refugees, and Asylum Seekers’ December 17, 2025
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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