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Buddie © 2023
Features, Interviews, Music, Track-by-TrackJuly 25, 2023<July 25, 2023

Urgency, Change, & Optimism: The Charm and Churn of Buddie’s Disruptive ‘Agitator’

by Mitch Mosk
Jess Nolan © Taylor Ann Bogner
Columns, Music, Today's SongJuly 25, 2023<July 25, 2023

Today’s Song: Jess Nolan’s Empowering & Invigorating Self-Help Anthem, “Emergency Landing”

by Mitch Mosk
Nick & June © Luka Popp
Features, Interviews, Music, Track-by-TrackJuly 24, 2023<December 11, 2025

Feature: Nick & June Delve into Their Dreamy, Intimate, & Raw ‘Beach Baby, Baby’

by Mitch Mosk
SOFI TUKKER © Vanessa Vlandis
Features, Interviews, MusicJuly 24, 2023<July 24, 2023

“There’s Power in Language”: A Conversation With Grammy-Nominated EDM Duo SOFI TUKKER

by Nick Polak
Ships Have Sailed © Gentle Giant Digital
Columns, Music, Today's SongJuly 24, 2023<July 24, 2023

Today’s Song: Ships Have Sailed Capture the Warm Breeze of Possibility on “Edge of an Ocean”

by Mitch Mosk
Andrew Daly
Columns, Meet Our WritersJuly 23, 2023<July 29, 2023

Meet Our Writers: Long Island’s Andrew Daly!

by Andrew Daly
Kid Prexy © 2023
Columns, Music, Today's SongJuly 23, 2023<July 21, 2023

Today’s Song: Kid Prexy Shoots for the Stars With His Catchy, Appropriately-Titled “Shooting Star”

by Julius Robinson
Troye Sivan © Stuart Winecoff
Columns, Music, Today's SongJuly 22, 2023<July 21, 2023

Today’s Song: Be Consumed by the “Rush” with Troye Sivan

by Brendan Le
Atwood Magazine's Editor's Picks 104
Columns, Editor's Picks, Features, MusicJuly 21, 2023<July 21, 2023

Editor’s Picks 104: Holly Humberstone, Del Water Gap, Francis of Delirium, DURRY, Ashaine White, & Lovetta!

by Mitch Mosk
Disco Lines © Coleman Reis
Interviews, MusicJuly 21, 2023<July 21, 2023

Interview: An Introduction to Disco Lines, The Young DJ & Label Head Launching Waves in the EDM World

by Nick Polak
Atwood Magazine's Weekly Roundup | July 21, 2023
Columns, Features, Music, Weekly RoundupJuly 21, 2023<July 21, 2023

Atwood Magazine’s Weekly Roundup: July 21, 2023

by Atwood Magazine Staff
The Rose © Christian Haahs
Columns, Music, Today's SongJuly 21, 2023<September 20, 2023

Today’s Song: South Korea’s The Rose Release Scream-Along Anthem “Back to Me”

by Freya Rinaldi
Arliston © Wolf James
Features, Interviews, Music, Track-by-TrackJuly 20, 2023<July 20, 2023

Track-by-Track: Inside Arliston’s Beautifully Tender Tempest, ‘How in Heaven’

by Mitch Mosk
B-Drop
Features, Music, PremieresJuly 20, 2023<July 20, 2023

Premiere: B-Drop Worldwide Showcases Mia Mormino & Gal Musette

by Mitch Mosk
Local Natives © Loma Vista
Columns, Music, Today's SongJuly 20, 2023<March 2, 2025

Today’s Song: Local Natives Find Their Way Back Together With New LP & Standout Track “Just Before The Morning”

by Beau Hayhoe
Posts pagination
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Brand New

  • “Not what you said, but how you said it”: Charlie Lim Lays Himself Bare on “Nobody’s Home,” a Gut-Wrenching Portrait of Grief and Emotional Reckoning
  • “SWEET LOVE”: Stephen Sanchez Falls Head Over Heels into a Feel-Good, Heart-on-Sleeve Retro-Pop Anthem
  • The Clockworks’ Sophomore Album ‘The Entertainment’ Is Where the Noise Softens and the Truth Slips Through
  • MONSTA X Rework Their English Sound With a More Personal Edge on ‘Unfold’
  • “Chose Faith Instead of Facing the Past”: Brooklyn’s Myra Lee Erupt with “Magpie,” a Feverish, Slow-Burning Indie Rock Reintroduction
  • “I Know How to Hurt Myself on You”: MUNA Turn Heartbreak into Kinetic Euphoria on “Dancing on the Wall”
  • Editor’s Picks 151: The Temper Trap, Lola Blue, Mount St. Helen, Eliza Edens, Radium Dolls, & Local the Neighbour!

:: discover something new ::

Recent Posts

  • “Not what you said, but how you said it”: Charlie Lim Lays Himself Bare on “Nobody’s Home,” a Gut-Wrenching Portrait of Grief and Emotional Reckoning April 3, 2026
  • “SWEET LOVE”: Stephen Sanchez Falls Head Over Heels into a Feel-Good, Heart-on-Sleeve Retro-Pop Anthem April 3, 2026
  • The Clockworks’ Sophomore Album ‘The Entertainment’ Is Where the Noise Softens and the Truth Slips Through April 3, 2026
  • MONSTA X Rework Their English Sound With a More Personal Edge on ‘Unfold’ April 3, 2026
  • “Chose Faith Instead of Facing the Past”: Brooklyn’s Myra Lee Erupt with “Magpie,” a Feverish, Slow-Burning Indie Rock Reintroduction April 2, 2026
  • “I Know How to Hurt Myself on You”: MUNA Turn Heartbreak into Kinetic Euphoria on “Dancing on the Wall” April 2, 2026
  • Editor’s Picks 151: The Temper Trap, Lola Blue, Mount St. Helen, Eliza Edens, Radium Dolls, & Local the Neighbour! April 1, 2026
  • Today’s Song: Stock Band Return with “Today’s Song,” an Indie Anthem That Checks All the Boxes April 1, 2026
  • “I Just Got My Heart Broken, But I Look F**kin’ Fabulous”: MEEK Breaks Out with “Fabulous,” a Loud, Unapologetic, & Utterly Irresistible Pop Anthem April 1, 2026
  • “I Needed to Make Something Beautiful as Things Fell Apart”: Maria Taylor Finds Renewal in the Ruins on ‘Story’s End’ April 1, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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