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vampire - Olivia Rodrigo © Larissa Hofmann
Columns, Music, Today's SongJuly 16, 2023<September 20, 2023

Today’s Song: Olivia Rodrigo Hones the Craft of Heartbreak in “vampire”

by Brendan Le
Billie Eilish "What Was I Made For?" © Jack Bridgland
Columns, Music, Today's SongJuly 15, 2023<July 15, 2023

Today’s Song: Billie Eilish’s Somber Barbie Contribution, “What Was I Made For?”

by Mariel Fechik
Tunes and Tumblers x MisterWives 2023
Music, Podcast, Tunes & TumblersJuly 14, 2023<July 14, 2023

Podcast: Tunes & Tumblers Features MisterWives and a Sucker Punch

by Atwood Magazine Staff
Atwood Magazine's Weekly Roundup | July 14, 2023
Columns, Features, Music, Weekly RoundupJuly 14, 2023<July 14, 2023

Atwood Magazine’s Weekly Roundup: July 14, 2023

by Atwood Magazine Staff
Misterwives 'Nosebleeds' © Matty Vogel
Music, Reviews, Track-by-TrackJuly 14, 2023<July 14, 2023

Review: MisterWives’ Fiery Fourth Studio Album, ‘Nosebleeds’

by Kelly McCafferty Dorogy
Jung Kook © BIGHIT MUSIC
Columns, Debut, Music, Today's SongJuly 14, 2023<July 14, 2023

Today’s Song: Jung Kook of BTS Flaunts a Raunchy Side of Himself With His Solo Debut “Seven” ft. Latto

by Freya Rinaldi
Joy Mumford "Spilt Milk" © 2023
Columns, Music, Today's SongJuly 13, 2023<July 13, 2023

Today’s Song: Joy Mumford’s “Spilt Milk” Offers a Lesson in Vulnerability & Letting Go

by Mitch Mosk
Atwood Magazine's Editor's Picks 103
Columns, Editor's Picks, Features, MusicJuly 13, 2023<December 11, 2023

Editor’s Picks 103: EmmersonHALL, Boyish, Maple Glider, Blondes, Girl Scout, & Mumble Tide!

by Mitch Mosk
HeartSpaces - Christopher Henry
Interviews, Music, Premieres, ReviewsJuly 13, 2023<July 13, 2023

Singing to the Plants: Christopher Henry Discusses His Shamanic Gospel Album, ‘HeartSpaces’

by Guest Writer
Cosial © Katy Gettings
Columns, Music, Today's SongJuly 12, 2023<July 12, 2023

Today’s Song: Manchester’s Cosial Gets Under the Surface and “In View” on Her Intimate Indie Pop Confessional

by Mitch Mosk
Mise en Scene 'Reality Bites' © Adam Kelly 2023
Features, Interviews, Music, Track-by-TrackJuly 12, 2023<July 12, 2023

Unfiltered & Unapologetic: Mise en Scene Deliver Raw Truths and Fresh Grooves on ‘Reality Bites’ EP

by Mitch Mosk
Today's Outfit © 2022
Debut, Features, Interviews, Music, Track-by-TrackJuly 12, 2023<July 12, 2023

‘Your Perfect Self’: Today’s Outfit Debut With Social Media Critiques and a Searing New Wave Sound

by Mitch Mosk
flipturn © Amanda Laferriere
Features, Interviews, MusicJuly 12, 2023<July 12, 2023

Humble & Hungry Rockstars: A Conversation With Indie Rock Band flipturn

by Nick Polak
Alice Merton 'S.I.D.E.S.' © Aykut Aydoğdu
Features, InterviewsJuly 11, 2023<July 11, 2023

“There is strength in being vulnerable”: Alice Merton Embraces Life’s Many S.I.D.E.S. With an Honest Heart & Open Soul

by Mitch Mosk
Niall Horan © Christian Tierney
Music, ReviewsJuly 11, 2023<July 11, 2023

Review: Niall Horan Puts on an Emotional Performance in Third LP ‘The Show’

by Brianna Corrine
Posts pagination
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Brand New

  • “Not what you said, but how you said it”: Charlie Lim Lays Himself Bare on “Nobody’s Home,” a Gut-Wrenching Portrait of Grief and Emotional Reckoning
  • “SWEET LOVE”: Stephen Sanchez Falls Head Over Heels into a Feel-Good, Heart-on-Sleeve Retro-Pop Anthem
  • The Clockworks’ Sophomore Album ‘The Entertainment’ Is Where the Noise Softens and the Truth Slips Through
  • MONSTA X Rework Their English Sound With a More Personal Edge on ‘Unfold’
  • “Chose Faith Instead of Facing the Past”: Brooklyn’s Myra Lee Erupt with “Magpie,” a Feverish, Slow-Burning Indie Rock Reintroduction
  • “I Know How to Hurt Myself on You”: MUNA Turn Heartbreak into Kinetic Euphoria on “Dancing on the Wall”
  • Editor’s Picks 151: The Temper Trap, Lola Blue, Mount St. Helen, Eliza Edens, Radium Dolls, & Local the Neighbour!

:: discover something new ::

Recent Posts

  • “Not what you said, but how you said it”: Charlie Lim Lays Himself Bare on “Nobody’s Home,” a Gut-Wrenching Portrait of Grief and Emotional Reckoning April 3, 2026
  • “SWEET LOVE”: Stephen Sanchez Falls Head Over Heels into a Feel-Good, Heart-on-Sleeve Retro-Pop Anthem April 3, 2026
  • The Clockworks’ Sophomore Album ‘The Entertainment’ Is Where the Noise Softens and the Truth Slips Through April 3, 2026
  • MONSTA X Rework Their English Sound With a More Personal Edge on ‘Unfold’ April 3, 2026
  • “Chose Faith Instead of Facing the Past”: Brooklyn’s Myra Lee Erupt with “Magpie,” a Feverish, Slow-Burning Indie Rock Reintroduction April 2, 2026
  • “I Know How to Hurt Myself on You”: MUNA Turn Heartbreak into Kinetic Euphoria on “Dancing on the Wall” April 2, 2026
  • Editor’s Picks 151: The Temper Trap, Lola Blue, Mount St. Helen, Eliza Edens, Radium Dolls, & Local the Neighbour! April 1, 2026
  • Today’s Song: Stock Band Return with “Today’s Song,” an Indie Anthem That Checks All the Boxes April 1, 2026
  • “I Just Got My Heart Broken, But I Look F**kin’ Fabulous”: MEEK Breaks Out with “Fabulous,” a Loud, Unapologetic, & Utterly Irresistible Pop Anthem April 1, 2026
  • “I Needed to Make Something Beautiful as Things Fell Apart”: Maria Taylor Finds Renewal in the Ruins on ‘Story’s End’ April 1, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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