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Ben Strawn © Willis Norman
Music, PremieresApril 27, 2023<April 30, 2023

Premiere: “Things I’ve Never Said” Is Ben Strawn’s Love-Soaked, Bittersweet Indie Folk Dream

by Mitch Mosk
Perfect Crimes - Ransom and the Subset
Interviews, MusicApril 27, 2023<April 30, 2023

Interview: Ransom and the Subset Return with ‘Perfect Crimes,’ Their Long-Overdue (But Worth the Wait) New Album

by Julius Robinson
Geographer © Brit O'Brien
Music, Music Videos, PremieresApril 27, 2023<April 30, 2023

Premiere: Geographer’s “One / Other” Is a Radiant Reckoning of Love & Power

by Mitch Mosk
Hayfitz © Sam Cope
Music, PremieresApril 27, 2023<April 30, 2023

Premiere: “Music Room” Is Hayfitz’s Achingly Intimate & Breathtakingly Beautiful Indie Folk Confessional

by Mitch Mosk
Ed Patrick © Piers McEwan
Music, PremieresApril 27, 2023<April 30, 2023

Premiere: The Tender Glow of Ed Patrick’s “Leaf,” a Sun-Kissed Whisper on the Wind

by Mitch Mosk
Moonatic © Cons Kaye
Features, Interviews, MusicApril 26, 2023<April 30, 2023

Moonatic’s ‘Music for Wandering’: A Brilliant Album That Isn’t Worried About Losing Our Attention

by Diego Morales
Noble Oak © Scott Wong
Music, PremieresApril 26, 2023<April 30, 2023

“With you by my side, I know I’ll find a way”: Noble Oak Premieres His Enchanting & Uplifting Anthem “Your Favourite Place” Off New LP, ‘When It Finds You’

by Mitch Mosk
Jimin © BIGHIT MUSIC 7.1
Music, Our Take, ReviewsApril 26, 2023<April 30, 2023

Our Take: Jimin Sheds His Skin with ‘FACE,’ His First Solo Project Outside of BTS

by Julia Dzurillay
Beale Street Music Festival Commemorative Poster © Danny Broadway
Festival, Music, PreviewsApril 26, 2023<May 1, 2023

2023 Beale Street Music Festival Preview: A Blending of Genres at Memphis’ Scenic Tom Lee Park

by Nick Polak
OTNES © Kirsten Barnett
Artist to Watch, Columns, Music, Today's SongApril 26, 2023<November 9, 2023

“LIGHT AS A FEATHER” Is OTNES’ Beautifully Cathartic Song of Loss, Grief, & Healing

by Mitch Mosk
Marti West © Daniel Israel-Quinn
Columns, Music, Today's SongApril 26, 2023<April 30, 2023

Today’s Song: London’s Marti West Dances Through the Pain on “Somebody New”

by Mitch Mosk
St. Paul & The Broken Bones' Paul Janeway © Paige Sara
Features, Interviews, Music, Track-by-TrackApril 25, 2023<April 30, 2023

Paul Janeway Dives into ‘Angels in Science Fiction,’ St. Paul & The Broken Bones’ Heartfelt, Beautiful, & Soothing 5th Album

by Mitch Mosk
after EP - néomí © Stijn Mulder
Features, Interviews, Music, Track-by-TrackApril 25, 2023<April 30, 2023

“Heartbreak, Growth, & Healing”: néomí Spills Her Soul in Achingly Intimate & Beautifully Raw ‘after’ EP

by Mitch Mosk
Gracie and Rachel "Middle Ground" © Louise de Nexon
Music, Music Videos, PremieresApril 25, 2023<April 30, 2023

“Lose your heart in the process”: Gracie and Rachel Find the “Middle Ground” in Stirring New Song & Video

by Mitch Mosk
The National © Josh Goleman
Columns, Music, Today's SongApril 25, 2023<April 30, 2023

The National & Phoebe Bridgers Deliver Somber Reminder on “Your Mind Is Not Your Friend”

by Beau Hayhoe
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Brand New

  • “Change Lies at Your Footsteps”: Vienna Vienna Turns Overstimulation into Motion on “Idle Hands”
  • “This Is What It Feels Like to Not Feel Anything”: Petey USA on Turning Private Thoughts into Shared Space & the Fictional Truths of ‘The Yips’
  • “We’re all just friends making music”: Brooklyn’s Anyhow Are an Emerging Indie Rock Duo Built on Collaboration, Trust, & Guitars
  • Atwood Magazine Presents Mistletones: 2025’s Best New Holiday Songs, Pt. 1!
  • “I Serve Me. I Take Care of Me. I Am My Keeper”: Medium Build on Surviving the Dream, Choosing Himself, & More Takeaways From a Career-Defining Year
  • Interview: From Malawi to Massachusetts, The Kasambwe Brothers Are Strumming Their Way to Success
  • “You Have Me Marked as Nice”: Ski Team Sits With Desire, Restraint, & the Mercy of Boundaries on “Santa”

:: discover something new ::

Recent Posts

  • “Change Lies at Your Footsteps”: Vienna Vienna Turns Overstimulation into Motion on “Idle Hands” December 20, 2025
  • “This Is What It Feels Like to Not Feel Anything”: Petey USA on Turning Private Thoughts into Shared Space & the Fictional Truths of ‘The Yips’ December 19, 2025
  • “We’re all just friends making music”: Brooklyn’s Anyhow Are an Emerging Indie Rock Duo Built on Collaboration, Trust, & Guitars December 19, 2025
  • Atwood Magazine Presents Mistletones: 2025’s Best New Holiday Songs, Pt. 1! December 19, 2025
  • “I Serve Me. I Take Care of Me. I Am My Keeper”: Medium Build on Surviving the Dream, Choosing Himself, & More Takeaways From a Career-Defining Year December 18, 2025
  • Interview: From Malawi to Massachusetts, The Kasambwe Brothers Are Strumming Their Way to Success December 18, 2025
  • “You Have Me Marked as Nice”: Ski Team Sits With Desire, Restraint, & the Mercy of Boundaries on “Santa” December 18, 2025
  • Atwood Magazine’s 2025 Albums of the Year December 18, 2025
  • “Raw, Experimental, & Definitive”: Low.bō Debuts with a Bruised, Intimate Alt-R&B Reckoning on ‘husk’ December 17, 2025
  • “Anger, Death, & Acceptance”: Adult Mom’s Stevie Knipe Gives Life’s Hardest Feelings a Voice on ‘Natural Causes’ December 17, 2025
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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