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Problématique - Kim Petras 6
Music, Our Take, ReviewsSeptember 18, 2023<September 20, 2023

Our Take: Kim Petras’ ‘Problématique’ Is a Self-Aware Fan Favorite Finally Released

by Julia Dzurillay
Frankie Bird © 2023
Music, PremieresSeptember 18, 2023<March 2, 2025

“Now I know to just go with the flow”: Frankie Bird Finds Herself Anew in “Float,” a Song of Renewal, Surrender, & Self-Love

by Mitch Mosk
Mitski © Ebru Yildiz
Columns, Music, Today's SongSeptember 18, 2023<September 18, 2023

Today’s Song: Mitski’s “Star b/w Heaven” Is a Symphonic Double Feature

by Sofia Sar
King Princess © Collier Schorr
Columns, Music, Today's SongSeptember 16, 2023<September 20, 2023

Today’s Song: King Princess’ “Let Us Die” Is a Love Song About Letting Go

by Eric Schuster
Atwood Magazine's Weekly Roundup | September 15, 2023
Columns, Features, Music, Weekly RoundupSeptember 15, 2023<September 16, 2023

Atwood Magazine’s Weekly Roundup: September 15, 2023

by Atwood Magazine Staff
Briscoe © Philip Lupton
Features, Interviews, Music, Track-by-TrackSeptember 15, 2023<September 15, 2023

Track-by-Track: Austin’s Briscoe Debut ‘West of It All’ With Warm Folk Rock Wonder & Spirited Passion

by Mitch Mosk
Anabella Paige © Sophie Hur
Columns, Music, Today's SongSeptember 15, 2023<September 15, 2023

Today’s Song: Opening a Time Capsule for Love in Anabella Paige’s “This I Miss”

by Lauren Hicks
The Beaches © Becca Hamel
Features, Interviews, Music, Track-by-TrackSeptember 15, 2023<September 19, 2023

“Sad Girly Triumph”: The Beaches Go Track-By-Track Through ‘Blame My Ex,’ Their Anthemic & Aching Sophomore LP

by Mitch Mosk
Sofía Valdés © Olivia Parker and Parker Hao
Features, Interviews, Music, Track-by-TrackSeptember 14, 2023<September 14, 2023

Feature: Sofía Valdés Dives into ‘Silvia,’ Her Intimate, Vulnerable, & Soul-Stirring Seduction

by Mitch Mosk
K.Flay © Danielle Ernst
Features, Interviews, MusicSeptember 14, 2023<September 14, 2023

Interview: K.Flay Reflects on Her Triumphant New Album, ‘MONO’

by Michael Greco
Ava Della Pietra © 2023
Music, Music Videos, PremieresSeptember 14, 2023<September 14, 2023

Premiere: NYC’s Ava Della Pietra Steps into a Bold New Era with “ego,” an Unapologetic Anthem of Empowerment

by Mitch Mosk
Sydney Sprague © Ellie Carty 2023
Columns, Music, Today's SongSeptember 14, 2023<September 14, 2023

Sydney Sprague’s “Smiley Face” and a Sprightly Stroll Through the Meadows of Feigned Emotions

by Guest Writer
Winten © Matthew Shaw
Debut, Features, Interviews, Music, Track-by-TrackSeptember 13, 2023<September 13, 2023

“A Love Letter to Myself”: Melbourne’s Winten Dives into Her Breathtaking Debut Album ‘Waving to My Girl’

by Mitch Mosk
Scotch Mist © Carina Allen
Features, Interviews, Music, Track-by-TrackSeptember 13, 2023<September 13, 2023

Feature: Scotch Mist’s ‘Cabo Blanco’ Is a Sweaty & Seductive Fever Dream of 21st Century Funk

by Mitch Mosk
Buxton © Karolina Cantu
Music, PremieresSeptember 13, 2023<September 13, 2023

Premiere: Buxton’s “Mane of Gold” Shines With the Weight, Warmth, & Western Wonder of ‘A Family Light’

by Mitch Mosk
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Brand New

  • Atwood Magazine’s Weekly Roundup: June 23, 2026
  • “Arms Out Wide Like an Aeroplane”: Aquilo Capture Love’s Sweetness on “Under My Skin,” a Sun-Kissed Indie Pop Daydream
  • “I Don’t Owe You a Goddamn Thing”: Lisa Molinaro Claims the Sweetness for Herself on “Peach Fuzz,” a Feverish Indie Rock Eruption of Refusal & Release
  • Ryan Bingham Reinvents Cowboy Country with ‘They Call Us the Lucky Ones’
  • Railbird 2026 Was Derby Roads, Country Music, and a Community Coming Together
  • “I Know I’ve Arrived”: Yan Qing Explores the Weight of Indecision and the Solace of Love on “The Arrival,” an Achingly Honest Acoustic Ballad
  • “Rule Me, Stone Me”: Personal Trainer’s “Punch Drunk Love” Captures the Tender Chaos of Infatuation

:: discover something new ::

Recent Posts

  • Atwood Magazine’s Weekly Roundup: June 23, 2026 June 23, 2026
  • “Arms Out Wide Like an Aeroplane”: Aquilo Capture Love’s Sweetness on “Under My Skin,” a Sun-Kissed Indie Pop Daydream June 23, 2026
  • “I Don’t Owe You a Goddamn Thing”: Lisa Molinaro Claims the Sweetness for Herself on “Peach Fuzz,” a Feverish Indie Rock Eruption of Refusal & Release June 22, 2026
  • Ryan Bingham Reinvents Cowboy Country with ‘They Call Us the Lucky Ones’ June 22, 2026
  • Railbird 2026 Was Derby Roads, Country Music, and a Community Coming Together June 22, 2026
  • “I Know I’ve Arrived”: Yan Qing Explores the Weight of Indecision and the Solace of Love on “The Arrival,” an Achingly Honest Acoustic Ballad June 22, 2026
  • “Rule Me, Stone Me”: Personal Trainer’s “Punch Drunk Love” Captures the Tender Chaos of Infatuation June 22, 2026
  • “All That I Wanted Was You”: Adrian Lyles Sets Love’s Wreckage Ablaze in an Achingly Intimate Reckoning with Heartbreak & Helplessness June 19, 2026
  • “Mixed Sentiments Surrounding June as Designated Month of Celebration”: An Essay by Terri Lyne Carrington June 19, 2026
  • Editor’s Picks 158: Games We Play, Weird Nightmare, Nora Kelly Band, Erotic Secrets of Pompeii, Tooth, & Riley! June 18, 2026
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