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Morat © Amanda Imm
Features, Music, ReviewsApril 24, 2023<April 30, 2023

Meet Morat, a Colombian Band Looking to “Salir Con Vida” into the Spotlight

by Josh Weiner
Drake © Universal Music Group
Covers, Music, ReviewsApril 24, 2023<April 30, 2023

Passionate About “Passionfruit”: Drake’s Unflappable, Shape-Shifting Spring Song

by Julia Dzurillay
King Krule © Frank Lebon
Columns, Today's SongApril 24, 2023<April 30, 2023

King Krule’s “Seaforth” Is an Emotionally Intimate Exploration of the ‘Space Between’

by Miles Campbell
Lilly Eason © Maria Mattingly
Columns, Meet Our WritersApril 22, 2023<April 30, 2023

Meet Our Writers: Nashville’s Lilly Eason!

by Lilly Eason
Atwood Magazine's Editor's Picks 96
Columns, Editor's Picks, Features, MusicApril 21, 2023<April 22, 2023

Editor’s Picks 96: Babygirl, sunbleached, Hollyy, Isaac Stuart, dani mack, & Augustine!

by Mitch Mosk
Rodrigo y Gabriela © Ebru Yildiz
Interviews, Music, ReviewsApril 21, 2023<April 30, 2023

“But At Least We Had Music”: A Conversation with Rodrigo y Gabriela

by Adrian Vargas
Atwood Magazine's Weekly Roundup | April 21, 2023
Columns, Features, Music, Weekly RoundupApril 21, 2023<May 15, 2023

Atwood Magazine’s Weekly Roundup: April 21, 2023

by Atwood Magazine Staff
Similar Kind © Sam Lockyer
Columns, Music, Today's SongApril 21, 2023<April 30, 2023

Today’s Song: “Face to Face” Is Similar Kind’s Emotionally-Charged Indie Rock Fever Dream

by Mitch Mosk
A Plan To Get Home - SOMOH
Debut, Features, Interviews, Music, Track-by-TrackApril 20, 2023<April 30, 2023

Delicate, Emotional, Punchy: London’s SOMOH Dives into ‘A Plan to Get Home,’ Her Unapologetically Vulnerable Debut EP

by Mitch Mosk
Voice Notes - Yazmin Lacey
Debut, Features, Interviews, Music, Track-by-TrackApril 20, 2023<April 30, 2023

Feature: Yazmin Lacey Delves Deep in ‘Voice Notes,’ Her Beautifully Raw & Diaristic Debut

by Mitch Mosk
Beach Weather © Olivia Smith
Features, Interviews, MusicApril 20, 2023<April 30, 2023

Pineapple Sunrise: Beach Weather’s Catchy, Breezy & Alternative Debut Album Explores Personal Growth

by Lauren Turner
Kim Petras © Byron Spencer, illustration Lucas David
Columns, Music, Music You Should KnowApril 20, 2023<April 30, 2023

Music You Should Know: Turn On (and Turn Up) ‘Turn Off the Light’ by Kim Petras

by Julia Dzurillay
MORGXN © Shervin Lainez
Columns, Music, Today's SongApril 20, 2023<April 30, 2023

Today’s Song: MORGXN Finds Hope in the Darkness on Triumphant Anthem “Beacon”

by Mitch Mosk
You Only Get A Few - Upstate
Features, Interviews, Music, Track-by-TrackApril 19, 2023<April 30, 2023

‘You Only Get a Few’: The Raw Humanity of Upstate’s Beautiful Third Album

by Mitch Mosk
Bekah Bossard © Sequoia Ziff
Artist to Watch, Columns, Debut, Music, Today's SongApril 19, 2023<October 20, 2023

Artist to Watch: “Four Walls” Is Bekah Bossard’s Intimate & Achingly Raw Ode to Their Own Anxiety & Depression

by Mitch Mosk
Posts pagination
1 … 195 196 197 198 199 … 726

Brand New

  • “Not what you said, but how you said it”: Charlie Lim Lays Himself Bare on “Nobody’s Home,” a Gut-Wrenching Portrait of Grief and Emotional Reckoning
  • “SWEET LOVE”: Stephen Sanchez Falls Head Over Heels into a Feel-Good, Heart-on-Sleeve Retro-Pop Anthem
  • The Clockworks’ Sophomore Album ‘The Entertainment’ Is Where the Noise Softens and the Truth Slips Through
  • MONSTA X Rework Their English Sound With a More Personal Edge on ‘Unfold’
  • “Chose Faith Instead of Facing the Past”: Brooklyn’s Myra Lee Erupt with “Magpie,” a Feverish, Slow-Burning Indie Rock Reintroduction
  • “I Know How to Hurt Myself on You”: MUNA Turn Heartbreak into Kinetic Euphoria on “Dancing on the Wall”
  • Editor’s Picks 151: The Temper Trap, Lola Blue, Mount St. Helen, Eliza Edens, Radium Dolls, & Local the Neighbour!

:: discover something new ::

Recent Posts

  • “Not what you said, but how you said it”: Charlie Lim Lays Himself Bare on “Nobody’s Home,” a Gut-Wrenching Portrait of Grief and Emotional Reckoning April 3, 2026
  • “SWEET LOVE”: Stephen Sanchez Falls Head Over Heels into a Feel-Good, Heart-on-Sleeve Retro-Pop Anthem April 3, 2026
  • The Clockworks’ Sophomore Album ‘The Entertainment’ Is Where the Noise Softens and the Truth Slips Through April 3, 2026
  • MONSTA X Rework Their English Sound With a More Personal Edge on ‘Unfold’ April 3, 2026
  • “Chose Faith Instead of Facing the Past”: Brooklyn’s Myra Lee Erupt with “Magpie,” a Feverish, Slow-Burning Indie Rock Reintroduction April 2, 2026
  • “I Know How to Hurt Myself on You”: MUNA Turn Heartbreak into Kinetic Euphoria on “Dancing on the Wall” April 2, 2026
  • Editor’s Picks 151: The Temper Trap, Lola Blue, Mount St. Helen, Eliza Edens, Radium Dolls, & Local the Neighbour! April 1, 2026
  • Today’s Song: Stock Band Return with “Today’s Song,” an Indie Anthem That Checks All the Boxes April 1, 2026
  • “I Just Got My Heart Broken, But I Look F**kin’ Fabulous”: MEEK Breaks Out with “Fabulous,” a Loud, Unapologetic, & Utterly Irresistible Pop Anthem April 1, 2026
  • “I Needed to Make Something Beautiful as Things Fell Apart”: Maria Taylor Finds Renewal in the Ruins on ‘Story’s End’ April 1, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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