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Mathew V © Matthew Miller
Features, Interviews, MusicFebruary 10, 2023<February 10, 2023

Mathew V’s Anything Goes: A Journey via Jazz

by Andrew Daly
Michal Leah © Willie Jane
Artist to Watch, Features, Interviews, MusicFebruary 9, 2023<February 9, 2023

Artist to Watch Michal Leah on the Ups, Downs, & Laughs of Her Journey So Far: A Conversation with an Old Friend

by Nick Polak
Silver Line - Hayden Everett © Ethan Porter
Features, Interviews, Music, Premieres, Track-by-TrackFebruary 9, 2023<March 26, 2024

Coarse, Reflection, Breathe: Hayden Everett Premieres His Beautifully Iridescent & Introspective ‘Silver Line’ EP

by Mitch Mosk
Indigo De Souza © Angella Choe
Columns, Music, Today's SongFebruary 9, 2023<February 9, 2023

“A Love Letter to Everyone’s Inner Child”: Indigo De Souza Mourns Lost Youth in “Younger & Dumber”

by Sophie Severs
The Cure © Magali Girardin
Columns, Features, MusicFebruary 8, 2023<February 8, 2023

Living The Cure, Pt. 1

by David Buyze
Atwood Magazine's Editor's Picks 87
Columns, Editor's Picks, Features, MusicFebruary 8, 2023<August 13, 2024

Editor’s Picks 87: Slow Fiction, M.A.G.S., Sofia Monroy, The Rocket Summer, Steady Holiday, & Roo Panes!

by Mitch Mosk
Pierce The Veil © Celina Kenyon
Features, Interviews, MusicFebruary 8, 2023<March 11, 2023

“More simplified, but more powerful”: Jaime Preciado of Pierce The Veil Unhinges ‘The Jaws of Life’

by Isabella Le
Katie Boeck © Josh Kranich
Music, PremieresFebruary 8, 2023<February 8, 2023

Premiere: Nashville’s Katie Boeck Makes Peace with the Past in Smoldering Song, “Over Again”

by Mitch Mosk
Vagabon - "Carpenter" © Ace Amir & Alexa Viscius
Columns, Music, Today's SongFebruary 8, 2023<February 8, 2023

Today’s Song: Vagabon’s “Carpenter” Captures the Beauty of Growth, Learning, and Complete Understanding

by Lauren Turner
Tunes & Tumblers x Stacey Ryan, 2023-02-07
Music, Podcast, Tunes & TumblersFebruary 7, 2023<April 30, 2023

Podcast: Tunes & Tumblers Features Stacey Ryan and a Love Life Story

by Atwood Magazine Staff
Virginia Sweet © Andrew Kuykendall
Debut, Features, Interviews, Music, Track-by-TrackFebruary 7, 2023<February 7, 2023

Feature: Virginia Sweet’s Debut EP ‘The Revival’ Soars with Feverish, Smoldering Southern Rock Charm

by Mitch Mosk
Personal Trainer © 2022
Features, Interviews, Music, Track-by-TrackFebruary 7, 2023<February 7, 2023

Feature: Indie Pop Duo Personal Trainer Shine on Cinematic, Evocative, & Cathartic ‘Reflex’ EP

by Mitch Mosk
janney - JANNEY
Debut, Features, Interviews, Music, Track-by-TrackFebruary 7, 2023<February 7, 2023

Track-by-Track: JANNEY Dives into His Smoldering & Cinematic Self-Titled Debut Album

by Mitch Mosk
Billie Marten © Katie Silvester
Columns, Music, Today's SongFebruary 7, 2023<February 7, 2023

Today’s Song: Billie Marten Creates a Peaceful Safe Haven in “This Is How We Move”

by Minna Abdel-Gawad
Patrick James © 2022
Features, Interviews, Music, Track-by-TrackFebruary 6, 2023<February 6, 2023

Feature: Patrick James Embraces Self-Reliance on Nostalgic, Autobiographical, & Heartfelt Sophomore LP ‘I’ll Take Care of Myself, If You Take Care of Yourself’

by Mitch Mosk
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Brand New

  • “Change Lies at Your Footsteps”: Vienna Vienna Turns Overstimulation into Motion on “Idle Hands”
  • “This Is What It Feels Like to Not Feel Anything”: Petey USA on Turning Private Thoughts into Shared Space & the Fictional Truths of ‘The Yips’
  • “We’re all just friends making music”: Brooklyn’s Anyhow Are an Emerging Indie Rock Duo Built on Collaboration, Trust, & Guitars
  • Atwood Magazine Presents Mistletones: 2025’s Best New Holiday Songs, Pt. 1!
  • “I Serve Me. I Take Care of Me. I Am My Keeper”: Medium Build on Surviving the Dream, Choosing Himself, & More Takeaways From a Career-Defining Year
  • Interview: From Malawi to Massachusetts, The Kasambwe Brothers Are Strumming Their Way to Success
  • “You Have Me Marked as Nice”: Ski Team Sits With Desire, Restraint, & the Mercy of Boundaries on “Santa”

:: discover something new ::

Recent Posts

  • “Change Lies at Your Footsteps”: Vienna Vienna Turns Overstimulation into Motion on “Idle Hands” December 20, 2025
  • “This Is What It Feels Like to Not Feel Anything”: Petey USA on Turning Private Thoughts into Shared Space & the Fictional Truths of ‘The Yips’ December 19, 2025
  • “We’re all just friends making music”: Brooklyn’s Anyhow Are an Emerging Indie Rock Duo Built on Collaboration, Trust, & Guitars December 19, 2025
  • Atwood Magazine Presents Mistletones: 2025’s Best New Holiday Songs, Pt. 1! December 19, 2025
  • “I Serve Me. I Take Care of Me. I Am My Keeper”: Medium Build on Surviving the Dream, Choosing Himself, & More Takeaways From a Career-Defining Year December 18, 2025
  • Interview: From Malawi to Massachusetts, The Kasambwe Brothers Are Strumming Their Way to Success December 18, 2025
  • “You Have Me Marked as Nice”: Ski Team Sits With Desire, Restraint, & the Mercy of Boundaries on “Santa” December 18, 2025
  • Atwood Magazine’s 2025 Albums of the Year December 18, 2025
  • “Raw, Experimental, & Definitive”: Low.bō Debuts with a Bruised, Intimate Alt-R&B Reckoning on ‘husk’ December 17, 2025
  • “Anger, Death, & Acceptance”: Adult Mom’s Stevie Knipe Gives Life’s Hardest Feelings a Voice on ‘Natural Causes’ December 17, 2025
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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