Features, Interviews, MusicApril 13, 2023<April 30, 2023 Interview: Andrew McMahon Sets the Bar for Musical Storytelling with ‘Tilt At The Wind No More’ by Michael Greco
Features, Interviews, MusicApril 13, 2023<April 30, 2023 Interview: Alexz Johnson Embraces the ‘Seasons’ of Life on Her Hopeful & Healing 5th Album by Mitch Mosk
Music, Music Videos, PremieresApril 13, 2023<April 30, 2023 Premiere: The Intoxicating Flow & Smoldering Seduction of Bobby Bazini’s “Waterfallin’” by Mitch Mosk
Features, Interviews, MusicApril 12, 2023<April 30, 2023 Interview: After Years of Uplifting Others, Feel-Good Superstar Self Esteem Knows She’s Gonna Be Okay Herself by Sam Franzini
Features, Interviews, Music, Track-by-TrackApril 12, 2023<April 30, 2023 “Heartache in the making”: You Me At Six’s Feverish ‘Truth Decay’ Is a Pop-Punk Love Letter to the Lost by Mitch Mosk
Features, Interviews, Music, Track-by-TrackApril 12, 2023<April 30, 2023 “I am calm, I am the storm”: Michigander Soars & Stirs on Spirited EP, ‘It Will Never Be the Same’ by Mitch Mosk
Columns, Interviews, Music, Today's SongApril 12, 2023<April 30, 2023 Ayleen Valentine Scores a Double Victory with “epitaph” & “i can’t stop dreaming of you” by Josh Weiner
Debut, Features, Interviews, Music, Track-by-TrackApril 11, 2023<April 30, 2023 Love, Hate, & Confusion: Brisbane’s King Ivy Stuns, Stirs, and Soars on Soulful Debut EP ‘Brown’ by Mitch Mosk
Features, Music, Reviews, RoundtableApril 11, 2023<June 29, 2024 Roundtable Discussion: A Review of Lana Del Rey’s ‘Did you know that there’s a tunnel under Ocean Blvd’ by Atwood Magazine Staff
Features, Interviews, Music, Track-by-TrackApril 11, 2023<April 30, 2023 ‘What a beautiful thing I have made’: The Hackles Lay Fresh Folk Roots on Their Intimate, Warm & Wondrous Third Album by Mitch Mosk
Music, Podcast, Tunes & TumblersApril 11, 2023<April 30, 2023 Podcast: Tunes & Tumblers Features Waterparks and a Red Drink by Atwood Magazine Staff
Columns, Music, Today's SongApril 11, 2023<April 30, 2023 Today’s Song: Korean Alt-Rock Artist LØREN Breaks the Mold with “Folks” by Freya Rinaldi
Music, ReviewsApril 10, 2023<April 30, 2023 Album Review: Shimmering Epiphanies in Depeche Mode’s ‘Memento Mori’ by David Buyze
Features, Interviews, MusicApril 10, 2023<April 30, 2023 Matt Corby & ‘Everything’s Fine’: Growth, Introspection, and the Age of Social Media by Rachel Leong
Columns, Music, Today's SongApril 10, 2023<April 30, 2023 Today’s Song: Lyric Christian Teams Up with Robert PM for Empowering “Hands Off (My Crown)” by Chloe Robinson
For the Love of Music
For the Love of Music
