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Atwood Magazine's Weekly Roundup | March 31, 2023
Columns, Features, Music, Weekly RoundupMarch 31, 2023<May 15, 2023

Atwood Magazine’s Weekly Roundup: March 31, 2023

by Atwood Magazine Staff
boygenius © Shervin Lainez
Debut, Features, Music, Reviews, RoundtableMarch 31, 2023<June 29, 2024

Roundtable Discussion: A Review of boygenius’ ‘the record’

by Atwood Magazine Staff
Irene Diaz © 2023
Columns, Essays, Music, Women's History MonthMarch 31, 2023<April 30, 2023

“Lost and Found: A Los Angeles Story”: An Essay by Irene Diaz for Women’s History Month

by Guest Writer
Anna of the North © Robin Bøe
Music, PremieresMarch 31, 2023<April 30, 2023

Premiere: Anna of the North’s Funky, Feel-Good “Try My Best”

by Kelly McCafferty Dorogy
Cliffs + Caves © Kirby Trapolino
Music, PremieresMarch 30, 2023<April 30, 2023

Conspiracy & Catharsis: Cliffs + Caves Search for Truth in Achingly Raw “Mint Gum” ft. David Ramirez

by Mitch Mosk
Meris Gantt © Enowen Photography
Columns, Essays, Music, Women's History MonthMarch 30, 2023<April 30, 2023

“Overcoming the Patriarchy Effect”: An Essay by Meris Gantt for Women’s History Month

by Guest Writer
How To Lose A Girl in 7 Songs - Knox
Debut, Features, Interviews, Music, Track-by-TrackMarch 30, 2023<April 30, 2023

Feature: Knox’s Debut EP ‘How to Lose a Girl in 7 Songs’ Is a Passion-Fueled Pop/Rock Frenzy

by Mitch Mosk
Foley © Jack Pompe
Music, PremieresMarch 30, 2023<April 30, 2023

Premiere: Brooklyn’s Foley Lay Down a Smoldering, Dreamy Groove on “Hold Within”

by Mitch Mosk
Sondre Lerche © Hilde Solli
Music, PremieresMarch 30, 2023<April 30, 2023

Premiere: Sondre Lerche Channels Pain & Grief into Musical Beauty on “The Most Savage Joke”

by Mitch Mosk
MisterWives © Matty Vogel
Columns, Music, Today's SongMarch 30, 2023<April 30, 2023

Today’s Song: MisterWives Enter a New Era with Punk Rock Rager, “Out of Your Mind”

by Kelly McCafferty Dorogy
B-Drop
Features, Music, PremieresMarch 29, 2023<April 30, 2023

Premiere: B-Drop Worldwide Showcases Coline Creuzot & Lucius Arthur

by Mitch Mosk
Atwood Magazine's Editor's Picks 94
Columns, Editor's Picks, Features, MusicMarch 29, 2023<March 29, 2023

Editor’s Picks 94: Hana Eid, Raia Was, Kate Davis, Robyn Froese, Jealous of the Birds, & Why Bonnie!

by Mitch Mosk
Tunes & Tumblers x mazie 2023
Music, Podcast, Tunes & TumblersMarch 29, 2023<April 30, 2023

Podcast: Tunes & Tumblers Features Mazie and a Kaleidoscopic Journey

by Atwood Magazine Staff
Gracie Abrams live © Joey Brodnax
Concerts, Music, ReviewsMarch 29, 2023<April 30, 2023

Lightning in a Bottle: Gracie Abrams, Live from Austin

by Kelly McCafferty Dorogy
Noah Kahan © Patrick McCormack
Features, Interviews, MusicMarch 29, 2023<March 2, 2025

Interview: Noah Kahan on Third LP ‘Stick Season’, Embracing His Roots, & Finding Happiness in Being Himself

by Mitch Mosk
Posts pagination
1 … 199 200 201 202 203 … 726

Brand New

  • “Not what you said, but how you said it”: Charlie Lim Lays Himself Bare on “Nobody’s Home,” a Gut-Wrenching Portrait of Grief and Emotional Reckoning
  • “SWEET LOVE”: Stephen Sanchez Falls Head Over Heels into a Feel-Good, Heart-on-Sleeve Retro-Pop Anthem
  • The Clockworks’ Sophomore Album ‘The Entertainment’ Is Where the Noise Softens and the Truth Slips Through
  • MONSTA X Rework Their English Sound With a More Personal Edge on ‘Unfold’
  • “Chose Faith Instead of Facing the Past”: Brooklyn’s Myra Lee Erupt with “Magpie,” a Feverish, Slow-Burning Indie Rock Reintroduction
  • “I Know How to Hurt Myself on You”: MUNA Turn Heartbreak into Kinetic Euphoria on “Dancing on the Wall”
  • Editor’s Picks 151: The Temper Trap, Lola Blue, Mount St. Helen, Eliza Edens, Radium Dolls, & Local the Neighbour!

:: discover something new ::

Recent Posts

  • “Not what you said, but how you said it”: Charlie Lim Lays Himself Bare on “Nobody’s Home,” a Gut-Wrenching Portrait of Grief and Emotional Reckoning April 3, 2026
  • “SWEET LOVE”: Stephen Sanchez Falls Head Over Heels into a Feel-Good, Heart-on-Sleeve Retro-Pop Anthem April 3, 2026
  • The Clockworks’ Sophomore Album ‘The Entertainment’ Is Where the Noise Softens and the Truth Slips Through April 3, 2026
  • MONSTA X Rework Their English Sound With a More Personal Edge on ‘Unfold’ April 3, 2026
  • “Chose Faith Instead of Facing the Past”: Brooklyn’s Myra Lee Erupt with “Magpie,” a Feverish, Slow-Burning Indie Rock Reintroduction April 2, 2026
  • “I Know How to Hurt Myself on You”: MUNA Turn Heartbreak into Kinetic Euphoria on “Dancing on the Wall” April 2, 2026
  • Editor’s Picks 151: The Temper Trap, Lola Blue, Mount St. Helen, Eliza Edens, Radium Dolls, & Local the Neighbour! April 1, 2026
  • Today’s Song: Stock Band Return with “Today’s Song,” an Indie Anthem That Checks All the Boxes April 1, 2026
  • “I Just Got My Heart Broken, But I Look F**kin’ Fabulous”: MEEK Breaks Out with “Fabulous,” a Loud, Unapologetic, & Utterly Irresistible Pop Anthem April 1, 2026
  • “I Needed to Make Something Beautiful as Things Fell Apart”: Maria Taylor Finds Renewal in the Ruins on ‘Story’s End’ April 1, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
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