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Daughter (L-R: Igor Haefeli, Elena Tonra, Remi Aguilella) © Marika Kochiashvili
Columns, Music, Today's SongJanuary 18, 2023<January 17, 2023

Today’s Song: Daughter Embrace Connection in Return Single “Be on Your Way”

by Rachel Leong
Gabrielle Aplin © Matt Healy
Features, Interviews, MusicJanuary 18, 2023<March 11, 2023

Phosphorescent: Gabrielle Aplin’s Honest & Reflective Fourth Album Explores the Physicality of Life

by Lauren Turner
Upstate © Bridget Badore • @bridgetbadore • www.bridgetbadore.com
Music, PremieresJanuary 17, 2023<January 17, 2023

Premiere: Hudson Valley Band Upstate Invite Us to “Befriend” the Enemy on Smoldering New Song

by Mitch Mosk
Flowers - Miley Cyrus
Columns, Music, Today's SongJanuary 17, 2023<January 17, 2023

Today’s Song: Miley Cyrus’ Self-Empowering & Inspiring “Flowers” Introduces a New Era

by Lauren Turner
Circa Waves © Lewis Vorne
Columns, Music, Today's SongJanuary 16, 2023<January 16, 2023

Today’s Song: Circa Waves Take Aim at Climate Change & an Uncertain Future with “Never Going Under”

by Beau Hayhoe
The Horn 'Do It Now' © 2022
Features, Interviews, Music, Track-by-TrackJanuary 13, 2023<January 13, 2023

“Welcome to the Power Show”: The Horn ‘Do It Now’ (and Do It Well) on Catchy, Punchy, & Unapologetic Debut

by Mitch Mosk
Jessie Reid © Emilie Cotterill
Music, PremieresJanuary 13, 2023<January 13, 2023

Premiere: Jessie Reid Brings Us “A Little Closer” with Achingly Intimate & Breathtakingly Beautiful New Single

by Mitch Mosk
Callie Reiff © Bellamy Brewster
Interviews, MusicJanuary 13, 2023<January 13, 2023

“Watch Out, It’s a Chain Reaction”: A Conversation with Soaring EDM Talent Callie Reiff

by Josh Weiner
The Sarandons © Steph Montani
Columns, Music, Today's SongJanuary 13, 2023<January 13, 2023

Today’s Song: Canadian Heartland Rockers The Sarandons Get Introspective with “Sightlines”

by Beau Hayhoe
Circa Waves © Lewis Vorne
Features, Interviews, MusicJanuary 13, 2023<March 11, 2023

“An Act of Resilience”: Circa Waves Cling to Optimism in Fifth Album ‘Never Going Under’

by Anthony Kozlowski
Good Karma - J French
Features, Interviews, Music, Track-by-TrackJanuary 12, 2023<March 2, 2025

“These are not just songs; these are mantras.”: J French Finds His Light in Uplifting, Hopeful, & Soulful ‘Good Karma’ LP

by Mitch Mosk
High Tea © Robin Siddall
Debut, Interviews, Music, Reviews, Track-by-TrackJanuary 12, 2023<January 12, 2023

Track-by-Track: The Simple Untamed Wanderlust of High Tea’s ‘Old Cowboy’

by Mitch Mosk
Matilda Mann & Spill Tab © 2023
Columns, Music, Today's SongJanuary 12, 2023<January 12, 2023

Today’s Song: “Borderline Insane” Is Matilda Mann & spill tab’s Irresistible Grunge Pop Anthem

by Minna Abdel-Gawad
MILK - Natalie Shay
Music, Reviews, Track-by-TrackJanuary 11, 2023<January 11, 2023

Track-by-Track: In an Explorative Realm of Growth & Self-Discovery with Natalie Shay’s ‘MILK’ EP

by Joe Beer
Flipturn © Amanda Laferriere
Debut, Features, Interviews, Music, Track-by-TrackJanuary 11, 2023<January 12, 2023

“Shimmery, Gritty, & Reflective”: The Weight & Warmth of flipturn’s Soul-Stirring Debut Album ‘Shadowglow’

by Mitch Mosk
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Brand New

  • “Change Lies at Your Footsteps”: Vienna Vienna Turns Overstimulation into Motion on “Idle Hands”
  • “This Is What It Feels Like to Not Feel Anything”: Petey USA on Turning Private Thoughts into Shared Space & the Fictional Truths of ‘The Yips’
  • “We’re all just friends making music”: Brooklyn’s Anyhow Are an Emerging Indie Rock Duo Built on Collaboration, Trust, & Guitars
  • Atwood Magazine Presents Mistletones: 2025’s Best New Holiday Songs, Pt. 1!
  • “I Serve Me. I Take Care of Me. I Am My Keeper”: Medium Build on Surviving the Dream, Choosing Himself, & More Takeaways From a Career-Defining Year
  • Interview: From Malawi to Massachusetts, The Kasambwe Brothers Are Strumming Their Way to Success
  • “You Have Me Marked as Nice”: Ski Team Sits With Desire, Restraint, & the Mercy of Boundaries on “Santa”

:: discover something new ::

Recent Posts

  • “Change Lies at Your Footsteps”: Vienna Vienna Turns Overstimulation into Motion on “Idle Hands” December 20, 2025
  • “This Is What It Feels Like to Not Feel Anything”: Petey USA on Turning Private Thoughts into Shared Space & the Fictional Truths of ‘The Yips’ December 19, 2025
  • “We’re all just friends making music”: Brooklyn’s Anyhow Are an Emerging Indie Rock Duo Built on Collaboration, Trust, & Guitars December 19, 2025
  • Atwood Magazine Presents Mistletones: 2025’s Best New Holiday Songs, Pt. 1! December 19, 2025
  • “I Serve Me. I Take Care of Me. I Am My Keeper”: Medium Build on Surviving the Dream, Choosing Himself, & More Takeaways From a Career-Defining Year December 18, 2025
  • Interview: From Malawi to Massachusetts, The Kasambwe Brothers Are Strumming Their Way to Success December 18, 2025
  • “You Have Me Marked as Nice”: Ski Team Sits With Desire, Restraint, & the Mercy of Boundaries on “Santa” December 18, 2025
  • Atwood Magazine’s 2025 Albums of the Year December 18, 2025
  • “Raw, Experimental, & Definitive”: Low.bō Debuts with a Bruised, Intimate Alt-R&B Reckoning on ‘husk’ December 17, 2025
  • “Anger, Death, & Acceptance”: Adult Mom’s Stevie Knipe Gives Life’s Hardest Feelings a Voice on ‘Natural Causes’ December 17, 2025
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