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Governors Ball Music Festival
Festival, Music, Preview, Previews, ReviewsJune 8, 2023<June 8, 2023

2023 Governors Ball Music Festival Preview: The Premier East-Coast Party Featuring Lizzo, Kendrick Lamar, & Odesza!

by Nick Polak
J Lind © Torrey Lind
Music, PremieresJune 8, 2023<June 8, 2023

Premiere: J Lind Reminds Us to Unplug & Live in the Moment on “Oxford Sweater”

by Mitch Mosk
Tunes & Tumblers x BottleRock Napa Valley 2023
Music, Podcast, Tunes & TumblersJune 7, 2023<June 7, 2023

Podcast: Tunes & Tumblers’ Great BottleRock Adventure!

by Atwood Magazine Staff
joan © Jacob Ruth
Debut, Features, Interviews, Music, Track-by-TrackJune 7, 2023<June 7, 2023

“Life, death, and everything between”: joan Go Track-by-Track Through ‘superglue,’ Their Intimately Cinematic Debut Album

by Mitch Mosk
Babe Rainbow © Maclay Heriot
Features, Interviews, MusicJune 7, 2023<June 7, 2023

Interview: Babe Rainbow’s “Super Ego” Is a Summer Psychedelic Masterpiece

by Miles Campbell
swim school "duality" © Rory Barnes
Music, ReviewsJune 7, 2023<June 7, 2023

Review: swim school Offer a Compelling Look at ‘duality’ with New EP

by Brianna Corrine
Winten © Matthew Shaw
Columns, Music, Today's SongJune 7, 2023<June 7, 2023

The Intimate Warmth, Freeing Energy, & Cathartic Release of Winten’s “Bad Ones”

by Mitch Mosk
Diamond Day © Ariana Molly
Music, PremieresJune 7, 2023<June 7, 2023

Premiere: Montréal’s Diamond Day Debut with “Noisemaker,” a Hypnotic & Shoegazey Alt-Pop Fever Dream

by Mitch Mosk
The Aces "I've Loved You For So Long" © Julian Burgueño
Features, Interviews, MusicJune 6, 2023<December 21, 2023

‘I’ve Loved You For So Long’: The Aces Unpack Anxiety, Youth, & Queerness on Liberating Third LP

by Mitch Mosk
The Travelin' McCourys © Taylor Lewis Photography
Festival, Music, ReviewsJune 6, 2023<June 6, 2023

Review: DelFest 2023 Brings Music to Fill the Cumberland Air

by Christopher Snyder
King Gizzard & the Lizard Wizard © Keith Griner 2023
Concerts, Music, ReviewsJune 6, 2023<June 6, 2023

Live Review: King Gizzard & The Lizard Wizard Rock 4 Nights of No Repeats in Rural Tennessee

by Max Kalnitz
Timothy Edward Carpenter © 2023
Columns, Music, Today's SongJune 6, 2023<June 6, 2023

Today’s Song: Timothy Edward Carpenter Celebrates Love With the Beautiful “emiliejane”

by Mitch Mosk
The Collection © Griffin Hart Davis
Columns, Essays, Music, Pride MonthJune 6, 2023<June 6, 2023

“The Authenticity Required”: A Pride Month Essay by The Collection’s David Wimbish

by Guest Writer
Annahstasia © Julian Dakdouk
Features, Interviews, Music, Track-by-TrackJune 5, 2023<June 5, 2023

“I’m just one woman, trying to carry that weight”: Inside Annahstasia’s Grounding, Still, & Timeless ‘Revival’ EP

by Mitch Mosk
Lanterns on the Lake © Rob Irish
Features, Interviews, Music, Track-by-TrackJune 5, 2023<June 5, 2023

“Am I a wreck? You bet”: Lanterns on the Lake Unveil ‘Versions of Us,’ Their Cinematic & Soul-Stirring Fifth Album

by Mitch Mosk
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Brand New

  • Atwood Magazine’s Weekly Roundup: June 23, 2026
  • “Arms Out Wide Like an Aeroplane”: Aquilo Capture Love’s Sweetness on “Under My Skin,” a Sun-Kissed Indie Pop Daydream
  • “I Don’t Owe You a Goddamn Thing”: Lisa Molinaro Claims the Sweetness for Herself on “Peach Fuzz,” a Feverish Indie Rock Eruption of Refusal & Release
  • Ryan Bingham Reinvents Cowboy Country with ‘They Call Us the Lucky Ones’
  • Railbird 2026 Was Derby Roads, Country Music, and a Community Coming Together
  • “I Know I’ve Arrived”: Yan Qing Explores the Weight of Indecision and the Solace of Love on “The Arrival,” an Achingly Honest Acoustic Ballad
  • “Rule Me, Stone Me”: Personal Trainer’s “Punch Drunk Love” Captures the Tender Chaos of Infatuation

:: discover something new ::

Recent Posts

  • Atwood Magazine’s Weekly Roundup: June 23, 2026 June 23, 2026
  • “Arms Out Wide Like an Aeroplane”: Aquilo Capture Love’s Sweetness on “Under My Skin,” a Sun-Kissed Indie Pop Daydream June 23, 2026
  • “I Don’t Owe You a Goddamn Thing”: Lisa Molinaro Claims the Sweetness for Herself on “Peach Fuzz,” a Feverish Indie Rock Eruption of Refusal & Release June 22, 2026
  • Ryan Bingham Reinvents Cowboy Country with ‘They Call Us the Lucky Ones’ June 22, 2026
  • Railbird 2026 Was Derby Roads, Country Music, and a Community Coming Together June 22, 2026
  • “I Know I’ve Arrived”: Yan Qing Explores the Weight of Indecision and the Solace of Love on “The Arrival,” an Achingly Honest Acoustic Ballad June 22, 2026
  • “Rule Me, Stone Me”: Personal Trainer’s “Punch Drunk Love” Captures the Tender Chaos of Infatuation June 22, 2026
  • “All That I Wanted Was You”: Adrian Lyles Sets Love’s Wreckage Ablaze in an Achingly Intimate Reckoning with Heartbreak & Helplessness June 19, 2026
  • “Mixed Sentiments Surrounding June as Designated Month of Celebration”: An Essay by Terri Lyne Carrington June 19, 2026
  • Editor’s Picks 158: Games We Play, Weird Nightmare, Nora Kelly Band, Erotic Secrets of Pompeii, Tooth, & Riley! June 18, 2026
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