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Hannah Jadagu © Axel Kabundji
Debut, Interviews, MusicMarch 16, 2023<April 30, 2023

“I want kids who grew up like me to see that you can make music”: An Interview with Hannah Jadagu

by Mitch Mosk
Jake Huffman © 2023
Interviews, MusicMarch 16, 2023<April 30, 2023

Interview: Singing Drummer Jake Huffman Speaks on New Single “Martyr” & Upcoming EP ‘Younger’

by Joe Beer
Death of a Cloud - Mereki
Essays, Music, Women's History MonthMarch 16, 2023<April 30, 2023

“On Never Allowing ‘Tall Poppy Syndrome’ to Hold a Woman Back”: An Essay by Mereki for Women’s History Month

by Guest Writer
Pam Risourié © Cédric Tessonneau
Debut, Features, Interviews, Music, Track-by-TrackMarch 16, 2023<April 30, 2023

‘days of distortion’: Parisian Band Pam Risourié Premiere Their Immersive, Hypersensitive, & Ambient Debut Album

by Mitch Mosk
'Inner Child Work Pt. 2' EP art - Alicia Blue
Features, Interviews, Music, Track-by-TrackMarch 16, 2023<April 30, 2023

Feature: Alicia Blue Delves into the Soul-Stirring Depths of Her Beautifully Cathartic ‘Inner Child Work’

by Mitch Mosk
JOSEPH © Shervin Lainez
Music, Reviews, This Just InMarch 16, 2023<April 30, 2023

“Feeling good doesn’t feel bad anymore”: JOSEPH Shine Like “The Sun” in Radiant & Empowering New Single

by Mitch Mosk
KTJ & CARLY © Joseph Lee
Columns, Music, Today's SongMarch 16, 2023<April 30, 2023

KTJ & CARLY Remind Us to Stop Stressing Over “Shitty People” in Lush, Haunting New Single

by Chloe Robinson
Bertie Newman © Anna Lowry
Columns, Music, Today's SongMarch 15, 2023<April 30, 2023

London’s Bertie Newman Spills His Worried Mind in “Wasted on Me,” an Achingly Intimate Indie Folk Confessional

by Mitch Mosk
Tonia © 2023
Debut, Features, Interviews, Music, Track-by-TrackMarch 15, 2023<April 30, 2023

“Dreamy, Cathartic, & Truthful”: Liverpool’s Tonia Stuns & Stirs on Soul-Soaked Debut EP ‘Afloat’

by Mitch Mosk
Bedroom © Alex Berger
Music, PremieresMarch 15, 2023<April 30, 2023

Premiere: Bedroom Finds a Beautiful Home in “Better Friends,” His Brutally Honest & Achingly Raw New Single

by Mitch Mosk
A Different Kitchen © Felix Jordan
Debut, Music, PremieresMarch 15, 2023<April 30, 2023

Premiere: A Different Kitchen Serve Up Alternative Catharsis on Seismic Debut Single “I’m Fine I’m Fine”

by Mitch Mosk
Two Trains Left © Alexis Fontaine
Music, Music Videos, PremieresMarch 15, 2023<April 30, 2023

Premiere: Two Trains Left Ruminate on the Pursuit of Peace and Quietude in “Lack of Sleep”

by Isabella Le
Tunes & Tumblers x Quarters of Change 2023
Music, Podcast, Tunes & TumblersMarch 14, 2023<April 30, 2023

Podcast: Tunes & Tumblers Features Quarters of Change and a Tortured Heart

by Atwood Magazine Staff
Scott Matthews © Adam Bulley
Music, PremieresMarch 14, 2023<April 30, 2023

Premiere: The Fragile, Breathtaking Raw Beauty of Scott Matthews’ “My Selfless Moon” (Acoustic)

by Mitch Mosk
SUPERGLUE - Ella Vos
Features, Interviews, MusicMarch 14, 2023<April 30, 2023

Interview: Ella Vos Shines with Feminine Reclamation in Third Album, ‘SUPERGLUE’

by Rachel Leong
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Brand New

  • “I think it’s time just to make awesome rock music”: Jonny Tex Returns to SXSW with a New Sound, New Band, & New Sense of Purpose
  • “I’m listening to me this time”: Brit Taylor Trusts the Signs on ‘Land of the Forgotten’
  • “It’s all waiting there for you”: Harry Styles Captures the Beauty of Music Discovery & Offers an Outlook on Life Itself on “Carla’s Song”
  • “You Can Reject the Script That’s Handed to You”: The Undercover Dream Lovers’ Matt Koenig Is Living Life on His Own Terms (And You Can, Too)
  • Roundtable Discussion: A Review of Harry Styles’ ‘Kiss All The Time. Disco, Occasionally.’
  • Joshua Quimby Is Redefining What It Means to Be Country
  • Melanie Martinez’s ‘HADES’: A Descent into Pop’s Most Unsettling Underworld

:: discover something new ::

Recent Posts

  • “I think it’s time just to make awesome rock music”: Jonny Tex Returns to SXSW with a New Sound, New Band, & New Sense of Purpose April 7, 2026
  • “I’m listening to me this time”: Brit Taylor Trusts the Signs on ‘Land of the Forgotten’ April 7, 2026
  • “It’s all waiting there for you”: Harry Styles Captures the Beauty of Music Discovery & Offers an Outlook on Life Itself on “Carla’s Song” April 7, 2026
  • “You Can Reject the Script That’s Handed to You”: The Undercover Dream Lovers’ Matt Koenig Is Living Life on His Own Terms (And You Can, Too) April 6, 2026
  • Roundtable Discussion: A Review of Harry Styles’ ‘Kiss All The Time. Disco, Occasionally.’ April 6, 2026
  • Joshua Quimby Is Redefining What It Means to Be Country April 6, 2026
  • Melanie Martinez’s ‘HADES’: A Descent into Pop’s Most Unsettling Underworld April 6, 2026
  • The Magical Renaissance of U2: A Reflection on ‘Days of Ash’ and ‘Easter Lily’ April 6, 2026
  • “Not what you said, but how you said it”: Charlie Lim Lays Himself Bare on “Nobody’s Home,” a Gut-Wrenching Portrait of Grief and Emotional Reckoning April 3, 2026
  • “SWEET LOVE”: Stephen Sanchez Falls Head Over Heels into a Feel-Good, Heart-on-Sleeve Retro-Pop Anthem April 3, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
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