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Atwood Magazine's Weekly Roundup | December 16, 2022
Columns, Features, Music, Weekly RoundupDecember 16, 2022<December 16, 2022

Atwood Magazine’s Weekly Roundup: December, 16, 2022

by Atwood Magazine Staff
Mannequin Pussy © Phobymo
Features, Interviews, MusicDecember 15, 2022<December 15, 2022

“There’s no better time to be in a punk band”: Mannequin Pussy’s Marisa Dabice Talks Generational Anger, Music, & More

by Michael Greco
Atwood Magazine's Top Artist Discoveries of 2022
Features, Lists, MusicDecember 15, 2022<March 11, 2023

Atwood Magazine’s Top Artist Discoveries of 2022

by Atwood Magazine Staff
Jasmine Star © 2022
Interviews, MusicDecember 14, 2022<December 28, 2023

Wembley Dreams: Young Shredder Jasmine Star on Guitar, TikTok, New Music & More

by Andrew Daly
Atwood Magazine's Mistletones 2022, Pt. 2
Features, Interviews, Lists, Mistletones, MusicDecember 14, 2022<March 11, 2023

Atwood Magazine Presents Mistletones: 2022’s Best New Holiday Songs, Pt. 2

by Atwood Magazine Staff
Day Wave © Nikoli Partiyeli
Columns, Music, Today's SongDecember 14, 2022<December 14, 2022

Today’s Song: Day Wave Returns with New Track “Cold Like Me” on Deluxe Edition of 2nd LP ‘Pastlife’

by Beau Hayhoe
Queen of Hearts - Lily Lane
Music, Track-by-TrackDecember 13, 2022<December 14, 2022

Track-by-Track: Lily Lane Returns with Exceptional Musicality on Sophomore LP ‘Queen of Hearts’

by Joe Beer
Boogie Belgique © Monday Jr
Features, Interviews, MusicDecember 13, 2022<December 14, 2022

Interview with Boogie Belgique: A DJ Set Takes Orchestra Form, with Some Investigative Reporting Influence Tossed In

by Josh Weiner
Tones and I © Giulia McGauran
Columns, Music, Today's SongDecember 13, 2022<December 13, 2022

Today’s Song: Tones and I’s “Eyes Don’t Lie” Is a Powerful Ode to Moving On

by Lauren Turner
The Prescriptions © Noah Tidmore
MusicDecember 12, 2022<December 12, 2022

Enjoy Some ‘Time Apart’: The Prescriptions Soar with Heartland Passion & Honest Charm on Intimate, Smoldering Sophomore LP

by Mitch Mosk
Aidan Bissett © Brooke James
Debut, Features, Interviews, MusicDecember 12, 2022<December 12, 2022

Interview: Aidan Bissett Discusses His Fun, Fiery & Heartfelt Debut EP ‘I’m Alright If You’re OK’

by Kelly McCafferty Dorogy
Atwood Magazine's 2022 EPs of the Year
Features, Lists, MusicDecember 12, 2022<March 11, 2023

The 22 Best EPs of 2022

by Atwood Magazine Staff
Atwood Magazine's Editor's Picks 82
Columns, Editor's Picks, Features, MusicDecember 9, 2022<March 11, 2023

Editor’s Picks 82: Ethel Cain, Christian Kuria, Sable, Kathleen, The Greeting Committee, & Blitz Vega!

by Mitch Mosk
Atwood Magazine's Weekly Roundup | December 9, 2022
Columns, Features, Music, Weekly RoundupDecember 9, 2022<December 9, 2022

Atwood Magazine’s Weekly Roundup: December 9, 2022

by Atwood Magazine Staff
The Veils © Matt Hollyoak
Columns, Music, Today's SongDecember 9, 2022<December 9, 2022

Today’s Song: Inside The Veils’ Misty, Mesmerizing & Utterly Seductive “Undertow”

by Chloe Robinson
Posts pagination
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Brand New

  • Raye’s ‘THIS MUSIC MAY CONTAIN HOPE.’ Is Cinematic Pop That Dazzles and Delivers
  • Paris Paloma’s “Miyazaki” Is a Love Letter to Human Creation
  • “I think it’s time just to make awesome rock music”: Jonny Tex Returns to SXSW with a New Sound, New Band, & New Sense of Purpose
  • “I’m listening to me this time”: Brit Taylor Trusts the Signs on ‘Land of the Forgotten’
  • “It’s all waiting there for you”: Harry Styles Captures the Beauty of Music Discovery & Offers an Outlook on Life Itself on “Carla’s Song”
  • “You Can Reject the Script That’s Handed to You”: The Undercover Dream Lovers’ Matt Koenig Is Living Life on His Own Terms (And You Can, Too)
  • Roundtable Discussion: A Review of Harry Styles’ ‘Kiss All The Time. Disco, Occasionally.’

:: discover something new ::

Recent Posts

  • Raye’s ‘THIS MUSIC MAY CONTAIN HOPE.’ Is Cinematic Pop That Dazzles and Delivers April 8, 2026
  • Paris Paloma’s “Miyazaki” Is a Love Letter to Human Creation April 8, 2026
  • “I think it’s time just to make awesome rock music”: Jonny Tex Returns to SXSW with a New Sound, New Band, & New Sense of Purpose April 7, 2026
  • “I’m listening to me this time”: Brit Taylor Trusts the Signs on ‘Land of the Forgotten’ April 7, 2026
  • “It’s all waiting there for you”: Harry Styles Captures the Beauty of Music Discovery & Offers an Outlook on Life Itself on “Carla’s Song” April 7, 2026
  • “You Can Reject the Script That’s Handed to You”: The Undercover Dream Lovers’ Matt Koenig Is Living Life on His Own Terms (And You Can, Too) April 6, 2026
  • Roundtable Discussion: A Review of Harry Styles’ ‘Kiss All The Time. Disco, Occasionally.’ April 6, 2026
  • Joshua Quimby Is Redefining What It Means to Be Country April 6, 2026
  • Melanie Martinez’s ‘HADES’: A Descent into Pop’s Most Unsettling Underworld April 6, 2026
  • The Magical Renaissance of U2: A Reflection on ‘Days of Ash’ and ‘Easter Lily’ April 6, 2026
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