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Pictoria Vark © Sophie Prettyman-Beauchamp
Debut, Features, Interviews, MusicMay 12, 2022<May 16, 2023

Interview: Pictoria Vark Opens Up a World of Possibility with Debut ‘The Parts I Dread’

by Sophie Prettyman-Beauchamp
Valley © Becca Hamel
Columns, Music, Today's SongMay 12, 2022<May 12, 2022

Today’s Song: Valley’s Buoyant & Bubbly “CHAMPAGNE” Is the Anthem We All Need Right Now

by Mitch Mosk
Maeve Steele © Swoon
Music, PremieresMay 12, 2022<May 12, 2022

Premiere: Maeve Steele’s Sun-Kissed “slow down” Shines Like a Soft Summer Breeze

by Mitch Mosk
Pusha T © Def Jam Recordings 7.6
Music, Our Take, ReviewsMay 12, 2022<May 11, 2022

Our Take: Rapper Pusha T Scores Another Success with 4th LP ‘It’s Almost Dry’

by Josh Weiner
Chelsea Jade © Oscar Keys
Features, Interviews, Music, Track-by-TrackMay 11, 2022<June 12, 2022

“Snap, Crackle, Pop”: Chelsea Jade Dives Inside Her Stunningly Vulnerable ‘Soft Spot’

by Mitch Mosk
Suki Waterhouse © Dana Trippe
Debut, Features, Interviews, MusicMay 11, 2022<September 29, 2022

“I Can’t Let Go”: Suki Waterhouse Talks Debut Album, Manifesting the Future, & Finding Peace Through Constant Motion

by Beau Hayhoe
The Overview Effect - Jermiside & The Expert
Features, Interviews, Music, Track-by-TrackMay 11, 2022<November 1, 2022

“Psychedelic Social Commentary”: Inside Jermiside & The Expert’s Urgent & Impassioned ‘The Overview Effect’

by Mitch Mosk
Nicky Youre & David Hugo © 2022
Columns, Music, Today's SongMay 11, 2022<May 11, 2022

Today’s Song: Nicky Youre & David Hugo’s Buoyant “Never Go Wrong” Beautifully Voice the Affection of New Love

by Chloe Robinson
Sunflower Bean © DrielyS
Features, Interviews, MusicMay 10, 2022<September 29, 2022

“The right kind of crazy”: Sunflower Bean’s Third Album ‘Headful of Sugar’ Is a Wellspring of Impassioned, Eclectic Individuality

by Lilly Eason
dani mack © 2022
Columns, Music, Premieres, Today's SongMay 10, 2022<May 10, 2022

Today’s Song: The Emotional Wreckage of dani mack’s Tender Tempest, “Someday”

by Mitch Mosk
LØLØ © Conner Sorensen
Columns, Music, Today's SongMay 9, 2022<May 9, 2022

Today’s Song: LØLØ’s Feverish “junkie” Is a Love-Fueled, Pop-Punk Reckoning

by Mitch Mosk
girlhouse © Alex Justice
Features, Interviews, MusicMay 9, 2022<May 10, 2022

Coming to Grips with Reality: girlhouse’s Lauren Luiz Shares the Influences & Inspirations Behind Unfiltered ‘the third ep’

by Mitch Mosk
Doug Gillard © Le Studio
Features, Interviews, MusicMay 9, 2022<May 10, 2022

Interview: Catching Up with Guided By Voices’ Doug Gillard

by Sophie Prettyman-Beauchamp
Atwood Magazine's Weekly Roundup | May 6, 2022
Columns, Features, Music, Weekly RoundupMay 6, 2022<May 6, 2022

Atwood Magazine’s Weekly Roundup: May 6, 2022

by Atwood Magazine Staff
Sadurn © 2022
Debut, Features, Interviews, Music, Track-by-TrackMay 6, 2022<May 6, 2022

Feature: Philly’s Sadurn Light an Indie Folk Fire on Intimate Debut Album ‘Radiator’

by Mitch Mosk
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Brand New

  • “Change Lies at Your Footsteps”: Vienna Vienna Turns Overstimulation into Motion on “Idle Hands”
  • “This Is What It Feels Like to Not Feel Anything”: Petey USA on Turning Private Thoughts into Shared Space & the Fictional Truths of ‘The Yips’
  • “We’re all just friends making music”: Brooklyn’s Anyhow Are an Emerging Indie Rock Duo Built on Collaboration, Trust, & Guitars
  • Atwood Magazine Presents Mistletones: 2025’s Best New Holiday Songs, Pt. 1!
  • “I Serve Me. I Take Care of Me. I Am My Keeper”: Medium Build on Surviving the Dream, Choosing Himself, & More Takeaways From a Career-Defining Year
  • Interview: From Malawi to Massachusetts, The Kasambwe Brothers Are Strumming Their Way to Success
  • “You Have Me Marked as Nice”: Ski Team Sits With Desire, Restraint, & the Mercy of Boundaries on “Santa”

:: discover something new ::

Recent Posts

  • “Change Lies at Your Footsteps”: Vienna Vienna Turns Overstimulation into Motion on “Idle Hands” December 20, 2025
  • “This Is What It Feels Like to Not Feel Anything”: Petey USA on Turning Private Thoughts into Shared Space & the Fictional Truths of ‘The Yips’ December 19, 2025
  • “We’re all just friends making music”: Brooklyn’s Anyhow Are an Emerging Indie Rock Duo Built on Collaboration, Trust, & Guitars December 19, 2025
  • Atwood Magazine Presents Mistletones: 2025’s Best New Holiday Songs, Pt. 1! December 19, 2025
  • “I Serve Me. I Take Care of Me. I Am My Keeper”: Medium Build on Surviving the Dream, Choosing Himself, & More Takeaways From a Career-Defining Year December 18, 2025
  • Interview: From Malawi to Massachusetts, The Kasambwe Brothers Are Strumming Their Way to Success December 18, 2025
  • “You Have Me Marked as Nice”: Ski Team Sits With Desire, Restraint, & the Mercy of Boundaries on “Santa” December 18, 2025
  • Atwood Magazine’s 2025 Albums of the Year December 18, 2025
  • “Raw, Experimental, & Definitive”: Low.bō Debuts with a Bruised, Intimate Alt-R&B Reckoning on ‘husk’ December 17, 2025
  • “Anger, Death, & Acceptance”: Adult Mom’s Stevie Knipe Gives Life’s Hardest Feelings a Voice on ‘Natural Causes’ December 17, 2025
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