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Tom Speight © Nat Michele
Music, Music Videos, PremieresJune 16, 2022<June 16, 2022

Premiere: Tom Speight Rolls the Dice Again with a Heartfelt Song of Hope, Life & Love

by Mitch Mosk
Oshima Brothers © Jamie Oshima
Features, Interviews, Music, Track-by-TrackJune 15, 2022<June 15, 2022

“Wilderness Meets Humanity”: Oshima Brothers Capture Life’s Freedom & Beauty in Sophomore LP ‘Dark Nights Golden Days’

by Mitch Mosk
Atwood Magazine's Editor's Picks 67
Columns, Editor's Picks, Features, MusicJune 15, 2022<March 8, 2023

Editor’s Picks 67: The Aces, Tennis Courts, Tunnel, MisterWives, Savannah Conley & Noah Reid!

by Mitch Mosk
Peach Tree Rascals © 2022
Columns, Music, Today's SongJune 15, 2022<June 15, 2022

Today’s Song: Peach Tree Rascals Offer Lots of “Good Advice” and Warmth on Latest Single

by Josh Weiner
Tunes & Tumblers x Sam Fischer 2022
Music, Podcast, Tunes & TumblersJune 14, 2022<April 30, 2023

Podcast: Tunes & Tumblers Features Sam Fischer and a Broken Bow

by Atwood Magazine Staff
JOBIE © 2022
Columns, Music, Today's SongJune 14, 2022<June 16, 2022

Today’s Song: JOBIE’s “All for One,” a Somber Lesson on Loving & Love Lost

by Sophie Severs
Leith © 2022
Features, Interviews, Music, Track-by-TrackJune 14, 2022<August 13, 2022

Track-by-Track: Inside Leith’s Stunning, Cinematic & Unfiltered Debut EP, ‘Birthdays in July’

by Mitch Mosk
Mr Little Jeans 'Better Days' © Nina Jordan
Features, Interviews, Music, Track-by-TrackJune 14, 2022<June 14, 2022

Track-by-Track: Mr Little Jeans Dives into Her Intimate & Ethereal Sophomore LP, ‘Better Days’

by Mitch Mosk
Best Breakfast's Ben Majest © Mike Kellogg
Music, Music Videos, PremieresJune 14, 2022<June 15, 2022

Premiere: Wading Through the Deep End of Best Breakfast’s Wistful & Dreamy “Wave”

by Mitch Mosk
Wet Leg © Hollie Fernando
Essays, Features, Music, ReviewsJune 14, 2022<February 6, 2025

Subverting Expectations: Wet Leg, TikTok, and the Refreshing Originality of a Band Just Having a Bit of Fun

by Lilly Eason
Ben Zaidi © Madeline Holland
Debut, Features, Interviews, Music, Track-by-TrackJune 13, 2022<June 20, 2022

“Quarter Life Crisis”: Inside the Raw Reckoning of Ben Zaidi’s Beautiful Debut Album ‘Acre of Salt.’

by Mitch Mosk
George Perris © Errikos Andreou
Columns, Music, Pride MonthJune 13, 2022<June 13, 2022

Pride Month Essay: George Perris Embraces His Truth with No Armor

by Guest Writer
Richie Quake & Anna Shoemaker "Crawl" © Jesse De Florio
Columns, Music, Today's SongJune 13, 2022<June 13, 2022

Today’s Song: Chasing Highs & Riding Lows with Richie Quake’s Feverish “Crawl” ft. Anna Shoemaker

by Mitch Mosk
Every Single Thing - Will Joseph Cook
Music, ReviewsJune 13, 2022<June 13, 2022

Will Joseph Cook Shines in Most Playful & Spunky Album to Date, ‘Every Single Thing’

by Rachel Leong
Honestly - Jillian Jacqueline 8.2
Debut, Music, Our Take, ReviewsJune 13, 2022<June 13, 2022

Our Take: Jillian Jacqueline Gives Us Our Sad Girl Summer with Debut ‘Honestly’

by Emily Frances Algar
Posts pagination
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Brand New

  • “I Don’t Owe You a Goddamn Thing”: Lisa Molinaro Claims the Sweetness for Herself on “Peach Fuzz,” a Feverish Indie Rock Eruption of Refusal & Release
  • Ryan Bingham Reinvents Cowboy Country with ‘They Call Us the Lucky Ones’
  • Railbird 2026 Was Derby Roads, Country Music, and a Community Coming Together
  • “I Know I’ve Arrived”: Yan Qing Explores the Weight of Indecision and the Solace of Love on “The Arrival,” an Achingly Honest Acoustic Ballad
  • “Rule Me, Stone Me”: Personal Trainer’s “Punch Drunk Love” Captures the Tender Chaos of Infatuation
  • “All That I Wanted Was You”: Adrian Lyles Sets Love’s Wreckage Ablaze in an Achingly Intimate Reckoning with Heartbreak & Helplessness
  • “Mixed Sentiments Surrounding June as Designated Month of Celebration”: An Essay by Terri Lyne Carrington

:: discover something new ::

Recent Posts

  • “I Don’t Owe You a Goddamn Thing”: Lisa Molinaro Claims the Sweetness for Herself on “Peach Fuzz,” a Feverish Indie Rock Eruption of Refusal & Release June 22, 2026
  • Ryan Bingham Reinvents Cowboy Country with ‘They Call Us the Lucky Ones’ June 22, 2026
  • Railbird 2026 Was Derby Roads, Country Music, and a Community Coming Together June 22, 2026
  • “I Know I’ve Arrived”: Yan Qing Explores the Weight of Indecision and the Solace of Love on “The Arrival,” an Achingly Honest Acoustic Ballad June 22, 2026
  • “Rule Me, Stone Me”: Personal Trainer’s “Punch Drunk Love” Captures the Tender Chaos of Infatuation June 22, 2026
  • “All That I Wanted Was You”: Adrian Lyles Sets Love’s Wreckage Ablaze in an Achingly Intimate Reckoning with Heartbreak & Helplessness June 19, 2026
  • “Mixed Sentiments Surrounding June as Designated Month of Celebration”: An Essay by Terri Lyne Carrington June 19, 2026
  • Editor’s Picks 158: Games We Play, Weird Nightmare, Nora Kelly Band, Erotic Secrets of Pompeii, Tooth, & Riley! June 18, 2026
  • Break On Through: Examining the Content, Comportment, and Quantum Entanglement of The Doors June 18, 2026
  • Vansire Invite You to Take Solace: A Conversation on Love, Creativity, & Connection June 18, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
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