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Foxtrails
Features, Music, Reviews, Track-by-TrackDecember 22, 2021<December 23, 2021

“Reflective, Meandering & Honest”: Inside Foxtrails’ Sun-Soaked & Cinematic Sophomore LP ‘Kaweah’

by Mitch Mosk
Atwood Magazine's Mistletones: Best New Holiday Music 2021
Features, Interviews, Lists, Mistletones, MusicDecember 21, 2021<November 30, 2022

Atwood Magazine Presents Mistletones: 2021’s Best New Holiday Songs

by Atwood Magazine Staff
Two Feet & grandson © Austin Cieszko
Features, Interviews, MusicDecember 21, 2021<December 21, 2021

Feature: Two Feet Says Hello to the Next Chapter on “Until I Come Home”

by Anthony Kozlowski
Caamp © Elli Lauren
Features, Interviews, MusicDecember 20, 2021<December 20, 2021

5 Years and No Setlist: A Conversation with CAAMP’s Evan Westfall

by Coco Rich
Questlove "Music Is History" © Daniel Dorsa
Books, Columns, MusicDecember 20, 2021<December 20, 2021

Book Review: Questlove Rolls Back the Years & Adds Context in Riveting ‘Music Is History’

by Oliver Crook
MisterWives © 2021
Columns, Music, Today's SongDecember 20, 2021<August 31, 2022

Today’s Song: MisterWives Triumph with Resilient Independent Single “Stepped on a Bee” and The Best Live Show You’ll See

by Kelly McCafferty Dorogy
Atwood Magazine's Weekly Roundup | December 17, 2021
Columns, Features, Music, Weekly RoundupDecember 17, 2021<December 17, 2021

Atwood Magazine’s Weekly Roundup: 2021’s Hidden Gems

by Atwood Magazine Staff
The O'My's © René Marban
Columns, Music, Today's SongDecember 17, 2021<December 17, 2021

Today’s Song: The O’My’s & Alex Banin Capture the Heartache of Letting Go in Soulful “Realistic”

by Mitch Mosk
Skyler Locatelli © Sunita Martini
Features, Interviews, MusicDecember 17, 2021<January 10, 2022

Going to the Neurolux: A Conversation with Freakout Records’ Skyler Locatelli

by Ben Niesen
elbé © 2021
Features, Music, Reviews, Track-by-TrackDecember 16, 2021<December 16, 2021

“Impassioned, Authentic, & Fresh” Inside elbé’s Stirring & Sweet Sophomore EP ‘Sonder’

by Mitch Mosk
Steph Green
Music, PremieresDecember 16, 2021<December 16, 2021

Premiere: Steph Green Delivers a Country Noir Tearjerker on “Devotion”

by Guest Writer
Sarah and the Sundays © 2021
Features, Music, Reviews, Track-by-TrackDecember 16, 2021<December 16, 2021

“The Living End”: Inside Sarah and the Sundays’ Radiant & Soaring Sophomore Album

by Mitch Mosk
The Velveteins © Evangeline Belzile
Columns, Music, Today's SongDecember 16, 2021<December 16, 2021

Today’s Song: The Velveteins Paint Color and Light in Hopeful New Track “Make It Through”

by Joe Beer
Dylan Sinclair © Norman Wong
MusicDecember 15, 2021<December 15, 2021

Review: Dylan Sinclair Radiates Heartache and “Regrets” in Smoldering New Single

by Mitch Mosk
Florian Ehrmann © Felix Birkenseer
Music, ReviewsDecember 15, 2021<December 15, 2021

Review: Soaking in the Wonder of Florian Ehrmann’s “Beautiful Day”

by Mitch Mosk
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Brand New

  • “Change Lies at Your Footsteps”: Vienna Vienna Turns Overstimulation into Motion on “Idle Hands”
  • “This Is What It Feels Like to Not Feel Anything”: Petey USA on Turning Private Thoughts into Shared Space & the Fictional Truths of ‘The Yips’
  • “We’re all just friends making music”: Brooklyn’s Anyhow Are an Emerging Indie Rock Duo Built on Collaboration, Trust, & Guitars
  • Atwood Magazine Presents Mistletones: 2025’s Best New Holiday Songs, Pt. 1!
  • “I Serve Me. I Take Care of Me. I Am My Keeper”: Medium Build on Surviving the Dream, Choosing Himself, & More Takeaways From a Career-Defining Year
  • Interview: From Malawi to Massachusetts, The Kasambwe Brothers Are Strumming Their Way to Success
  • “You Have Me Marked as Nice”: Ski Team Sits With Desire, Restraint, & the Mercy of Boundaries on “Santa”

:: discover something new ::

Recent Posts

  • “Change Lies at Your Footsteps”: Vienna Vienna Turns Overstimulation into Motion on “Idle Hands” December 20, 2025
  • “This Is What It Feels Like to Not Feel Anything”: Petey USA on Turning Private Thoughts into Shared Space & the Fictional Truths of ‘The Yips’ December 19, 2025
  • “We’re all just friends making music”: Brooklyn’s Anyhow Are an Emerging Indie Rock Duo Built on Collaboration, Trust, & Guitars December 19, 2025
  • Atwood Magazine Presents Mistletones: 2025’s Best New Holiday Songs, Pt. 1! December 19, 2025
  • “I Serve Me. I Take Care of Me. I Am My Keeper”: Medium Build on Surviving the Dream, Choosing Himself, & More Takeaways From a Career-Defining Year December 18, 2025
  • Interview: From Malawi to Massachusetts, The Kasambwe Brothers Are Strumming Their Way to Success December 18, 2025
  • “You Have Me Marked as Nice”: Ski Team Sits With Desire, Restraint, & the Mercy of Boundaries on “Santa” December 18, 2025
  • Atwood Magazine’s 2025 Albums of the Year December 18, 2025
  • “Raw, Experimental, & Definitive”: Low.bō Debuts with a Bruised, Intimate Alt-R&B Reckoning on ‘husk’ December 17, 2025
  • “Anger, Death, & Acceptance”: Adult Mom’s Stevie Knipe Gives Life’s Hardest Feelings a Voice on ‘Natural Causes’ December 17, 2025
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