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Harry Styles © Hanna Moon
Music, ReviewsApril 4, 2022<April 4, 2022

Harry Styles, Change, and “As It Was”

by Nasim Elyasi
The Haunted Youth © 2022
Columns, Music, Today's SongApril 4, 2022<April 4, 2022

Today’s Song: The Haunted Youth Get Intimate & Intricate on New Single “Shadows”

by Beau Hayhoe
TATYANA © Bella Howard
Columns, Music, Women's History MonthApril 2, 2022<February 24, 2025

“I just wanna be a hot nerd, is that too much to ask?”: TATYANA on Her Relationship with Technology & Femininity

by Guest Writer
Miki Ratsula © Ashley Osborn
Debut, Features, Music, Track-by-TrackApril 1, 2022<April 1, 2022

“Vulnerable, Intimate, & Nostalgic”: Miki Ratsula Dives into the Beautiful Depths of Debut Album ‘i owe it to myself’

by Mitch Mosk
Atwood Magazine's Weekly Roundup | April 1, 2022
Columns, Features, Music, Weekly RoundupApril 1, 2022<April 1, 2022

Atwood Magazine’s Weekly Roundup: April 1, 2022

by Atwood Magazine Staff
Kinrose © Maliyah Grant
Debut, Music, ReviewsApril 1, 2022<April 1, 2022

Review: DC’s Kinrose Slides into Spring and Lets Hip-Hop Career Bloom with ‘Easygrowing’ EP

by Josh Weiner
Lose You - Lydia Clowes
Columns, Debut, Music, Today's SongApril 1, 2022<April 1, 2022

Today’s Song: Lydia Clowes’ Dazzling Debut Single “Lose You” Dwells in the Vulnerability of True Intimacy

by Mitch Mosk
Kindsight © Line Hvid
Debut, Reviews, Track-by-TrackMarch 31, 2022<March 31, 2022

Feature: Kindsight Shine on Nostalgic, Honest, & Charming Debut Album ‘Swedish Punk’

by Mitch Mosk
Barrie © Alexa Viscius
Features, Music, Reviews, Track-by-TrackMarch 31, 2022<April 4, 2022

“Lush, Raw, & Cheeky”: Processing Life’s Little Moments with Barrie’s Stunning Sophomore Album, ‘Barbara’

by Mitch Mosk
Walter Martin © Melissa Martin
Columns, Music, Today's SongMarch 31, 2022<March 31, 2022

Walter Martin’s Heartfelt “The Bear” Is an Autobiographical Song of Myth, Mystery, and Hope

by Mitch Mosk
NOTD © 2022
Features, Interviews, MusicMarch 31, 2022<December 5, 2022

Interview: NOTD Perfect the Art of Cry Dancing on “about you” (ft. Nightly)

by Anthony Kozlowski
Agender © Lindsey Byrnes
Columns, Music, Women's History MonthMarch 31, 2022<March 31, 2022

Essay: Agender’s Romy on Creating Sustainable Change within the Feminist Movement Through Solidarity & Empathy for All Women

by Guest Writer
The Accidentals (L to R): Katie Larson Sav Buist, & Michael Dause
Columns, Music, Women's History MonthMarch 30, 2022<March 30, 2022

“Respect is a Well From Which Everyone Can Drink”: The Accidentals’ Sav Buist on Sexism in the Music Industry

by Guest Writer
Christina Wheeler © Shervin Lainez
Columns, Music, Women's History MonthMarch 30, 2022<March 30, 2022

Essay: Christina Wheeler on Intersectionality in the Music Industry & Beyond

by Guest Writer
LACES © Shari Hoffman
Columns, Music, Women's History MonthMarch 30, 2022<March 30, 2022

“Adventures of a Super Weirdo”: LACES’ Jessica Vaughn on Being a Woman in Music

by Guest Writer
Posts pagination
1 … 257 258 259 260 261 … 727

Brand New

  • “We Are Here and We Deserve to Be Here”: Grandmas House Bring UK Post-Punk to the USA
  • “The Return of Intuition”: An Essay by Tenille Townes
  • “Seductive, Anxious, and a Little Unhinged”: NYC’s NOSHOWS Unleashes His “FOMO” in a Primal Indie Rock Fever Dream
  • Raye’s ‘THIS MUSIC MAY CONTAIN HOPE.’ Is Cinematic Pop That Dazzles and Delivers
  • Paris Paloma’s “Miyazaki” Is a Love Letter to Human Creation
  • “I think it’s time just to make awesome rock music”: Jonny Tex Returns to SXSW with a New Sound, New Band, & New Sense of Purpose
  • “I’m listening to me this time”: Brit Taylor Trusts the Signs on ‘Land of the Forgotten’

:: discover something new ::

Recent Posts

  • “We Are Here and We Deserve to Be Here”: Grandmas House Bring UK Post-Punk to the USA April 9, 2026
  • “The Return of Intuition”: An Essay by Tenille Townes April 9, 2026
  • “Seductive, Anxious, and a Little Unhinged”: NYC’s NOSHOWS Unleashes His “FOMO” in a Primal Indie Rock Fever Dream April 9, 2026
  • Raye’s ‘THIS MUSIC MAY CONTAIN HOPE.’ Is Cinematic Pop That Dazzles and Delivers April 8, 2026
  • Paris Paloma’s “Miyazaki” Is a Love Letter to Human Creation April 8, 2026
  • “I think it’s time just to make awesome rock music”: Jonny Tex Returns to SXSW with a New Sound, New Band, & New Sense of Purpose April 7, 2026
  • “I’m listening to me this time”: Brit Taylor Trusts the Signs on ‘Land of the Forgotten’ April 7, 2026
  • “It’s all waiting there for you”: Harry Styles Captures the Beauty of Music Discovery & Offers an Outlook on Life Itself on “Carla’s Song” April 7, 2026
  • “You Can Reject the Script That’s Handed to You”: The Undercover Dream Lovers’ Matt Koenig Is Living Life on His Own Terms (And You Can, Too) April 6, 2026
  • Roundtable Discussion: A Review of Harry Styles’ ‘Kiss All The Time. Disco, Occasionally.’ April 6, 2026
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