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Annie Hamilton © Rosie Fitzgerald
Columns, Music, Today's SongSeptember 30, 2021<September 30, 2021

Today’s Song: Annie Hamilton’s Intimate & Empathic Indie Rock Anthem “Exist”

by Mitch Mosk
clide
Music, PremieresSeptember 30, 2021<September 30, 2021

Premiere: clide’s Intimate & Honest “come over” Is a Chilling Call for Connection

by Mitch Mosk
Features, Interviews, MusicSeptember 30, 2021<October 1, 2021

Interview: Nashville Artist Boon on Negative Relationships, His Striking Style, and His Father’s Influence

by Chloe Robinson
The State of Gold - matt pond PA
Features, Music, Reviews, Track-by-TrackSeptember 29, 2021<September 29, 2021

“Effervescence, Sunlight, Death”: Matt Pond PA Go Track-by-Track Through New Album ‘The State of Gold’

by Mitch Mosk
Slimdan © Zachary Blumner
Columns, Debut, Music, Today's SongSeptember 29, 2021<September 29, 2021

Today’s Song: Slimdan Comes Out Swinging on Debut Single “MVP”

by Mitch Mosk
Naomi Westwater © blahnik x westwater
Music, Reviews, Track-by-TrackSeptember 29, 2021<October 2, 2021

“Music You Should Feel in Your Bones”: Naomi Westwater Dives into Powerful New EP ‘Feelings’

by Dimitra Gurduiala
Harrison Storm & Enna Blake © Holly Kate
Music, PremieresSeptember 29, 2021<September 29, 2021

Premiere: Harrison Storm & Enna Blake’s “Under Dusk” Is an Indie Folk Anthem of Support & Connection

by Mitch Mosk
WHEN WE'RE FAR APART I FALL APART - Abby Holliday 9.4
Debut, Features, Music, Our Take, Reviews, Track-by-TrackSeptember 28, 2021<February 7, 2022

“Emotional, Raw, & Vulnerable”: Abby Holliday’s Breathtakingly Beautiful Debut Album ‘WHEN WE’RE FAR APART I FALL APART’

by Mitch Mosk
Future Islands © Beau Hayhoe
Concerts, Music, ReviewsSeptember 28, 2021<March 2, 2025

Future Islands Deliver Impassioned Synth Pop Amidst a Joyous Return to Live Music at Governors Ball 2021

by Beau Hayhoe
Marcus Atom
Debut, Features, Music, Reviews, Track-by-TrackSeptember 28, 2021<October 27, 2021

“Familiar, Smooth, & Chill”: Get Lost in Marcus Atom’s Intimate & Smoldering Debut Album, ‘Love vs. War’

by Mitch Mosk
The Franklin Electric © Levi Zortman
Features, Music, Reviews, Track-by-TrackSeptember 28, 2021<September 28, 2021

“Honest Raw Healing”: Inside The Franklin Electric’s Beautifully Vulnerable ‘This Time I See It’

by Mitch Mosk
Interviews, MusicSeptember 28, 2021<September 28, 2021

Interview: Dancing Through the Pains of Youth with Modernlove.

by Adrian Vargas
Glenn Echo © Ariana Dixon
Music, PremieresSeptember 28, 2021<September 27, 2021

Premiere: Embracing Vulnerability with Glenn Echo’s Soft & Stirring Alt-Folk Protest Song, “How Much Blood”

by Mitch Mosk
Mano Le Tough © Kostas Maros 8
Music, Our Take, ReviewsSeptember 28, 2021<September 27, 2021

Our Take: Mano Le Tough Opens Wide the Toy Chest for ‘At the Moment’

by Ben Niesen
FLOWVERS © Indy Brewer
Columns, Music, Today's SongSeptember 28, 2021<September 28, 2021

Today’s Song: FLOWVERS Return with Soaring & Searing Single “Far Away”

by Mitch Mosk
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Brand New

  • ‘WASTED POTENTIAL’: Skylar Grey on Her Nostalgic “Bubble Grunge” Album and Living the “Most Realized Version” of Her Life
  • “A Coming-of-Age Anthem in Corporate Drag”: Nymphlord Blooms Through the Messy Magic of Becoming on “Garden” & Debut Album ‘Shedding Velvet’
  • “This Is an Ode to Eternity”: Fruit Bats Find Holy Visions in the Wreckage on ‘The Landfill’
  • Roundtable Discussion: A Review of Robyn’s ‘Sexistential’
  • “I Think We All Know a Rosey”: Precious Pepala Made an EP About the Kind of Relationship You Know Is Bad for You
  • “Radical Empathy in This Time Is Its Own Form of Resistance”: Young the Giant on Cultivating Hope, Brotherhood, and Their Life-Affirming ‘Victory Garden’
  • Our Take: Olivia Rodrigo Delivers Heartbreak, Hope, and Healing on ‘you seem pretty sad for a girl so in love’

:: discover something new ::

Recent Posts

  • ‘WASTED POTENTIAL’: Skylar Grey on Her Nostalgic “Bubble Grunge” Album and Living the “Most Realized Version” of Her Life June 17, 2026
  • “A Coming-of-Age Anthem in Corporate Drag”: Nymphlord Blooms Through the Messy Magic of Becoming on “Garden” & Debut Album ‘Shedding Velvet’ June 17, 2026
  • “This Is an Ode to Eternity”: Fruit Bats Find Holy Visions in the Wreckage on ‘The Landfill’ June 16, 2026
  • Roundtable Discussion: A Review of Robyn’s ‘Sexistential’ June 16, 2026
  • “I Think We All Know a Rosey”: Precious Pepala Made an EP About the Kind of Relationship You Know Is Bad for You June 16, 2026
  • “Radical Empathy in This Time Is Its Own Form of Resistance”: Young the Giant on Cultivating Hope, Brotherhood, and Their Life-Affirming ‘Victory Garden’ June 16, 2026
  • Our Take: Olivia Rodrigo Delivers Heartbreak, Hope, and Healing on ‘you seem pretty sad for a girl so in love’ June 16, 2026
  • “They Come with a Price”: Melbourne’s Local the Neighbour Confronts the Cost of Chasing a Dream on “Hard,” an Aching Indie Rock Confession June 15, 2026
  • “Brace for Impact… Literally”: Mykel’s ‘Hometown Runaway’ EP is the Ultimate Soundtrack of Fearless Reinvention June 15, 2026
  • Our Take: Pleasure Systems Returns More Hopeful Than Ever with Sophomore Album ‘Leave It in the Sand’ June 15, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
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