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JORDI - Maroon 5 7
Music, Our Take, ReviewsJune 24, 2021<June 23, 2021

Our Take: Maroon 5 Return with a Mostly Stellar Seventh Record on ‘JORDI’

by Josh Weiner
The Roots © Dominic Digiorgio
Features, Music, ReviewsJune 24, 2021<October 5, 2021

Back for More: The Roots’ ‘Do You Want More?!!!??!’ Will Last Forever

by Oliver Crook
Tadhg Daly
Music, ReviewsJune 23, 2021<June 23, 2021

Trauma & Passion Radiate in Tadhg Daly’s Intimate Outpouring “Your Heart’s Not In It”

by Mitch Mosk
Pixie's Parasol - Smith & Thell
Features, Music, Reviews, Track-by-TrackJune 23, 2021<June 23, 2021

“Lost in space”: Smith & Thell Stun, Stir, & Soar in Sophomore LP ‘Pixie’s Parasol’

by Mitch Mosk
Features, Interviews, Music, ReviewsJune 23, 2021<February 7, 2022

Borrowed Time Machine: Fousheé on Time Travel, Genre Bending, & Debut Project ‘time machine’

by Mariel Fechik
Declan Welsh & The Decadent West © Sedona May
Music, ReviewsJune 23, 2021<June 23, 2021

Declan Welsh & The Decadent West’s Raw, Wry, & Roaring Anthem “Parisian Friends”

by Mitch Mosk
Tim Atlas © Maya Fuhr
Music, ReviewsJune 23, 2021<June 23, 2021

Review: Tim Atlas’ Love-Soaked “Courtside” Is an Enchanting Sonic Daydream

by Mitch Mosk
Deafheaven © George Clarke
Columns, Music, Today's SongJune 23, 2021<June 21, 2021

Today’s Song: Deafheaven Turn a New Leaf with ‘Great Mass of Color’

by James Crowley
Porlolo © Irvin Coffee
Features, Music, Reviews, Track-by-TrackJune 22, 2021<June 22, 2021

“Melodic, Authentic, Relatable”: Denver’s Porlolo Shines on Radiant ‘No Praise, No Blame’ EP

by Mitch Mosk
MISSIO © 2021
Features, Interviews, MusicJune 22, 2021<July 15, 2021

Interview: MISSIO’s ‘Skeletons: Part 3’ Takes You From a Whisper, to a Cackle, to a Scream

by Ilana Kalish
Blue - Joni Mitchell
Columns, Essays, Music, Nostalgia TracksJune 22, 2021<June 22, 2021

Nostalgia Tracks: Celebrating 50 Years of Joni Mitchell’s ‘Blue’

by Nasim Elyasi
DEWAYNE © Jordan Knight
Debut, Features, Music, Reviews, Track-by-TrackJune 22, 2021<June 22, 2021

“Liberation, Raw, Urgent”: DE’WAYNE Goes Track-by-Track Through Unapologetic, Explosive Debut ‘STAINS’

by Mitch Mosk
Sons Of The East © Pat O’Hara
Music, PremieresJune 22, 2021<June 22, 2021

Premiere: Sydney’s Sons of the East Soar in “Fool Me,” a Sweet & Jangling Singalong

by Mitch Mosk
Giant Sky © Hot Vox
Debut, Features, Music, Premieres, ReviewsJune 22, 2021<June 22, 2021

“Anger, Love, Solidarity”: Giant Sky Fill the Airwaves on High-Octane Debut Album ‘Not Today’

by Mitch Mosk
Play With the Changes - Rochelle Jordan
Features, Interviews, MusicJune 22, 2021<June 21, 2021

Interview with Rochelle Jordan: A Toronto R&B Queen Re-Emerges in Stellar Style on ‘Play with the Changes’

by Josh Weiner
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Brand New

  • “Flying Over Highways Like We Weren’t Butterflies”: Kevin Morby Reflects on What It Means to “Die Young” in a Road-Worn Reverie
  • “I’m loving my lust for life”: Suki Waterhouse Reclaims Her Glow on “Back in Love”
  • Editor’s Picks 152: Tired of Fighting, LIFE, Alemeda, aleksiah, Pierre Da Silva, & ill peach!
  • Roundtable Discussion: A Review of Mitski’s ‘Nothing’s About to Happen to Me’
  • “You Can Take Me As I Come”: Andrea Bejar Confesses Her Truth on “Delicately”
  • Atwood Magazine’s Weekly Roundup: April 10, 2026
  • “We Are Here and We Deserve to Be Here”: Grandmas House Bring UK Post-Punk to the USA

:: discover something new ::

Recent Posts

  • “Flying Over Highways Like We Weren’t Butterflies”: Kevin Morby Reflects on What It Means to “Die Young” in a Road-Worn Reverie April 12, 2026
  • “I’m loving my lust for life”: Suki Waterhouse Reclaims Her Glow on “Back in Love” April 11, 2026
  • Editor’s Picks 152: Tired of Fighting, LIFE, Alemeda, aleksiah, Pierre Da Silva, & ill peach! April 10, 2026
  • Roundtable Discussion: A Review of Mitski’s ‘Nothing’s About to Happen to Me’ April 10, 2026
  • “You Can Take Me As I Come”: Andrea Bejar Confesses Her Truth on “Delicately” April 10, 2026
  • Atwood Magazine’s Weekly Roundup: April 10, 2026 April 10, 2026
  • “We Are Here and We Deserve to Be Here”: Grandmas House Bring UK Post-Punk to the USA April 9, 2026
  • “The Return of Intuition”: An Essay by Tenille Townes April 9, 2026
  • “Seductive, Anxious, and a Little Unhinged”: NYC’s NOSHOWS Unleashes His “FOMO” in a Primal Indie Rock Fever Dream April 9, 2026
  • Raye’s ‘THIS MUSIC MAY CONTAIN HOPE.’ Is Cinematic Pop That Dazzles and Delivers April 8, 2026
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