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Columns, Music, Today's SongSeptember 6, 2021<September 6, 2021

Today’s Song: Rasmus Hagen Creates Acoustic Magic Alongside Maxine With “Learn to Love”

by Joe Beer
allie © 2021
Debut, Features, Interviews, MusicSeptember 3, 2021<September 3, 2021

Interview: allie’s Debut LP ‘Maybe Next Time’ Looks Ahead with Hope

by Lowndes Commander
Ailsa Tully © 2021
Music, Reviews, Track-by-TrackSeptember 3, 2021<September 3, 2021

“Achy, Reflection, Tension”: Inside Ailsa Tully’s Gently Kaleidoscopic ‘Holy Isle’ EP

by Mitch Mosk
Atwood Magazine's Weekly Roundup | September 3, 2021
Columns, Features, Music, Weekly RoundupSeptember 3, 2021<October 5, 2021

Atwood Magazine’s Weekly Roundup: September 3, 2021

by Atwood Magazine Staff
Kacey Musgraves © Adrienne Raquel
Columns, Music, Today's SongSeptember 3, 2021<September 3, 2021

Healing Doesn’t Happen in a Straight Line: Kacey Musgraves Navigates the Winding Roads of Healing a Broken Heart

by Emily Frances Algar
Atwood Magazine Editor's Picks 51
Columns, Editor's Picks, Features, MusicSeptember 2, 2021<October 5, 2021

Editor’s Picks 51: Little Simz, Fantastic Cat, Sister., Bleach Lab, Hannes & Billie Flynn

by Mitch Mosk
Pet Symmetry © Sam Porter
Columns, Music, Today's SongSeptember 2, 2021<September 2, 2021

Today’s Song: Pet Symmetry Get “Simply Irresponsible” on ‘Future Suits’

by James Crowley
Velvet Starlings © Megan Blanchard
Features, Interviews, MusicSeptember 2, 2021<September 8, 2021

Interview: Los Angeles’ Velvet Starlings Capture Live Music Energy on “Technicolour Shakedown”

by Chloe Robinson
Gold Star © Robert Ascroft
Features, Music, Premieres, Reviews, Track-by-TrackSeptember 1, 2021<September 1, 2021

EP Premiere: Gold Star Dives into His Dynamic, Vulnerable & Candid ‘Headlights U.S.A.’

by Mitch Mosk
Features, Interviews, MusicSeptember 1, 2021<September 1, 2021

Interview: Indigo De Souza Embraces Every Part of Herself on ‘Any Shape You Take’

by Sophie Prettyman-Beauchamp
leave a light on - Keir, Fenne Lily
Interviews, MusicSeptember 1, 2021<September 1, 2021

Interview: Keir & Fenne Lily “leave a light on” in a Song of Heartache, Longing, Love & Friendship

by Mitch Mosk
Columns, Music, Today's SongSeptember 1, 2021<September 1, 2021

Today’s Song: Young & Sick Manifests Gleeful Charm on Latest Single “CICADAS”

by Adrian Vargas
Alternate Endings - Snowy Band
Track-by-TrackAugust 31, 2021<August 31, 2021

“Equal parts functional and abstract”: Melbourne’s Snowy Band Embraces Space & Sound on Sophomore LP ‘Alternate Endings’

by Mitch Mosk
Scott Sharrard © Danny Clinch
Features, Interviews, MusicAugust 31, 2021<September 21, 2021

Interview: Scott Sharrard Takes Flight with Soulful New Album, ‘Rustbelt’

by Guest Writer
Ty Segall © Denee Segall 8.7
Music, Our Take, ReviewsAugust 31, 2021<August 31, 2021

A String Through Spacetime: Notes on Ty Segall’s ‘Harmonizer’

by Ben Niesen
Posts pagination
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Brand New

  • ‘WASTED POTENTIAL’: Skylar Grey on Her Nostalgic “Bubble Grunge” Album and Living the “Most Realized Version” of Her Life
  • “A Coming-of-Age Anthem in Corporate Drag”: Nymphlord Blooms Through the Messy Magic of Becoming on “Garden” & Debut Album ‘Shedding Velvet’
  • “This Is an Ode to Eternity”: Fruit Bats Find Holy Visions in the Wreckage on ‘The Landfill’
  • Roundtable Discussion: A Review of Robyn’s ‘Sexistential’
  • “I Think We All Know a Rosey”: Precious Pepala Made an EP About the Kind of Relationship You Know Is Bad for You
  • “Radical Empathy in This Time Is Its Own Form of Resistance”: Young the Giant on Cultivating Hope, Brotherhood, and Their Life-Affirming ‘Victory Garden’
  • Our Take: Olivia Rodrigo Delivers Heartbreak, Hope, and Healing on ‘you seem pretty sad for a girl so in love’

:: discover something new ::

Recent Posts

  • ‘WASTED POTENTIAL’: Skylar Grey on Her Nostalgic “Bubble Grunge” Album and Living the “Most Realized Version” of Her Life June 17, 2026
  • “A Coming-of-Age Anthem in Corporate Drag”: Nymphlord Blooms Through the Messy Magic of Becoming on “Garden” & Debut Album ‘Shedding Velvet’ June 17, 2026
  • “This Is an Ode to Eternity”: Fruit Bats Find Holy Visions in the Wreckage on ‘The Landfill’ June 16, 2026
  • Roundtable Discussion: A Review of Robyn’s ‘Sexistential’ June 16, 2026
  • “I Think We All Know a Rosey”: Precious Pepala Made an EP About the Kind of Relationship You Know Is Bad for You June 16, 2026
  • “Radical Empathy in This Time Is Its Own Form of Resistance”: Young the Giant on Cultivating Hope, Brotherhood, and Their Life-Affirming ‘Victory Garden’ June 16, 2026
  • Our Take: Olivia Rodrigo Delivers Heartbreak, Hope, and Healing on ‘you seem pretty sad for a girl so in love’ June 16, 2026
  • “They Come with a Price”: Melbourne’s Local the Neighbour Confronts the Cost of Chasing a Dream on “Hard,” an Aching Indie Rock Confession June 15, 2026
  • “Brace for Impact… Literally”: Mykel’s ‘Hometown Runaway’ EP is the Ultimate Soundtrack of Fearless Reinvention June 15, 2026
  • Our Take: Pleasure Systems Returns More Hopeful Than Ever with Sophomore Album ‘Leave It in the Sand’ June 15, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
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