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CHROMATOPIA - NoMBe 10
Features, Interviews, MusicJuly 2, 2021<February 7, 2022

Love Spectrums & Color Theory: An Interview with NoMBe on Sophomore LP ‘CHROMATOPIA’

by Mitch Mosk
Lena Rich © Miranda Rico
Features, Interviews, MusicJuly 2, 2021<July 6, 2021

Layers & Landscapes of Reflection and Exploration: A Conversation with Lena Rich on ‘Upside Down’

by Dalia
Bridget St. John
Features, Interviews, MusicJuly 2, 2021<July 2, 2021

Feature: The Gentle Songs of Bridget St. John

by Guest Writer
Ryan Wright © Meredithe Ettrich
MusicJuly 2, 2021<July 1, 2021

Today’s Song: Ryan Wright Says Enough Is Enough in “Happy Birthday (Go Fuck Yourself)”

by Joe Beer
Pilot - Saint Joshua
Debut, Features, Music, Reviews, Track-by-TrackJuly 2, 2021<November 8, 2021

“Sedatory, Cohesive, & Organic”: Saint Joshua Dwells in Love’s Depths on Smoldering Debut ‘Pilot’ EP

by Mitch Mosk
The Jungle Giants © 2021
Features, Interviews, MusicJuly 1, 2021<August 19, 2021

Feature: Sam Hales on The Jungle Giants’ New Sound & How to Stay Motivated in the Face of Not Leaving Your House

by Lilly Eason
Mothé © Kylie Shaffer
Artist to Watch, Columns, Music, Today's SongJuly 1, 2021<July 1, 2021

Artist to Watch: Mothé Stuns, Stirs, Soars & Inspires in “Dancing on an Empty Floor”

by Mitch Mosk
Life + Love - Macklyn
Debut, Features, Music, Reviews, Track-by-TrackJuly 1, 2021<July 1, 2021

“Soulful, Relaxing, & Refreshing”: Macklyn Explores the Depths of ‘Life + Love’ in Stirring Debut Album

by Mitch Mosk
The Flavians © The Flavians
Features, Music, Reviews, Track-by-TrackJuly 1, 2021<July 1, 2021

“Slippery Slope Music”: The Psych, Sun, & Fun of The Flavians’ Radiant Self-Titled EP

by Mitch Mosk
DEVORA © 2021
Interviews, MusicJuly 1, 2021<July 1, 2021

Interview: Dive into the Unruly Mind of DEVORA Through Debut EP ‘Outlaw’

by Chloe Robinson
latewaves
Music, ReviewsJuly 1, 2021<July 1, 2021

New Jersey’s latewaves Debut with Raucous Punk & ‘Hell to Pay’

by James Crowley
The BRKN © 2021
Features, Music, Reviews, Track-by-TrackJune 30, 2021<June 30, 2021

“Energy, Nostalgia, & Pop”: Denver’s The BRKN Rise with Sparking & Spirited ‘Come Outside’ EP

by Mitch Mosk
Coma Culture © Kelly Victoria
Debut, Features, Music, Reviews, Track-by-TrackJune 30, 2021<June 30, 2021

“Blue Paint Stroke”: Coma Culture Dive into the Multi-Colored Depth of Debut Album ‘Camouflage’

by Mitch Mosk
Modern Original © Cortney Armitage
Columns, Debut, Music, Today's SongJune 30, 2021<June 30, 2021

Modern Original (ex-The Mowgli’s) “Turn It Around” with a Stunner Psych Rock Debut

by Mitch Mosk
Mabe Fratti © Andrea Villalón
Features, Interviews, MusicJune 30, 2021<June 29, 2021

Interview: Mabe Fratti’s New Experimental Indie Album Is a Profound Search for Human Connection

by Diego Morales
Posts pagination
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Brand New

  • “This Is an Ode to Eternity”: Fruit Bats Find Holy Visions in the Wreckage on ‘The Landfill’
  • Roundtable Discussion: A Review of Robyn’s ‘Sexistential’
  • “I Think We All Know a Rosey”: Precious Pepala Made an EP About the Kind of Relationship You Know Is Bad for You
  • “Radical Empathy in This Time Is Its Own Form of Resistance”: Young the Giant on Cultivating Hope, Brotherhood, and Their Life-Affirming ‘Victory Garden’
  • Our Take: Olivia Rodrigo Delivers Heartbreak, Hope, and Healing on ‘you seem pretty sad for a girl so in love’
  • “They Come with a Price”: Melbourne’s Local the Neighbour Confronts the Cost of Chasing a Dream on “Hard,” an Aching Indie Rock Confession
  • “Brace for Impact… Literally”: Mykel’s ‘Hometown Runaway’ EP is the Ultimate Soundtrack of Fearless Reinvention

:: discover something new ::

Recent Posts

  • “This Is an Ode to Eternity”: Fruit Bats Find Holy Visions in the Wreckage on ‘The Landfill’ June 16, 2026
  • Roundtable Discussion: A Review of Robyn’s ‘Sexistential’ June 16, 2026
  • “I Think We All Know a Rosey”: Precious Pepala Made an EP About the Kind of Relationship You Know Is Bad for You June 16, 2026
  • “Radical Empathy in This Time Is Its Own Form of Resistance”: Young the Giant on Cultivating Hope, Brotherhood, and Their Life-Affirming ‘Victory Garden’ June 16, 2026
  • Our Take: Olivia Rodrigo Delivers Heartbreak, Hope, and Healing on ‘you seem pretty sad for a girl so in love’ June 16, 2026
  • “They Come with a Price”: Melbourne’s Local the Neighbour Confronts the Cost of Chasing a Dream on “Hard,” an Aching Indie Rock Confession June 15, 2026
  • “Brace for Impact… Literally”: Mykel’s ‘Hometown Runaway’ EP is the Ultimate Soundtrack of Fearless Reinvention June 15, 2026
  • Our Take: Pleasure Systems Returns More Hopeful Than Ever with Sophomore Album ‘Leave It in the Sand’ June 15, 2026
  • “Realizing God Didn’t Want Me in the Closet”: A Pride Month Essay by Tory Silver June 15, 2026
  • “And I’ve Been Comin’ Back My Whole Damn Life”: Kurt Vile Finds a New Warmth in “Chance to Bleed,” a Mesmerizing Homecoming Ode June 14, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
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