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The Trusted © 2021
Music, ReviewsMay 17, 2021<May 17, 2021

The Trusted’s “Rebel Song” Is a Spirited & Anthemic Uproar

by Mitch Mosk
Charity Children © Caroline Mackintosh
Music, ReviewsMay 17, 2021<May 17, 2021

Charity Children’s Beautifully Bittersweet “We Loved” Celebrates Love Come & Gone

by Mitch Mosk
Dodie © Parri Thomas
Debut, Features, Interviews, MusicMay 17, 2021<May 20, 2021

Feature: ‘Build a Problem’ Introduces a New Side of dodie: The Real One

by Nasya Blackshear
"Love Is..." - Saint Joshua
Columns, Music, Today's SongMay 17, 2021<May 17, 2021

Today’s Song: London’s Saint Joshua Captures the Magic of Intimacy in “Love Is…”

by Mitch Mosk
Evalyn © 2021
Interviews, MusicMay 17, 2021<May 17, 2021

Interview: Evalyn Shares How Mental Health and Mindfulness Manifest In ‘I Love You, Keep Going Pt. 1’

by Guest Writer
Krantz © 2021
Music, PremieresMay 17, 2021<May 17, 2021

Premiere: KRANTZ Takes Us to the “Beach” in Summery Single

by Mitch Mosk
Pattern Pusher © 2021
Music, PremieresMay 17, 2021<May 17, 2021

Premiere: “Come Along” with Pattern Pusher’s Funky, Feel-Good Summer Soundtrack

by Mitch Mosk
Niiice © Bethünni Schreiner
Covers, Interviews, MusicMay 14, 2021<May 14, 2021

Interview: Niiice. Have Fun & Honor The Boss with Dynamic “Born To Run” Springsteen Cover

by James Crowley
Atwood Magazine's Weekly Roundup | May 14. 2021
Columns, Features, Music, Weekly RoundupMay 14, 2021<May 14, 2021

Atwood Magazine’s Weekly Roundup: May 14, 2021

by Atwood Magazine Staff
Elephante © Alex Lopes
Music, ReviewsMay 14, 2021<May 11, 2023

Review: Swimming Upstream with Elephante’s Hypnotizing “High Water”

by Mitch Mosk
girlhouse © Alex Justice
Artist to Watch, Debut, Music, Reviews, Track-by-TrackMay 14, 2021<May 14, 2021

“Sad Ginger Music”: girlhouse Goes Track-by-Track Through Her Visceral Debut EP

by Mitch Mosk
8.3
Music, Our Take, ReviewsMay 14, 2021<May 14, 2021

Our Take: A Sonic and Personal Evolution on Current Joy’s ‘Voyager’

by Adrian Vargas
Tommy Ashby © Fraser Taylor
Music, Reviews, Track-by-TrackMay 14, 2021<May 14, 2021

“Hopeful, Atmospheric, Escapism”: Inside Tommy Ashby’s Stirring & Serene ‘Lay Low’ EP (ft. Lydia Clowes)

by Mitch Mosk
William Fitzsimmons © Erin Brown
Music, PremieresMay 14, 2021<May 14, 2021

Premiere: William Fitzsimmons Dwells in Love’s Throes on “Dancing on the Sun” off New LP ‘Ready the Astronaut”

by Mitch Mosk
Charlotte OC © Jamie Noise
Music, PremieresMay 14, 2021<May 14, 2021

Premiere: Charlotte OC Reckons with Loss in Hauntingly Beautiful Song, “Inevitable”

by Mitch Mosk
Posts pagination
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Brand New

  • “Flying Over Highways Like We Weren’t Butterflies”: Kevin Morby Reflects on What It Means to “Die Young” in a Road-Worn Reverie
  • “I’m loving my lust for life”: Suki Waterhouse Reclaims Her Glow on “Back in Love”
  • Editor’s Picks 152: Tired of Fighting, LIFE, Alemeda, aleksiah, Pierre Da Silva, & ill peach!
  • Roundtable Discussion: A Review of Mitski’s ‘Nothing’s About to Happen to Me’
  • “You Can Take Me As I Come”: Andrea Bejar Confesses Her Truth on “Delicately”
  • Atwood Magazine’s Weekly Roundup: April 10, 2026
  • “We Are Here and We Deserve to Be Here”: Grandmas House Bring UK Post-Punk to the USA

:: discover something new ::

Recent Posts

  • “Flying Over Highways Like We Weren’t Butterflies”: Kevin Morby Reflects on What It Means to “Die Young” in a Road-Worn Reverie April 12, 2026
  • “I’m loving my lust for life”: Suki Waterhouse Reclaims Her Glow on “Back in Love” April 11, 2026
  • Editor’s Picks 152: Tired of Fighting, LIFE, Alemeda, aleksiah, Pierre Da Silva, & ill peach! April 10, 2026
  • Roundtable Discussion: A Review of Mitski’s ‘Nothing’s About to Happen to Me’ April 10, 2026
  • “You Can Take Me As I Come”: Andrea Bejar Confesses Her Truth on “Delicately” April 10, 2026
  • Atwood Magazine’s Weekly Roundup: April 10, 2026 April 10, 2026
  • “We Are Here and We Deserve to Be Here”: Grandmas House Bring UK Post-Punk to the USA April 9, 2026
  • “The Return of Intuition”: An Essay by Tenille Townes April 9, 2026
  • “Seductive, Anxious, and a Little Unhinged”: NYC’s NOSHOWS Unleashes His “FOMO” in a Primal Indie Rock Fever Dream April 9, 2026
  • Raye’s ‘THIS MUSIC MAY CONTAIN HOPE.’ Is Cinematic Pop That Dazzles and Delivers April 8, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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