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Course © Chloe Hamilton
Artist to Watch, Music, PremieresMay 6, 2021<May 6, 2021

Premiere: Course’s Stunning Song “Nick of Time” Rises Out of Pain to Liberation & Self-Worth

by Mitch Mosk
Breaking The Record 2020
Breaking the Record, Columns, MusicMay 6, 2021<May 5, 2021

Breaking the Record with Roan Yellowthorn, Part 60: “The End Is Near”

by Guest Writer
Misty Coast © Francisco Munoz
Music, Music Videos, PremieresMay 6, 2021<May 5, 2021

Premiere: Misty Coast’s “When I Fall From the Sky” Is a Psych-Pop Daydream

by Mitch Mosk
Blue Fish Diamond © Ruth Medjber
Music, ReviewsMay 5, 2021<May 5, 2021

Review: Dublin’s Blue Fish Diamond Shine in “Free,” a Folk Rock Beacon of Hope & Light

by Mitch Mosk
Sour Widows © Ginger Fierstein
Features, Music, Reviews, Track-by-TrackMay 5, 2021<May 5, 2021

“Loss, Reflection, & Relationship”: Sour Widows Explore the Depths of Space in ‘Crossing Over’ EP

by Mitch Mosk
Alex Porat © Pat Ryder
Interviews, MusicMay 5, 2021<May 5, 2021

Interview: Alex Porat Talks Entering a New Pop “dimension” in Her Latest Single

by Guest Writer
The Marías © Ashley Seryn
Columns, Music, Today's SongMay 5, 2021<May 5, 2021

The Marías’ Spellbinding “Hush” Proves a Thrilling First Look at Debut ‘Cinema’

by Mitch Mosk
MARG "Maybe"
Music, PremieresMay 5, 2021<May 5, 2021

Premiere: MARG Brings Heartache to Life in Stripped Piano Song “Maybe”

by Mitch Mosk
SIX60
Music, ReviewsMay 4, 2021<May 4, 2021

New Zealand’s SIX60 Float on in “All She Wrote,” a Refreshing Song of Life & Perseverance

by Mitch Mosk
Sofia Camille
Music, ReviewsMay 4, 2021<May 4, 2021

Sofia Camille & hü Hit Rock Bottom with Stunning Flare on Dazzling Indie Pop Upheaval “talk to you”

by Mitch Mosk
Royal Blood © Mads Perch
Features, Interviews, MusicMay 4, 2021<October 5, 2021

Feature: Royal Blood Dance the Pain Away on ‘Typhoons’

by Anthony Kozlowski
Interviews, MusicMay 4, 2021<May 4, 2021

The Balance of Solitude & Loneliness: A Conversation with Luwten

by Adrian Vargas
Junaco © Nicole Mason
Asian American and Pacific Islander Heritage Month, EssaysMay 4, 2021<May 4, 2021

“Imaginary Lines”: An Essay by Junaco’s Shahana Jaffer

by Guest Writer
Echo Bloom © Lissyelle Laricchia
Music, PremieresMay 4, 2021<May 4, 2021

Brooklyn’s Echo Bloom Reckon with the American Dream in “Don’t You Want to Be Loved”

by Mitch Mosk
Debut, Music, ReviewsMay 4, 2021<January 30, 2024

Review: Baby Boys Kick Down the Doors with Debut Album ‘Threesome’

by Nasim Elyasi
Posts pagination
1 … 329 330 331 332 333 … 737

Brand New

  • “Drama Is Pleasure”: Flare and Fear from Planette Automatic’s Sparkling “Dance Around”
  • “I Loved You Then and I Love You Now”: William Harries Graham Traces the Afterlife of Connection on “NYC,” a Brooding Ambient Folk Reverie from ‘Belrose Motel’
  • “This Time I Intend to Swim”: Satya Comes Home to Herself on ‘Yellow House,’ a Soul-Stirring Debut of Healing, Love, & Release
  • Editor’s Picks 156: Green Gardens, Casper Sage, MUANH, Filiah, Lockimara, & Widemouth!
  • “The Alchemy Is Getting Stronger”: Montreal’s Art-Rock Band Museums Are Well Worth a Visit
  • “Truth Calls Us Back to Who We Were Made to Be”: Watashi Wa Meet Themselves Again on “I Am,” a Radiant Power-Pop Revival of Faith, Identity, & the Divine Spirit
  • “Where’s the Optimist in Me?”: Oakwood Reflect on Bygone Days and Look to the Future on ‘Blurred Away’

:: discover something new ::

Recent Posts

  • “Drama Is Pleasure”: Flare and Fear from Planette Automatic’s Sparkling “Dance Around” June 4, 2026
  • “I Loved You Then and I Love You Now”: William Harries Graham Traces the Afterlife of Connection on “NYC,” a Brooding Ambient Folk Reverie from ‘Belrose Motel’ June 4, 2026
  • “This Time I Intend to Swim”: Satya Comes Home to Herself on ‘Yellow House,’ a Soul-Stirring Debut of Healing, Love, & Release June 4, 2026
  • Editor’s Picks 156: Green Gardens, Casper Sage, MUANH, Filiah, Lockimara, & Widemouth! June 3, 2026
  • “The Alchemy Is Getting Stronger”: Montreal’s Art-Rock Band Museums Are Well Worth a Visit June 3, 2026
  • “Truth Calls Us Back to Who We Were Made to Be”: Watashi Wa Meet Themselves Again on “I Am,” a Radiant Power-Pop Revival of Faith, Identity, & the Divine Spirit June 3, 2026
  • “Where’s the Optimist in Me?”: Oakwood Reflect on Bygone Days and Look to the Future on ‘Blurred Away’ June 3, 2026
  • “I Sang to Fill the Emptiness”: London’s chantel Finds Their Voice on “Into Song Again,” a Tender, Tactile Debut Born of Grief, Belonging, & Return June 3, 2026
  • “A Beautiful, Terrifying Freedom”: Worthitpurchase Turn Precision into Poetry on “Postcard” June 3, 2026
  • “It’s the Modern Way”: Conor Miley Tears Open the Theater of Outrage on “Peepshow,” a Roaring Indie Rock Reckoning for the Algorithmic Age June 2, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
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