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What Did You Expect from The Vaccines?
Debut, Features, Interviews, MusicMarch 27, 2021<October 5, 2021

Feature: The Vaccines Celebrate a Decade of Debut Album ‘What Did You Expect from The Vaccines?’

by Mitch Mosk
The Beach © Tom Byfield
Interviews, MusicMarch 26, 2021<March 26, 2021

A Conversation with The Beach: When He Realised He Was “Still in Love” & How He Topped the Chart From His Bedroom

by Bethan Harper
Sam Cooke © Wally Seawell, 1963
Columns, Music, Nostalgia TracksMarch 26, 2021<March 26, 2021

Nostalgia Tracks: The Evergreen Optimism of Sam Cooke’s “A Change Is Gonna Come”

by Maggie McHale
Clever Girls © Kay Dargin
Features, Interviews, MusicMarch 26, 2021<April 8, 2021

“How Did This F*cking Happen?”: An Interview with Clever Girls

by Ben Niesen
John Smith © Elly Lucas
Features, Music, Reviews, Track-by-TrackMarch 26, 2021<March 26, 2021

“Twelve Nice Songs”: John Smith Embraces Connection, Hope, & Community in His 6th Album ‘The Fray’

by Mitch Mosk
Atwood Magazine's Weekly Roundup March 26, 2021
Columns, Features, Music, Weekly RoundupMarch 26, 2021<March 26, 2021

Atwood Magazine’s Weekly Roundup: March 26, 2021

by Atwood Magazine Staff
St. Vincent © Zackery Michael
Columns, Music, Today's SongMarch 26, 2021<March 26, 2021

Today’s Song: St. Vincent Offers a Quick Dose of Pop Minimalism on “Pay Your Way In Pain”

by Adam Davidson
AKA Block © Brooke Ashley Barone
Interviews, MusicMarch 25, 2021<March 25, 2021

Interview: Locked Down in Vaults, AKA Block Talks About “Waiting for the Rain”

by Guest Writer
The World of Mashups
Essays, Features, MusicMarch 25, 2021<March 31, 2021

The World of Mashups

by Leo Culp
Atwood Magazine Celebrates Women's History Month VI
Features, Music, Women's History MonthMarch 25, 2021<March 25, 2021

Atwood Magazine Celebrates Women’s History Month 2021, Pt. VI

by Atwood Magazine Staff
Inland Isle © Lindley Rust
Music, PremieresMarch 25, 2021<March 25, 2021

Premiere: Inland Isle’s “Time Has Changed Us” Is a Bright Folk Rock Rush

by Mitch Mosk
Breaking The Record 2020
Breaking the Record, Columns, MusicMarch 25, 2021<March 25, 2021

Breaking the Record with Roan Yellowthorn, Part 55: “Acid Trip”

by Guest Writer
middle part
Interviews, MusicMarch 25, 2021<March 25, 2021

Interview: Middle Part Talks Mental Illnesses And Relationships In Single “& Cry!”

by Dimitra Gurduiala
bigfatbig © Ryan Young
Columns, Music, Today's SongMarch 25, 2021<March 25, 2021

Today’s Song: England’s bigfatbig Roar with Explosive & Feverish Single “Don’t Wanna Be Sad”

by Mitch Mosk
Inara George x Road Angel Project VI
Features, Interviews, Music, PremieresMarch 25, 2021<April 8, 2021

Interview: Inara George Talks Road Angel Project, Dave Grohl, Sweet Relief Musicians Fund & More

by Mitch Mosk
Posts pagination
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Brand New

  • “I think it’s time just to make awesome rock music”: Jonny Tex Returns to SXSW with a New Sound, New Band, & New Sense of Purpose
  • “I’m listening to me this time”: Brit Taylor Trusts the Signs on ‘Land of the Forgotten’
  • “It’s all waiting there for you”: Harry Styles Captures the Beauty of Music Discovery & Offers an Outlook on Life Itself on “Carla’s Song”
  • “You Can Reject the Script That’s Handed to You”: The Undercover Dream Lovers’ Matt Koenig Is Living Life on His Own Terms (And You Can, Too)
  • Roundtable Discussion: A Review of Harry Styles’ ‘Kiss All The Time. Disco, Occasionally.’
  • Joshua Quimby Is Redefining What It Means to Be Country
  • Melanie Martinez’s ‘HADES’: A Descent into Pop’s Most Unsettling Underworld

:: discover something new ::

Recent Posts

  • “I think it’s time just to make awesome rock music”: Jonny Tex Returns to SXSW with a New Sound, New Band, & New Sense of Purpose April 7, 2026
  • “I’m listening to me this time”: Brit Taylor Trusts the Signs on ‘Land of the Forgotten’ April 7, 2026
  • “It’s all waiting there for you”: Harry Styles Captures the Beauty of Music Discovery & Offers an Outlook on Life Itself on “Carla’s Song” April 7, 2026
  • “You Can Reject the Script That’s Handed to You”: The Undercover Dream Lovers’ Matt Koenig Is Living Life on His Own Terms (And You Can, Too) April 6, 2026
  • Roundtable Discussion: A Review of Harry Styles’ ‘Kiss All The Time. Disco, Occasionally.’ April 6, 2026
  • Joshua Quimby Is Redefining What It Means to Be Country April 6, 2026
  • Melanie Martinez’s ‘HADES’: A Descent into Pop’s Most Unsettling Underworld April 6, 2026
  • The Magical Renaissance of U2: A Reflection on ‘Days of Ash’ and ‘Easter Lily’ April 6, 2026
  • “Not what you said, but how you said it”: Charlie Lim Lays Himself Bare on “Nobody’s Home,” a Gut-Wrenching Portrait of Grief and Emotional Reckoning April 3, 2026
  • “SWEET LOVE”: Stephen Sanchez Falls Head Over Heels into a Feel-Good, Heart-on-Sleeve Retro-Pop Anthem April 3, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
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