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Columns, Music, Today's SongMay 4, 2021<May 4, 2021

Today’s Song: Los Angeles’ SLUGS Are Colorful and Wild in New Single “I Could Do Better”

by Joe Beer
White Water - Alex Lleo © Marc MacNab-Jack
Artist to Watch, Music, PremieresMay 4, 2021<May 4, 2021

Alex Lleo’s Breathtaking Song “White Water” Flows with Stormy, Stirring Serenity

by Mitch Mosk
Bellman © Line Loholt
Music, ReviewsMay 3, 2021<May 3, 2021

Bellman Shines a Light on the Darker Side of Life in “Let Somebody In (369)”

by Mitch Mosk
Rosegold - Ashley Monroe
Features, Interviews, MusicMay 3, 2021<May 15, 2021

Interview: What Happens When Freedom & Joy Collide? Ashley Monroe on Her Genreless Album ‘Rosegold’ and Embracing Her Sensual Side

by Emily Frances Algar
Yola © Joseph Ross Smith
Columns, Music, Today's SongMay 3, 2021<May 3, 2021

Yola’s Anthemic “Diamond Studded Shoes” Is an Energizing & Charged Call to Action

by Mitch Mosk
Greta Van Fleet © Matthew Daniel Siskin (L-R: Danny Wagner, Jake Kiszka, Josh Kiszka, Sam Kiszka)
Features, Interviews, MusicMay 3, 2021<October 5, 2021

Interview: Josh Kiszka on Greta Van Fleet, ‘The Battle at Garden’s Gate’, and the Infosonicosm

by Lilly Eason
Rosie Tucker © May Daniels
Features, Interviews, MusicMay 3, 2021<May 3, 2021

Interview: Rosie Tucker Welcomes Us into Coming-of-Age Album ‘Sucker Supreme’

by Dimitra Gurduiala
girl in red © Jonathan Kise
Debut, Features, Interviews, MusicApril 30, 2021<October 5, 2021

Guard’s Down, Heart’s Out: A Conversation with girl in red

by Nicole Almeida
Surprise, Surprise - Savannah Conley
Features, Interviews, Music, Reviews, Track-by-TrackApril 30, 2021<June 13, 2023

“Surprise, Surprise”: Savannah Conley Shines with Stirring Strength & Stunning Depth on New EP

by Mitch Mosk
Blake Layman © Alex Gore
Music, Music Videos, PremieresApril 30, 2021<April 30, 2021

Premiere: Charlottesville’s Blake Layman Stuns with Quietly Charming “Unhistoric Acts”

by Mitch Mosk
Jesse Beaman © Kate Meyer
Features, Interviews, MusicApril 30, 2021<April 30, 2021

Jesse Beaman’s New Album ‘Mira’ Is a Sonic Monument to Being Patient & Trusting the Process

by Diego Morales
Parallel World - Cadence Weapon
Features, Interviews, MusicApril 30, 2021<October 5, 2021

Interview: Exploring Toronto Rapper Cadence Weapon’s ‘Parallel World’

by Oliver Crook
Del Water Gap © Angela Riccardi
Columns, Music, Today's SongApril 30, 2021<April 29, 2021

Today’s Song: Del Water Gap Turns the Unspoken into Art on “Sorry I Am”

by Jason Brillon
Atwood Magazine's Weekly Roundup April 30, 2021
Columns, Features, Music, Weekly RoundupApril 30, 2021<April 30, 2021

Atwood Magazine’s Weekly Roundup: April 30, 2021

by Atwood Magazine Staff
Total Brutal
Music, ReviewsApril 29, 2021<April 29, 2021

Review: Total Brutal’s Sun-Soaked “Had a Feeling” Is a Dazzling, Emotional Daydream

by Mitch Mosk
Posts pagination
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Brand New

  • “Drama Is Pleasure”: Flare and Fear from Planette Automatic’s Sparkling “Dance Around”
  • “I Loved You Then and I Love You Now”: William Harries Graham Traces the Afterlife of Connection on “NYC,” a Brooding Ambient Folk Reverie from ‘Belrose Motel’
  • “This Time I Intend to Swim”: Satya Comes Home to Herself on ‘Yellow House,’ a Soul-Stirring Debut of Healing, Love, & Release
  • Editor’s Picks 156: Green Gardens, Casper Sage, MUANH, Filiah, Lockimara, & Widemouth!
  • “The Alchemy Is Getting Stronger”: Montreal’s Art-Rock Band Museums Are Well Worth a Visit
  • “Truth Calls Us Back to Who We Were Made to Be”: Watashi Wa Meet Themselves Again on “I Am,” a Radiant Power-Pop Revival of Faith, Identity, & the Divine Spirit
  • “Where’s the Optimist in Me?”: Oakwood Reflect on Bygone Days and Look to the Future on ‘Blurred Away’

:: discover something new ::

Recent Posts

  • “Drama Is Pleasure”: Flare and Fear from Planette Automatic’s Sparkling “Dance Around” June 4, 2026
  • “I Loved You Then and I Love You Now”: William Harries Graham Traces the Afterlife of Connection on “NYC,” a Brooding Ambient Folk Reverie from ‘Belrose Motel’ June 4, 2026
  • “This Time I Intend to Swim”: Satya Comes Home to Herself on ‘Yellow House,’ a Soul-Stirring Debut of Healing, Love, & Release June 4, 2026
  • Editor’s Picks 156: Green Gardens, Casper Sage, MUANH, Filiah, Lockimara, & Widemouth! June 3, 2026
  • “The Alchemy Is Getting Stronger”: Montreal’s Art-Rock Band Museums Are Well Worth a Visit June 3, 2026
  • “Truth Calls Us Back to Who We Were Made to Be”: Watashi Wa Meet Themselves Again on “I Am,” a Radiant Power-Pop Revival of Faith, Identity, & the Divine Spirit June 3, 2026
  • “Where’s the Optimist in Me?”: Oakwood Reflect on Bygone Days and Look to the Future on ‘Blurred Away’ June 3, 2026
  • “I Sang to Fill the Emptiness”: London’s chantel Finds Their Voice on “Into Song Again,” a Tender, Tactile Debut Born of Grief, Belonging, & Return June 3, 2026
  • “A Beautiful, Terrifying Freedom”: Worthitpurchase Turn Precision into Poetry on “Postcard” June 3, 2026
  • “It’s the Modern Way”: Conor Miley Tears Open the Theater of Outrage on “Peepshow,” a Roaring Indie Rock Reckoning for the Algorithmic Age June 2, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
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