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heka
Music, ReviewsApril 29, 2021<April 29, 2021

Review: London’s heka Weaves Intimate Indie Folk Wonders in “(a) dab”

by Mitch Mosk
Artist to Watch, Features, Music, ReviewsApril 29, 2021<February 24, 2025

“I Have Something to Live For”: A Conversation With Glüme

by Adrian Vargas
Sandro Manzon
Music, Reviews, Track-by-TrackApril 29, 2021<April 29, 2021

Solitude, Silence, & Connection: Sandro Manzon Weaves Little Wonders in ‘Mr. Nothing’ EP

by Mitch Mosk
aviv
Columns, Music, Today's SongApril 29, 2021<April 29, 2021

AVIV’s “Black Coffee” Is a Call to Reconcile with the Ones You Don’t Want to Lose

by Dimitra Gurduiala
Breaking The Record 2020
Breaking the Record, Columns, MusicApril 29, 2021<April 28, 2021

Breaking the Record with Roan Yellowthorn, Part 59: “Stranger”

by Guest Writer
Charlotte OC © Maximillian Hetherington
Music, ReviewsApril 28, 2021<April 28, 2021

Charlotte OC’s Bold Songs “Bad Bitch” & “Forest” Offer Stunning Preview of LP 2

by Mitch Mosk
Damen © Anna Mattsson
Music, PremieresApril 28, 2021<April 28, 2021

Premiere: Gothenburg’s Damen Light an Anthemic Fire in “Brightside” off New EP ‘Unemployment, Broken Bones, Death, Baby’

by Mitch Mosk
Gordi © Jess Gleeson
Features, Interviews, MusicApril 28, 2021<October 5, 2021

Reckoning, Identity, & Rediscovery: Gordi Plunges into Personal Depths on Breathtaking ‘Our Two Skins’

by Mitch Mosk
Briston Maroney © Angelina Castillo
Debut, Features, Interviews, MusicApril 28, 2021<April 27, 2021

“Undeniably Beautiful”: Briston Maroney Soars on Debut Album ‘Sunflower’

by Lowndes Commander
Ski Team © Savanna Ruedy
Music, PremieresApril 28, 2021<April 28, 2021

Premiere: Ski Team’s “Photos” Rework Enhances the Rawness Through a Powerful, Delicate Arrangement

by Alicia Bugallo
Regi Angelou
Columns, Music, Today's SongApril 28, 2021<April 27, 2021

Regi Angelou Illuminates Black Power & Eliminates Complacency on “We, the People”

by Ryan Feyre
The Art of Waiting - James Parm
Features, Music, Reviews, Track-by-TrackApril 27, 2021<April 27, 2021

“Death, Time, Illusion”: James Parm’s Beautiful Sophomore Album ‘The Art of Waiting’

by Mitch Mosk
Rexx Life Raj © Yazid Johnson
Features, Interviews, MusicApril 27, 2021<April 28, 2021

Interview: Rexx Life Raj Balances the Good and the Bad on “Built for Everything”

by Oliver Crook
Subway Sick - j solomon
Music, PremieresApril 27, 2021<April 27, 2021

Premiere: NYC’s j solomon Finds His Footing on Indie Rock Jam “Subway Sick”

by Mitch Mosk
Catch Prichard © Rochelle Arucan
MusicApril 27, 2021<April 27, 2021

“Be patient, please”: Catch Prichard’s Raw, Expansive & Slow-Burning Debut ‘I Still Miss Theresa Benoit’

by Mitch Mosk
Posts pagination
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Brand New

  • “Drama Is Pleasure”: Flare and Fear from Planette Automatic’s Sparkling “Dance Around”
  • “I Loved You Then and I Love You Now”: William Harries Graham Traces the Afterlife of Connection on “NYC,” a Brooding Ambient Folk Reverie from ‘Belrose Motel’
  • “This Time I Intend to Swim”: Satya Comes Home to Herself on ‘Yellow House,’ a Soul-Stirring Debut of Healing, Love, & Release
  • Editor’s Picks 156: Green Gardens, Casper Sage, MUANH, Filiah, Lockimara, & Widemouth!
  • “The Alchemy Is Getting Stronger”: Montreal’s Art-Rock Band Museums Are Well Worth a Visit
  • “Truth Calls Us Back to Who We Were Made to Be”: Watashi Wa Meet Themselves Again on “I Am,” a Radiant Power-Pop Revival of Faith, Identity, & the Divine Spirit
  • “Where’s the Optimist in Me?”: Oakwood Reflect on Bygone Days and Look to the Future on ‘Blurred Away’

:: discover something new ::

Recent Posts

  • “Drama Is Pleasure”: Flare and Fear from Planette Automatic’s Sparkling “Dance Around” June 4, 2026
  • “I Loved You Then and I Love You Now”: William Harries Graham Traces the Afterlife of Connection on “NYC,” a Brooding Ambient Folk Reverie from ‘Belrose Motel’ June 4, 2026
  • “This Time I Intend to Swim”: Satya Comes Home to Herself on ‘Yellow House,’ a Soul-Stirring Debut of Healing, Love, & Release June 4, 2026
  • Editor’s Picks 156: Green Gardens, Casper Sage, MUANH, Filiah, Lockimara, & Widemouth! June 3, 2026
  • “The Alchemy Is Getting Stronger”: Montreal’s Art-Rock Band Museums Are Well Worth a Visit June 3, 2026
  • “Truth Calls Us Back to Who We Were Made to Be”: Watashi Wa Meet Themselves Again on “I Am,” a Radiant Power-Pop Revival of Faith, Identity, & the Divine Spirit June 3, 2026
  • “Where’s the Optimist in Me?”: Oakwood Reflect on Bygone Days and Look to the Future on ‘Blurred Away’ June 3, 2026
  • “I Sang to Fill the Emptiness”: London’s chantel Finds Their Voice on “Into Song Again,” a Tender, Tactile Debut Born of Grief, Belonging, & Return June 3, 2026
  • “A Beautiful, Terrifying Freedom”: Worthitpurchase Turn Precision into Poetry on “Postcard” June 3, 2026
  • “It’s the Modern Way”: Conor Miley Tears Open the Theater of Outrage on “Peepshow,” a Roaring Indie Rock Reckoning for the Algorithmic Age June 2, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
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