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Olivia O. © Avsha Weinberg
Music, PremieresMay 13, 2021<May 13, 2021

Premiere: Olivia O. Returns with New Single “All I Want,” an Achingly Vulnerable & Bittersweet Surrender

by Mitch Mosk
Roan Yellowthorn © Patrisha McLean
Breaking the Record, Interviews, Music, Premieres, ReviewsMay 13, 2021<May 13, 2021

Interview: Roan Yellowthorn Breaks the Record with Sophomore LP, ‘Another Life’

by Mitch Mosk
New Candys © Jancy Buffington
Music, ReviewsMay 12, 2021<May 12, 2021

Review: New Candys’ “Zyko” Is an Electroshock to the System

by Mitch Mosk
M.A.G.S. © 2021
Music, ReviewsMay 12, 2021<May 12, 2021

M.A.G.S. Serves Up a Fresh & Feverish Sonic Cocktail in “Choked Out”

by Mitch Mosk
Evan Greer © Kayana Szymczak
Columns, Music, Today's SongMay 12, 2021<May 12, 2021

Today’s Song: Evan Greer Issues Call to Arms on Powerful “The Tyranny of Either/Or”

by Oliver Crook
Hayden Calnin © Emma McEvoy 2021
Music, PremieresMay 12, 2021<May 12, 2021

Premiere: Hayden Calnin Rediscovers Himself in Wondrous “The Parts I Hid Away” Off New Album ‘What It Means To Be Human’

by Mitch Mosk
BSÍ © Baldur Kristjánsson
Music, PremieresMay 12, 2021<May 12, 2021

Premiere: Reykjavík’s BSÍ Soothe & Stir in New Single “TAL 11” off Debut Album ‘Sometimes Depressed​.​.​.​But Always Antifascist’

by Mitch Mosk
Nicole McKinney © Julian Darcy
Debut, Music, PremieresMay 11, 2021<May 11, 2021

Premiere: Brisbane’s Nicole McKinney Rises with Raw Indie Anthem “Stay” Off Debut EP ‘The Process’

by Mitch Mosk
Atwood Magazine Celebrates AAPI Heritage Month I
Asian American and Pacific Islander Heritage Month, Features, MusicMay 11, 2021<October 1, 2021

Atwood Magazine Celebrates AAPI Heritage Month 2021, Pt. I

by Atwood Magazine Staff
Mia Joy © 2021
Debut, Features, Music, Reviews, Track-by-TrackMay 11, 2021<May 11, 2021

“Contemplative, Private, & Atmospheric”: Mia Joy Dives into Debut Album ‘Spirit Tamer’

by Mitch Mosk
Gabrielle Current © Nicole Lewis
Columns, Interviews, Music, Today's SongMay 11, 2021<May 11, 2021

Interview: Gabrielle Current Blends Beauty & Chaos in Irresistible R&B Upheaval “If I Fall” & ‘Virgo’ EP

by Mitch Mosk
Jordan Lehning © Zac Farro
Music, PremieresMay 11, 2021<May 11, 2021

Premiere: Jordan Lehning Soothes & Haunts in “Static” Off Forthcoming 4th LP

by Mitch Mosk
Cautious Clay © Leeor Wild
Debut, Features, Interviews, MusicMay 11, 2021<October 1, 2021

Balancing Chaos and Caution: A Conversation with Cautious Clay

by Coco Rich
Alfred Howard © Kristy Walker
Features, MusicMay 10, 2021<May 10, 2021

“Alfred Howard Writes” Music Project Highlights Connection & Collaboration During the Pandemic

by Mitch Mosk
Jake Wesley Rogers © 2021
Music, ReviewsMay 10, 2021<May 10, 2021

Jake Wesley Rogers’ Soaring “Middle of Love” Captures the Heavy Weight of Life & Love

by Mitch Mosk
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Brand New

  • “Drama Is Pleasure”: Flare and Fear from Planette Automatic’s Sparkling “Dance Around”
  • “I Loved You Then and I Love You Now”: William Harries Graham Traces the Afterlife of Connection on “NYC,” a Brooding Ambient Folk Reverie from ‘Belrose Motel’
  • “This Time I Intend to Swim”: Satya Comes Home to Herself on ‘Yellow House,’ a Soul-Stirring Debut of Healing, Love, & Release
  • Editor’s Picks 156: Green Gardens, Casper Sage, MUANH, Filiah, Lockimara, & Widemouth!
  • “The Alchemy Is Getting Stronger”: Montreal’s Art-Rock Band Museums Are Well Worth a Visit
  • “Truth Calls Us Back to Who We Were Made to Be”: Watashi Wa Meet Themselves Again on “I Am,” a Radiant Power-Pop Revival of Faith, Identity, & the Divine Spirit
  • “Where’s the Optimist in Me?”: Oakwood Reflect on Bygone Days and Look to the Future on ‘Blurred Away’

:: discover something new ::

Recent Posts

  • “Drama Is Pleasure”: Flare and Fear from Planette Automatic’s Sparkling “Dance Around” June 4, 2026
  • “I Loved You Then and I Love You Now”: William Harries Graham Traces the Afterlife of Connection on “NYC,” a Brooding Ambient Folk Reverie from ‘Belrose Motel’ June 4, 2026
  • “This Time I Intend to Swim”: Satya Comes Home to Herself on ‘Yellow House,’ a Soul-Stirring Debut of Healing, Love, & Release June 4, 2026
  • Editor’s Picks 156: Green Gardens, Casper Sage, MUANH, Filiah, Lockimara, & Widemouth! June 3, 2026
  • “The Alchemy Is Getting Stronger”: Montreal’s Art-Rock Band Museums Are Well Worth a Visit June 3, 2026
  • “Truth Calls Us Back to Who We Were Made to Be”: Watashi Wa Meet Themselves Again on “I Am,” a Radiant Power-Pop Revival of Faith, Identity, & the Divine Spirit June 3, 2026
  • “Where’s the Optimist in Me?”: Oakwood Reflect on Bygone Days and Look to the Future on ‘Blurred Away’ June 3, 2026
  • “I Sang to Fill the Emptiness”: London’s chantel Finds Their Voice on “Into Song Again,” a Tender, Tactile Debut Born of Grief, Belonging, & Return June 3, 2026
  • “A Beautiful, Terrifying Freedom”: Worthitpurchase Turn Precision into Poetry on “Postcard” June 3, 2026
  • “It’s the Modern Way”: Conor Miley Tears Open the Theater of Outrage on “Peepshow,” a Roaring Indie Rock Reckoning for the Algorithmic Age June 2, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
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