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Atwood Magazine Celebrates Women's History Month
Features, Music, Women's History MonthMarch 22, 2021<May 19, 2023

Atwood Magazine Celebrates Women’s History Month 2021, Pt. V

by Atwood Magazine Staff
Atwood Magazine's Weekly Roundup March 19, 2021
Columns, Features, Music, Weekly RoundupMarch 19, 2021<March 25, 2021

Atwood Magazine’s Weekly Roundup: March 19, 2021

by Atwood Magazine Staff
Bleach Lab © Isy Townsend 10
Debut, Features, Music, Our Take, Reviews, Track-by-TrackMarch 19, 2021<October 5, 2021

“Introspective, Revealing, & Sombre”: Bleach Lab Reckon Through Grief & Trauma on Debut EP ‘A Calm Sense of Surrounding’

by Mitch Mosk
Genesis Owusu © Daniela-Federici
Debut, Features, Interviews, MusicMarch 19, 2021<March 28, 2021

Interview: Genesis Owusu Tackles Racism & Depression on Album of the Year Contending Debut, ‘Smiling with No Teeth’

by Oliver Crook
Liza © Zachary Zewudia
Columns, Music, Today's SongMarch 19, 2021<March 18, 2021

Today’s Song: Liza’s “DONE IS DONE” Brings Soulful New Meaning to Desolation

by Erica Danielle Garcia
Young Heart - Birdy Album Art
Features, Interviews, MusicMarch 19, 2021<March 19, 2021

Interview: Birdy Talks New Music, Her Early Rise to Success, and Her ‘Young Heart’

by Bethan Harper
Jon Batiste © Justin French
Features, Interviews, MusicMarch 19, 2021<October 5, 2021

“We Are the Golden Ones”: Jon Batiste Dives into His Inspiring, Genreless New Album

by Mitch Mosk
Sundressed © Orlando Pelagio
Music, Music Videos, ReviewsMarch 18, 2021<March 18, 2021

Review: Sundressed’s “Cash Out” Is an Anthem of Perseverance, Inner Strength & Staying Power

by Mitch Mosk
girlhouse © Alex Justice
Artist to Watch, Columns, Music, Today's SongMarch 18, 2021<March 18, 2021

Artist to Watch: girlhouse Reckons with Inherited Trauma & Finds Renewal on “loaded gun”

by Mitch Mosk
Riley Pearce © Al Parkinson
Music, Premieres, Track-by-TrackMarch 18, 2021<March 18, 2021

EP Premiere: Riley Pearce Captures the Beauty & Magic of Connection with ‘Love and All That Stuff’

by Mitch Mosk
LA Parties' Andy Gorel
Debut, Music, PremieresMarch 18, 2021<March 18, 2021

Premiere: LA Parties Debuts with Invigorating & Visceral Disillusionment on Self-Titled Single, “LA Parties”

by Mitch Mosk
alexdgoldberg
Debut, Interviews, MusicMarch 18, 2021<March 18, 2021

Interview with Alexdgoldberg: Brooklyn’s Finest Bounces Back From Bad Health & Releases Compelling Debut LP ‘Loste’

by Josh Weiner
Atwood Magazine Celebrates Women's History Month
Features, Music, Women's History MonthMarch 18, 2021<April 7, 2021

Atwood Magazine Celebrates Women’s History Month 2021, Pt. IV

by Atwood Magazine Staff
Breaking The Record 2020
Breaking the Record, Columns, MusicMarch 18, 2021<March 18, 2021

Breaking the Record with Roan Yellowthorn, Part 54: Pre-Order

by Guest Writer
Michael Baker
Features, Interviews, Music, Reviews, Track-by-TrackMarch 17, 2021<March 17, 2021

“Bionic Chemistry Chimney”: Michael Baker Dives into His Stirring & Hopeful 3rd LP ‘How Come You Sleep’

by Mitch Mosk
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Brand New

  • “I think it’s time just to make awesome rock music”: Jonny Tex Returns to SXSW with a New Sound, New Band, & New Sense of Purpose
  • “I’m listening to me this time”: Brit Taylor Trusts the Signs on ‘Land of the Forgotten’
  • “It’s all waiting there for you”: Harry Styles Captures the Beauty of Music Discovery & Offers an Outlook on Life Itself on “Carla’s Song”
  • “You Can Reject the Script That’s Handed to You”: The Undercover Dream Lovers’ Matt Koenig Is Living Life on His Own Terms (And You Can, Too)
  • Roundtable Discussion: A Review of Harry Styles’ ‘Kiss All The Time. Disco, Occasionally.’
  • Joshua Quimby Is Redefining What It Means to Be Country
  • Melanie Martinez’s ‘HADES’: A Descent into Pop’s Most Unsettling Underworld

:: discover something new ::

Recent Posts

  • “I think it’s time just to make awesome rock music”: Jonny Tex Returns to SXSW with a New Sound, New Band, & New Sense of Purpose April 7, 2026
  • “I’m listening to me this time”: Brit Taylor Trusts the Signs on ‘Land of the Forgotten’ April 7, 2026
  • “It’s all waiting there for you”: Harry Styles Captures the Beauty of Music Discovery & Offers an Outlook on Life Itself on “Carla’s Song” April 7, 2026
  • “You Can Reject the Script That’s Handed to You”: The Undercover Dream Lovers’ Matt Koenig Is Living Life on His Own Terms (And You Can, Too) April 6, 2026
  • Roundtable Discussion: A Review of Harry Styles’ ‘Kiss All The Time. Disco, Occasionally.’ April 6, 2026
  • Joshua Quimby Is Redefining What It Means to Be Country April 6, 2026
  • Melanie Martinez’s ‘HADES’: A Descent into Pop’s Most Unsettling Underworld April 6, 2026
  • The Magical Renaissance of U2: A Reflection on ‘Days of Ash’ and ‘Easter Lily’ April 6, 2026
  • “Not what you said, but how you said it”: Charlie Lim Lays Himself Bare on “Nobody’s Home,” a Gut-Wrenching Portrait of Grief and Emotional Reckoning April 3, 2026
  • “SWEET LOVE”: Stephen Sanchez Falls Head Over Heels into a Feel-Good, Heart-on-Sleeve Retro-Pop Anthem April 3, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
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