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Columns, Music, Today's SongApril 27, 2021<April 27, 2021

Today’s Song: “Roaches Don’t Fly” is The Alchemist in a Bottle

by Leo Culp
Jack Conman's "The Second I Choke" for Samsara Sessions
Music, Music Videos, PremieresApril 27, 2021<April 27, 2021

Premiere: The Lively Communal Spirit of Jack Conman’s “The Second I Choke” (Samsara Sessions)

by Mitch Mosk
Peter Rowan © Amanda Rowan
Features, Interviews, MusicApril 26, 2021<December 1, 2021

Feature: The Musical Adventures of Peter Rowan

by Guest Writer
Reid Jenkins © Shervin Lainez
Music, Reviews, Track-by-TrackApril 26, 2021<April 26, 2021

“Playful, Intricate, & Cerebral”: Morningsiders’ Reid Jenkins Makes ‘A Beautiful Start’ on Buoyant Solo Debut

by Mitch Mosk
Columns, Features, Today's SongApril 26, 2021<April 27, 2021

Today’s Song: JayWood Looks Back While Moving Ever-Forward on New Single “Some Days”

by Sophie Prettyman-Beauchamp
Babygirl © Kate Dockeray
Features, Interviews, Music, Reviews, Track-by-TrackApril 23, 2021<April 23, 2021

“Bittersweet, Bummer, Bliss”: Babygirl Dive into Their Enchanting ‘Losers Weepers’ EP

by Mitch Mosk
I’m Going To Break Your Heart - Moon Vs Sun
Features, Interviews, Music, Reviews, Track-by-TrackApril 23, 2021<April 23, 2021

“Love, Honor, Protect”: Moon Vs Sun Shine on Timeless Debut ‘I’m Going to Break Your Heart’

by Mitch Mosk
Tessa Violet © Natasha Tilly
Features, Interviews, MusicApril 23, 2021<April 24, 2021

Feature: Tessa Violet Ushers in a New World with Reissue of “Games” ft. lovelytheband

by Anthony Kozlowski
OSTON © Lauren Nieves
Columns, Music, Today's SongApril 23, 2021<April 23, 2021

A Happy Accident? Singer/Songwriter OSTON Heals Herself & Her Fans with “Lie About You”

by Emily Frances Algar
Atwood Magazine's Weekly Roundup, April 23, 2021
Columns, Features, Music, Weekly RoundupApril 23, 2021<October 5, 2021

Atwood Magazine’s Weekly Roundup: April 23, 2021

by Atwood Magazine Staff
Alice Merton © Sarah Storch (Paper Planes Records International)
Interviews, MusicApril 22, 2021<October 5, 2021

Interview: Alice Merton Returns, Channeling Panic into Passion on “Vertigo”

by Mitch Mosk
Final Act - Aquagie 10
Debut, Features, Interviews, Music, Our TakeApril 22, 2021<October 5, 2021

Interview: Boston’s Aquagie Soars on His Stunning, Stadium-Sized Apocalyptic Debut ‘Final Act’

by Mitch Mosk
Blonde Otter - Blonde Otter
Columns, Music, PremieresApril 22, 2021<April 22, 2021

Album Premiere: Indie Rockers Blonde Otter Mix Fun with Sadness on Self-Titled Debut

by Ethan James
purge the poison
Columns, Music, Today's SongApril 22, 2021<April 22, 2021

Today’s Song: MARINA’s “Purge the Poison” Is an Anthem We Should All Take to Heart

by Dimitra Gurduiala
Almost Sex © Trevor Brenden
Music, PremieresApril 22, 2021<April 22, 2021

Premiere: Almost Sex Reckon with Connection & Distance in “Eye to Eye”

by Mitch Mosk
Posts pagination
1 … 332 333 334 335 336 … 737

Brand New

  • “Drama Is Pleasure”: Flare and Fear from Planette Automatic’s Sparkling “Dance Around”
  • “I Loved You Then and I Love You Now”: William Harries Graham Traces the Afterlife of Connection on “NYC,” a Brooding Ambient Folk Reverie from ‘Belrose Motel’
  • “This Time I Intend to Swim”: Satya Comes Home to Herself on ‘Yellow House,’ a Soul-Stirring Debut of Healing, Love, & Release
  • Editor’s Picks 156: Green Gardens, Casper Sage, MUANH, Filiah, Lockimara, & Widemouth!
  • “The Alchemy Is Getting Stronger”: Montreal’s Art-Rock Band Museums Are Well Worth a Visit
  • “Truth Calls Us Back to Who We Were Made to Be”: Watashi Wa Meet Themselves Again on “I Am,” a Radiant Power-Pop Revival of Faith, Identity, & the Divine Spirit
  • “Where’s the Optimist in Me?”: Oakwood Reflect on Bygone Days and Look to the Future on ‘Blurred Away’

:: discover something new ::

Recent Posts

  • “Drama Is Pleasure”: Flare and Fear from Planette Automatic’s Sparkling “Dance Around” June 4, 2026
  • “I Loved You Then and I Love You Now”: William Harries Graham Traces the Afterlife of Connection on “NYC,” a Brooding Ambient Folk Reverie from ‘Belrose Motel’ June 4, 2026
  • “This Time I Intend to Swim”: Satya Comes Home to Herself on ‘Yellow House,’ a Soul-Stirring Debut of Healing, Love, & Release June 4, 2026
  • Editor’s Picks 156: Green Gardens, Casper Sage, MUANH, Filiah, Lockimara, & Widemouth! June 3, 2026
  • “The Alchemy Is Getting Stronger”: Montreal’s Art-Rock Band Museums Are Well Worth a Visit June 3, 2026
  • “Truth Calls Us Back to Who We Were Made to Be”: Watashi Wa Meet Themselves Again on “I Am,” a Radiant Power-Pop Revival of Faith, Identity, & the Divine Spirit June 3, 2026
  • “Where’s the Optimist in Me?”: Oakwood Reflect on Bygone Days and Look to the Future on ‘Blurred Away’ June 3, 2026
  • “I Sang to Fill the Emptiness”: London’s chantel Finds Their Voice on “Into Song Again,” a Tender, Tactile Debut Born of Grief, Belonging, & Return June 3, 2026
  • “A Beautiful, Terrifying Freedom”: Worthitpurchase Turn Precision into Poetry on “Postcard” June 3, 2026
  • “It’s the Modern Way”: Conor Miley Tears Open the Theater of Outrage on “Peepshow,” a Roaring Indie Rock Reckoning for the Algorithmic Age June 2, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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