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Sanguine - Sister Luna
Debut, Music, Reviews, Track-by-TrackOctober 26, 2020<October 26, 2020

Track-by-Track: Youngstown’s Sister Luna Lay a Seductive Groundwork with Debut EP ‘Sanguine’

by Mitch Mosk
Jackson C. Frank album art a
Features, Music, ReviewsOctober 26, 2020<October 26, 2020

Feature: Deciphering the Ghost of Jackson C. Frank

by Diego Morales
MusicOctober 26, 2020<October 26, 2020

Interview: Takuya Kuroda is Conquering the World’s Biggest Cities by Way of the Trumpet

by Josh Weiner
Alostmen © 2020
Columns, Music, Today's SongOctober 26, 2020<October 26, 2020

Today’s Song: Alostmen Reimagine Traditional Ghanian Music on Party Anthem “Kologo”

by Oliver Crook
Atwood Magazine's Weekly Roundup October 23 2020
MusicOctober 23, 2020<November 15, 2020

Atwood Magazine’s Weekly Roundup: October 23, 2020

by Atwood Magazine Staff
Loma © Bryan C. Parker
Features, Interviews, MusicOctober 23, 2020<October 23, 2020

Interview: Loma’s ‘Don’t Shy Away’ and “The Pleasure of Sound”

by Ben Niesen
Passive Aggressive - Charlotte Cardin
Columns, Music, Today's SongOctober 23, 2020<October 23, 2020

Today’s Song: Charlotte Cardin Keeps Things Sensual & Self-Assured with “Passive Aggressive”

by Frankie Rose
Jealous Of The Birds © Jasmin Bell
Features, Music, Reviews, Track-by-TrackOctober 23, 2020<November 15, 2020

“You Are Here”: Jealous of the Birds Soars with Fresh Depth, Energy, & Passion in ‘Peninsula’

by Mitch Mosk
Interviews, MusicOctober 23, 2020<October 23, 2020

“Loud, Brutal, Extreme, Unapologetic, Sexy, and with a Short Span of Attention”: An Interview with Olivia Anna Livki

by Josh Weiner
Angie McMahon © Chelsea Sienna
Interviews, MusicOctober 22, 2020<October 22, 2020

Interview: Angie McMahon Dives into Her “Melancholy, Introverted, & Imperfect” New EP, ‘Piano Salt’

by Mitch Mosk
The Shape - Spirit of the Bear
Music, Music Videos, PremieresOctober 22, 2020<October 22, 2020

Artist to Watch: Spirit of the Bear Take Off with Dark Charm & Cinematic Finesse in “The Shape”

by Mitch Mosk
(L-R): Maize and Wendy Wang
Music, PremieresOctober 22, 2020<October 22, 2020

The Ethereal Ache of Maize & Wendy Wang’s “Cracks in the Ceiling” (Road Angel Project: Volume 3)

by Mitch Mosk
Music, Music Videos, PremieresOctober 22, 2020<October 23, 2020

Premiere: Exploring The Sunk Cost Fallacy on Fellow Hollow’s “Dog Fence Weeds”

by Adrian Vargas
Rosehip Teahouse © Adam Whitmore
Columns, Music, Playlists, Today's SongOctober 22, 2020<October 22, 2020

Artist to Watch: Cardiff’s Rosehip Teahouse Weave an Anxious Dream Pop Reverie in “A Million Times”

by Mitch Mosk
The Barrens © Hailey Merlo 8
Debut, Music, Our Take, ReviewsOctober 22, 2020<December 15, 2020

Review: The Barrens Take a Look Through Youth’s Pink Shades on Stunning Debut EP ‘Young’

by Anthony Kozlowski
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Brand New

  • “It’s an Ugly Old Trick to View ‘Different’ as Dangerous”: Luke Beling Humanizes the Immigrant Experience on “Just Like Your Mama,” an Urgent Protest Song
  • Today’s Song: Anthony Arya’s Warm & Wistful “Sugar on Your Shades” Is an All Acoustic Folk Dream
  • Atwood Magazine’s Weekly Roundup: April 17, 2026
  • “I Hit the Floor and It’s Breaking My Heart”: CASTLEBEAT Drifts Through Distance & Longing on “My Love,” a Hypnotic Dream-Pop Spiral
  • Interview: LAPêCHE Discuss Vulnerability, Distance, & Finding Meaning in the Process on ‘Autotelic,’ an Album Where Creation Was the Point
  • “I Was Born a Clown, But Now I’m Known to Cry”: Royel Otis Stir the Heart with “Sweet Hallelujah,” an Achingly Beautiful Love Letter of Goodbye
  • Live Review: Sophia Galaté Is Meant to Perform

:: discover something new ::

Recent Posts

  • “It’s an Ugly Old Trick to View ‘Different’ as Dangerous”: Luke Beling Humanizes the Immigrant Experience on “Just Like Your Mama,” an Urgent Protest Song April 19, 2026
  • Today’s Song: Anthony Arya’s Warm & Wistful “Sugar on Your Shades” Is an All Acoustic Folk Dream April 18, 2026
  • Atwood Magazine’s Weekly Roundup: April 17, 2026 April 17, 2026
  • “I Hit the Floor and It’s Breaking My Heart”: CASTLEBEAT Drifts Through Distance & Longing on “My Love,” a Hypnotic Dream-Pop Spiral April 17, 2026
  • Interview: LAPêCHE Discuss Vulnerability, Distance, & Finding Meaning in the Process on ‘Autotelic,’ an Album Where Creation Was the Point April 16, 2026
  • “I Was Born a Clown, But Now I’m Known to Cry”: Royel Otis Stir the Heart with “Sweet Hallelujah,” an Achingly Beautiful Love Letter of Goodbye April 16, 2026
  • Live Review: Sophia Galaté Is Meant to Perform April 16, 2026
  • Music You Should Know: Father John Misty Keeps It Together for His “Mental Health” April 16, 2026
  • “I Owe You My Life”: Sublime Pay Homage to Bradley Nowell with “Until the Sun Explodes,” a Stunning Tribute to Legacy and Loss April 16, 2026
  • “Swimming on the Surface”: Ivory Layne Faces the Fear of Falling on “Skim,” a Cinematic Surge of Desire and Self-Protection April 16, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
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