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Movement EP - CIEL
Debut, Music, ReviewsSeptember 24, 2020<September 23, 2020

Review: Brighton’s CIEL Consider Interpersonal Connections on Debut EP ‘Movement’

by Robin Fulton
Twin Heavy - Willie J Healey
Music, ReviewsSeptember 23, 2020<September 23, 2020

Review: Willie J Healey’s ‘Twin Heavy’ Is an Invitation to an Emotional Rollercoaster

by Nina Schaarschmidt
Features, Interviews, MusicSeptember 23, 2020<March 2, 2025

Where We All Go to Dance: Community, Connection, & Music with Saxophonist Jess Gillam

by Emily Frances Algar
Side Street - Joe Kollar 8
Debut, Features, Music, Our Take, Reviews, Track-by-TrackSeptember 23, 2020<December 15, 2020

Feature: Joe Kollar’s Stirring Space Folk Soars on Debut Album ‘Side Street’

by Mitch Mosk
Music, Music Videos, PremieresSeptember 23, 2020<September 23, 2020

Premiere: Jamie-Lee Dimes Finds Inner Peace in Saying “Goodbye”

by Adrian Vargas
Interviews, MusicSeptember 23, 2020<September 22, 2020

Interview: SC.Undercover Spins Excellent Dark Pop Out of His Troubled Past

by Josh Weiner
Bastille © Sarah Louise Bennett
Music, Reviews, This Just InSeptember 23, 2020<September 23, 2020

Stop Pretending Everything’s Fine: Bastille’s “survivin'” Is a Vulnerable & Uplifting Pop Reinvention

by Nina Schaarschmidt
indigoworld
Debut, Music, PremieresSeptember 23, 2020<September 22, 2020

EP Premiere: indigoworld Burst into Existence with Compelling Debut EP ‘FOLD’

by Mitch Mosk
Left at London © West Smith
Columns, Music, Today's SongSeptember 23, 2020<September 23, 2020

Today’s Song: Left at London’s “Safety First” Is More Vulnerable Than We Deserve

by Jesse Herb
Debut, Music, Reviews, Track-by-TrackSeptember 22, 2020<September 22, 2020

Track-by-Track: NYC’s R O N I Captivates with Sleek & Seductive ‘Crown’ EP

by Mitch Mosk
Nostalgix © @beedee_
Interviews, Music, ReviewsSeptember 22, 2020<September 28, 2020

Interview: Nostalgix Is Making Electronica That Can Brighten Spirits Across the Globe

by Josh Weiner
TyDi
MusicSeptember 22, 2020<September 22, 2020

Reaching for Silver Linings: A Conversation with Tydi

by Guest Writer
Angels Devils Eli Moon
Music, Reviews, Track-by-TrackSeptember 22, 2020<September 22, 2020

Track-by-Track: Eli Moon Explores Morality, Hedonism, and Control on EP ‘Angels, Devils and Empty Vessels’

by Bethan Harper
Cameron Hawthorn © 2020
Interviews, MusicSeptember 22, 2020<September 22, 2020

Interview: Cameron Hawthorn on New Video Inspiration, LGBTQ+ Activism, & More

by Chloe Robinson
Into It. Over It.
Interviews, MusicSeptember 22, 2020<September 22, 2020

Courtesy Greetings: A Conversation with Into It. Over It.

by James Crowley
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Brand New

  • “It’s an Ugly Old Trick to View ‘Different’ as Dangerous”: Luke Beling Humanizes the Immigrant Experience on “Just Like Your Mama,” an Urgent Protest Song
  • Today’s Song: Anthony Arya’s Warm & Wistful “Sugar on Your Shades” Is an All Acoustic Folk Dream
  • Atwood Magazine’s Weekly Roundup: April 17, 2026
  • “I Hit the Floor and It’s Breaking My Heart”: CASTLEBEAT Drifts Through Distance & Longing on “My Love,” a Hypnotic Dream-Pop Spiral
  • Interview: LAPêCHE Discuss Vulnerability, Distance, & Finding Meaning in the Process on ‘Autotelic,’ an Album Where Creation Was the Point
  • “I Was Born a Clown, But Now I’m Known to Cry”: Royel Otis Stir the Heart with “Sweet Hallelujah,” an Achingly Beautiful Love Letter of Goodbye
  • Live Review: Sophia Galaté Is Meant to Perform

:: discover something new ::

Recent Posts

  • “It’s an Ugly Old Trick to View ‘Different’ as Dangerous”: Luke Beling Humanizes the Immigrant Experience on “Just Like Your Mama,” an Urgent Protest Song April 19, 2026
  • Today’s Song: Anthony Arya’s Warm & Wistful “Sugar on Your Shades” Is an All Acoustic Folk Dream April 18, 2026
  • Atwood Magazine’s Weekly Roundup: April 17, 2026 April 17, 2026
  • “I Hit the Floor and It’s Breaking My Heart”: CASTLEBEAT Drifts Through Distance & Longing on “My Love,” a Hypnotic Dream-Pop Spiral April 17, 2026
  • Interview: LAPêCHE Discuss Vulnerability, Distance, & Finding Meaning in the Process on ‘Autotelic,’ an Album Where Creation Was the Point April 16, 2026
  • “I Was Born a Clown, But Now I’m Known to Cry”: Royel Otis Stir the Heart with “Sweet Hallelujah,” an Achingly Beautiful Love Letter of Goodbye April 16, 2026
  • Live Review: Sophia Galaté Is Meant to Perform April 16, 2026
  • Music You Should Know: Father John Misty Keeps It Together for His “Mental Health” April 16, 2026
  • “I Owe You My Life”: Sublime Pay Homage to Bradley Nowell with “Until the Sun Explodes,” a Stunning Tribute to Legacy and Loss April 16, 2026
  • “Swimming on the Surface”: Ivory Layne Faces the Fear of Falling on “Skim,” a Cinematic Surge of Desire and Self-Protection April 16, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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