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Garrett Owen © Melissa Laree Cunningham
Music, PremieresJuly 2, 2020<December 14, 2020

Premiere: Garrett Owen’s Spirited “These Modern Times” Breathes with Stormy & Seductive Folk

by Mitch Mosk
Features, Interviews, MusicJuly 2, 2020<June 20, 2024

“In Moments of Disruption, Art Will Always Thrive”: A Conversation with Lewis Watson

by Harper Beattie
The Head and the Heart © Alex Currie
Features, Interviews, MusicJuly 2, 2020<August 23, 2020

Interview with The Head and The Heart: Self-Discovery, Renewal, and the Magic of ‘Living Mirage’

by Mitch Mosk
JRM © Rene Sascha Johannsen
Debut, Music, PremieresJuly 2, 2020<July 2, 2020

Premiere: JRM’s Stunning Debut Single Captures Life As a Black Man in “America”

by Mitch Mosk
Charlotte Clark © Marcus Rexford
Debut, Interviews, Music, PremieresJuly 2, 2020<July 2, 2020

Artist to Watch: UK’s Charlotte Clark Astonishes with Debut Single “Disarray”

by Luke Pettican
Breaking The Record 2020
Breaking the Record, Columns, MusicJuly 2, 2020<July 1, 2020

Breaking the Record with Roan Yellowthorn, Part 21: Finding Balance

by Guest Writer
Meadow Meadow © 2020
Debut, Music, ReviewsJuly 2, 2020<July 1, 2020

Review: Meadow Meadow’s “Bonzo” & “Fireworks” Make for a Spellbinding Introduction

by Mitch Mosk
JC Stewart © 2020
Columns, Music, Today's SongJuly 2, 2020<July 1, 2020

Today’s Song: JC Stewart Energetically Returns with “I Need You to Hate Me”

by Luke Pettican
Leah Capelle © Mackenzie Breeden
Debut, Editorials, MusicJuly 1, 2020<July 1, 2020

Editorial: Leah Capelle’s Debut ‘triptych’ & the Sacrilege of Dismissing Full Length Albums

by Guest Writer
BLOXX © Bree Hart
Columns, Music, Today's SongJuly 1, 2020<January 4, 2023

Today’s Song: BLOXX’s “Lie Out Loud” Raises Spirits Through Infectious Rock Energy

by Lexi Lane
Buddie © Ashley Cordoba
Music, PremieresJuly 1, 2020<July 1, 2020

Premiere: Buddie’s Spirited “In Aquamarine” Offers a Fierce, Dynamic Helping Hand

by Mitch Mosk
Gracie and Rachel © Tonje Thilesen
Music, Music Videos, PremieresJuly 1, 2020<July 1, 2020

Premiere: Gracie and Rachel Expand & Evolve Through Compelling “Ideas”

by Mitch Mosk
OXBOW © Meows Imaginarium
Columns, Music, Music You Should KnowJuly 1, 2020<June 30, 2020

Music You Should Know: Oxbow’s ‘Thin Black Duke’

by Nick Matthopoulos
Denison Witmer © 2020 9.4
Features, Interviews, Music, ReviewsJune 30, 2020<February 7, 2024

Feature: Denison Witmer’s Breathtaking ‘American Foursquare’ Is a Soundtrack to Life Lived

by Mitch Mosk
Mini Trees © Shab Ferdowsi
Music, Reviews, Track-by-TrackJune 30, 2020<June 30, 2020

Track-by-Track: Mini Trees Dives into Her Intimate, Sun-Kissed Sophomore EP ‘Slip Away’

by Mitch Mosk
Posts pagination
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Brand New

  • “Change Lies at Your Footsteps”: Vienna Vienna Turns Overstimulation into Motion on “Idle Hands”
  • “This Is What It Feels Like to Not Feel Anything”: Petey USA on Turning Private Thoughts into Shared Space & the Fictional Truths of ‘The Yips’
  • “We’re all just friends making music”: Brooklyn’s Anyhow Are an Emerging Indie Rock Duo Built on Collaboration, Trust, & Guitars
  • Atwood Magazine Presents Mistletones: 2025’s Best New Holiday Songs, Pt. 1!
  • “I Serve Me. I Take Care of Me. I Am My Keeper”: Medium Build on Surviving the Dream, Choosing Himself, & More Takeaways From a Career-Defining Year
  • Interview: From Malawi to Massachusetts, The Kasambwe Brothers Are Strumming Their Way to Success
  • “You Have Me Marked as Nice”: Ski Team Sits With Desire, Restraint, & the Mercy of Boundaries on “Santa”

:: discover something new ::

Recent Posts

  • “Change Lies at Your Footsteps”: Vienna Vienna Turns Overstimulation into Motion on “Idle Hands” December 20, 2025
  • “This Is What It Feels Like to Not Feel Anything”: Petey USA on Turning Private Thoughts into Shared Space & the Fictional Truths of ‘The Yips’ December 19, 2025
  • “We’re all just friends making music”: Brooklyn’s Anyhow Are an Emerging Indie Rock Duo Built on Collaboration, Trust, & Guitars December 19, 2025
  • Atwood Magazine Presents Mistletones: 2025’s Best New Holiday Songs, Pt. 1! December 19, 2025
  • “I Serve Me. I Take Care of Me. I Am My Keeper”: Medium Build on Surviving the Dream, Choosing Himself, & More Takeaways From a Career-Defining Year December 18, 2025
  • Interview: From Malawi to Massachusetts, The Kasambwe Brothers Are Strumming Their Way to Success December 18, 2025
  • “You Have Me Marked as Nice”: Ski Team Sits With Desire, Restraint, & the Mercy of Boundaries on “Santa” December 18, 2025
  • Atwood Magazine’s 2025 Albums of the Year December 18, 2025
  • “Raw, Experimental, & Definitive”: Low.bō Debuts with a Bruised, Intimate Alt-R&B Reckoning on ‘husk’ December 17, 2025
  • “Anger, Death, & Acceptance”: Adult Mom’s Stevie Knipe Gives Life’s Hardest Feelings a Voice on ‘Natural Causes’ December 17, 2025
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
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