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Atwood Magazine's Weekly Roundup October 2 2020
Columns, Features, Music, Weekly RoundupOctober 2, 2020<October 13, 2020

Atwood Magazine’s Weekly Roundup: October 2, 2020

by Atwood Magazine Staff
Debut, Music, Reviews, This Just InOctober 2, 2020<October 2, 2020

This Just In: Belfast’s BEA Reimagines Heartbroken Memories in Debut Single “These Streets of Ours”

by Erica Danielle Garcia
Mi Condena - Vic Mirallas & MARO
Columns, Music, Today's SongOctober 2, 2020<October 2, 2020

Today’s Song: Vic Mirallas & MARO Ignite As a Power Duo in Summertime Single “Mi Condena”

by Coco Rich
The Hunna © Mila Austin
Features, Music, Reviews, Track-by-TrackOctober 2, 2020<October 2, 2020

The Hunna Horror Story: A Track-by-Track Guide to Third LP ‘I’d Rather Die Than Let You In’

by Mitch Mosk
Sweater Curse
Music, Reviews, Track-by-TrackOctober 1, 2020<October 1, 2020

Track-by-Track: Sweater Curse Plunge Into Life’s ‘Push//Pull’ on Heavy Sophomore EP

by Mitch Mosk
Lay 'Lit'
Music, ReviewsOctober 1, 2020<October 1, 2020

Album Review: Chinese Identity Rears Its Head in LAY’s ‘莲 (LIT)’

by Guest Writer
Features, Interviews, MusicOctober 1, 2020<December 15, 2022

Feature: Lynn Gunn Seizes the Reins in PVRIS’ Glitch Rock Tour-De Force ‘Use Me’

by Anthony Kozlowski
Your Grandparents © The Orchard
Music, Music Videos, PremieresOctober 1, 2020<October 1, 2020

Premiere: Your Grandparents’ “Tomorrow” Video Is a Fresh, Groovy & Cinematic Kung Fu Comedy

by Mitch Mosk
Zoë Nutt © 2020
Interviews, Music, Music Videos, PremieresOctober 1, 2020<September 30, 2020

Interview: Zoë Nutt Reckons with Anguish & Acceptance on “If That’s What It Takes” Off New Album ‘How Does It Feel’

by Mitch Mosk
Temme © Mackenzie Breeden
Debut, Features, Interviews, Music, Track-by-TrackOctober 1, 2020<October 6, 2020

Feature: Temme Scott Dives into the Effortless Raw Polish of Debut ‘Trust You, Trust You’

by Mitch Mosk
Love Fame Tragedy © 2020
Columns, Music, Today's SongOctober 1, 2020<September 26, 2020

Today’s Song: Love Fame Tragedy Explores Anxiety & Impulsivity in Modern Relationships on “5150”

by Jordan Catagnus
Breaking The Record 2020
Breaking the Record, Columns, MusicOctober 1, 2020<September 30, 2020

Breaking the Record with Roan Yellowthorn, Part 34: Being Strong

by Guest Writer
The Wild State © Aaron Busk
Music, PremieresOctober 1, 2020<September 30, 2020

Premiere: The Wild State Bring New Life to “Bloodbuzz Ohio” in Latest The National Cover

by Erica Danielle Garcia
Warning Bell - Daniel Trakell
Debut, Music, PremieresSeptember 30, 2020<September 30, 2020

Album Premiere: Melbourne Singer/Songwriter Daniel Trakell Stuns in Debut ‘Warning Bell’

by Mitch Mosk
Beau © 2020
Features, Interviews, MusicSeptember 30, 2020<October 6, 2020

Interview: NYC’s Beau Return to Set the Night on Fire with Indie Rock Anthem “Dance with Me”

by Mitch Mosk
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Brand New

  • “It Wasn’t a Typical Sad Song”: Sasha Joy Found a New Kind of Clarity on “Got You Something”
  • “Life Is Much More Colorful”: Heddy Edwards Summons the Divine on ‘The Other Side of Hell Is a Heaven So Delicate’
  • “Drama Is Pleasure”: Flare and Fear from Planette Automatic’s Sparkling “Dance Around”
  • “I Loved You Then and I Love You Now”: William Harries Graham Traces the Afterlife of Connection on “NYC,” a Brooding Ambient Folk Reverie from ‘Belrose Motel’
  • “This Time I Intend to Swim”: Satya Comes Home to Herself on ‘Yellow House,’ a Soul-Stirring Debut of Healing, Love, & Release
  • Editor’s Picks 156: Green Gardens, Casper Sage, MUANH, Filiah, Lockimara, & Widemouth!
  • “The Alchemy Is Getting Stronger”: Montreal’s Art-Rock Band Museums Are Well Worth a Visit

:: discover something new ::

Recent Posts

  • “It Wasn’t a Typical Sad Song”: Sasha Joy Found a New Kind of Clarity on “Got You Something” June 5, 2026
  • “Life Is Much More Colorful”: Heddy Edwards Summons the Divine on ‘The Other Side of Hell Is a Heaven So Delicate’ June 5, 2026
  • “Drama Is Pleasure”: Flare and Fear from Planette Automatic’s Sparkling “Dance Around” June 4, 2026
  • “I Loved You Then and I Love You Now”: William Harries Graham Traces the Afterlife of Connection on “NYC,” a Brooding Ambient Folk Reverie from ‘Belrose Motel’ June 4, 2026
  • “This Time I Intend to Swim”: Satya Comes Home to Herself on ‘Yellow House,’ a Soul-Stirring Debut of Healing, Love, & Release June 4, 2026
  • Editor’s Picks 156: Green Gardens, Casper Sage, MUANH, Filiah, Lockimara, & Widemouth! June 3, 2026
  • “The Alchemy Is Getting Stronger”: Montreal’s Art-Rock Band Museums Are Well Worth a Visit June 3, 2026
  • “Truth Calls Us Back to Who We Were Made to Be”: Watashi Wa Meet Themselves Again on “I Am,” a Radiant Power-Pop Revival of Faith, Identity, & the Divine Spirit June 3, 2026
  • “Where’s the Optimist in Me?”: Oakwood Reflect on Bygone Days and Look to the Future on ‘Blurred Away’ June 3, 2026
  • “I Sang to Fill the Emptiness”: London’s chantel Finds Their Voice on “Into Song Again,” a Tender, Tactile Debut Born of Grief, Belonging, & Return June 3, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
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