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Elle Músa © Adi Ross
Music, Music Videos, PremieresOctober 6, 2020<October 6, 2020

Premiere: Elle Músa’s “Geminis” Is a Loving Ode to Those Closest

by Nick Matthopoulos
Evelyn Cools © Tye Edwards
Music, Music Videos, PremieresOctober 6, 2020<October 8, 2020

Premiere: NYC’s Evelyn Cools Finds Belonging & Home in “Misfit Paradise”

by Mitch Mosk
Caiola © 2020
Debut, Music, Reviews, Track-by-TrackOctober 5, 2020<October 5, 2020

Track-by-Track: The Tender, Driving Nuance of Caiola’s Debut ‘Only Real When Shared’

by Mitch Mosk
Ferris & Sylvester © Felix Bartlett
Features, Music, Reviews, Track-by-TrackOctober 5, 2020<October 5, 2020

Hungry, Hopeful, & True: Ferris & Sylvester Dive into Their ‘I Should Be on a Train’ EP

by Mitch Mosk
9
Music, Our Take, ReviewsOctober 5, 2020<December 15, 2020

Our Take: Ghostpoet’s Doom-Laden Dreariness Captures the 2020 Mood on ‘I Grow Tired But Dare Not Fall Asleep’

by Adam Davidson
FLETCHER © The S(ex) Tapes
Features, Music, Reviews, Track-by-TrackOctober 5, 2020<May 29, 2024

Feature: FLETCHER’s ‘The S(ex) Tapes’ and the Seven Stages of Grief

by Emily Frances Algar
Blackout Balter © 2020
Debut, Music, Reviews, Track-by-TrackOctober 5, 2020<October 5, 2020

Track-by-Track: Nashville’s Blackout Balter Seize the Moment on Visceral Debut Album ‘Animal’

by Mitch Mosk
Columns, Music, Today's SongOctober 5, 2020<October 5, 2020

Today’s Song: Glüme Has Crafted a Dream-Laced Ambrosia with Latest Single “Come Softly To Me”

by Adrian Vargas
ViVii © Alexander Antser
Music, Music Videos, PremieresOctober 5, 2020<October 5, 2020

Stockholm’s ViVii Enchant with Ethereal, Exhilarating “Summer of 99” & “Whistle” Video

by Mitch Mosk
Columns, Music, Today's SongOctober 3, 2020<October 3, 2020

Today’s Song: TOYGIRL Write a Love Song for Whoever Is in Your Heart on “Poison”

by Oliver Crook
Christinna O © Kenya Naomi
Columns, Music, Today's SongOctober 3, 2020<November 3, 2020

Today’s Song: Christinna O Weaves Cultural Traditions with Universal Sentiments in “Braided”

by Frankie Rose
Bright Eyes © Danny Cohen
Features, Interviews, MusicOctober 2, 2020<December 22, 2020

Forming Emotion Through Atmosphere: An Interview with Bright Eyes

by Frankie Rose
Features, Interviews, Music, Track-by-TrackOctober 2, 2020<November 15, 2020

Theatrical, Emotional, & Badass: Kelsy Karter Dives into Debut Album ‘Missing Person’

by Mitch Mosk
Personal History by Ailbhe Reddy
Debut, Features, Interviews, Music, Reviews, Track-by-TrackOctober 2, 2020<October 2, 2020

Feature: Ailbhe Reddy’s ‘Personal History’ Is a Breathtaking Plunge into Vulnerable Depths

by Mitch Mosk
COIN band music 2020
Interviews, MusicOctober 2, 2020<October 2, 2020

“Sincere Meets Aggressive”: COIN’s Chase Lawrence on the Band’s Intimate Upheaval, “You Are the Traffic”

by Mitch Mosk
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1 … 389 390 391 392 393 … 737

Brand New

  • “It Wasn’t a Typical Sad Song”: Sasha Joy Found a New Kind of Clarity on “Got You Something”
  • “Life Is Much More Colorful”: Heddy Edwards Summons the Divine on ‘The Other Side of Hell Is a Heaven So Delicate’
  • “Drama Is Pleasure”: Flare and Fear from Planette Automatic’s Sparkling “Dance Around”
  • “I Loved You Then and I Love You Now”: William Harries Graham Traces the Afterlife of Connection on “NYC,” a Brooding Ambient Folk Reverie from ‘Belrose Motel’
  • “This Time I Intend to Swim”: Satya Comes Home to Herself on ‘Yellow House,’ a Soul-Stirring Debut of Healing, Love, & Release
  • Editor’s Picks 156: Green Gardens, Casper Sage, MUANH, Filiah, Lockimara, & Widemouth!
  • “The Alchemy Is Getting Stronger”: Montreal’s Art-Rock Band Museums Are Well Worth a Visit

:: discover something new ::

Recent Posts

  • “It Wasn’t a Typical Sad Song”: Sasha Joy Found a New Kind of Clarity on “Got You Something” June 5, 2026
  • “Life Is Much More Colorful”: Heddy Edwards Summons the Divine on ‘The Other Side of Hell Is a Heaven So Delicate’ June 5, 2026
  • “Drama Is Pleasure”: Flare and Fear from Planette Automatic’s Sparkling “Dance Around” June 4, 2026
  • “I Loved You Then and I Love You Now”: William Harries Graham Traces the Afterlife of Connection on “NYC,” a Brooding Ambient Folk Reverie from ‘Belrose Motel’ June 4, 2026
  • “This Time I Intend to Swim”: Satya Comes Home to Herself on ‘Yellow House,’ a Soul-Stirring Debut of Healing, Love, & Release June 4, 2026
  • Editor’s Picks 156: Green Gardens, Casper Sage, MUANH, Filiah, Lockimara, & Widemouth! June 3, 2026
  • “The Alchemy Is Getting Stronger”: Montreal’s Art-Rock Band Museums Are Well Worth a Visit June 3, 2026
  • “Truth Calls Us Back to Who We Were Made to Be”: Watashi Wa Meet Themselves Again on “I Am,” a Radiant Power-Pop Revival of Faith, Identity, & the Divine Spirit June 3, 2026
  • “Where’s the Optimist in Me?”: Oakwood Reflect on Bygone Days and Look to the Future on ‘Blurred Away’ June 3, 2026
  • “I Sang to Fill the Emptiness”: London’s chantel Finds Their Voice on “Into Song Again,” a Tender, Tactile Debut Born of Grief, Belonging, & Return June 3, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
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