• Home
  • About
  • New Music Calendar
  • 2025 Artists to Watch
  • Get Involved
  • Pitching Us
  • Contact
  • Bio Services
Atwood Magazine - For the Love of Music For the Love of Music
  • New Music Releases
  • Recent
  • Features
  • Interviews
  • Editor’s Picks
  • Reviews
    • Our Take
    • Debuts
    • Videos
    • Live
  • Columns
    • Premieres
    • Today’s Song
    • Weekly Roundup
    • Music You Should Know
    • Nostalgia Tracks
St Valentine © Johannes Greve Muskat
Debut, Features, Interviews, MusicAugust 20, 2020<August 20, 2020

Escape & Indulgence: Ulrik Denizou Lund (Lemaitre) on His New Music As “St Valentine”

by Mitch Mosk
Brett Altman © Hayley Altman
Essays, MusicAugust 20, 2020<August 20, 2020

A Winding Road: Brett Altman on His Search for a Sound & New EP ‘Low Overhead’

by Guest Writer
Columns, Music, This Just In, Today's SongAugust 20, 2020<September 4, 2020

This Just In: Palmas Welcome the Novelty of the Unknown in “Holy Ground”

by Maggie McHale
Breaking The Record 2020
Breaking the Record, Columns, MusicAugust 20, 2020<August 19, 2020

Breaking the Record with Roan Yellowthorn, Part 28: Alanis Morissette

by Guest Writer
Jacob Collier © Dyan Jong
Music, ReviewsAugust 20, 2020<August 19, 2020

Review: Jacob Collier’s Explosive New Universe, ‘Djesse Vol. 3’

by Mariel Fechik
Bleach Lab © Isy Townsend
Columns, Debut, Music, Reviews, Today's SongAugust 20, 2020<August 20, 2020

Artist to Watch: Bleach Lab’s Third Single “Sleep” is a Hypnotic, Raw & Visceral Dream

by Mitch Mosk
Allman Brown © Flore Diamant
Interviews, Music, Reviews, Track-by-TrackAugust 19, 2020<August 19, 2020

Review: Allman Brown’s Intimate ‘Reflections’ EP Dives Deep into the Self

by Mitch Mosk
Stephen © Undine Markus
Features, Interviews, MusicAugust 19, 2020<August 19, 2020

Interview with Stephen: Discovery, Destruction, and the Blurred Line Between Them

by Guest Writer
TAXI 404
Columns, Debut, Music, Today's SongAugust 19, 2020<August 19, 2020

Today’s Song: The Poetry within the Dreaminess & Simplicity of Taxi 404’s “2047”

by Frankie Rose
Will Hyde © 2020
Music, PremieresAugust 19, 2020<August 19, 2020

Premiere: Melbourne’s will hyde Soars in Euphoric Post-Breakup Anthem “over u.”

by Mitch Mosk
Icona Pop © 2020
Interviews, MusicAugust 19, 2020<August 19, 2020

Interview: Icona Pop on New Track “Feels in My Body” & How Lockdown Gave Them Time to Get Groovy

by Bethan Harper
Julietta © Brett Kincaid
Music, PremieresAugust 18, 2020<August 18, 2020

Premiere: Julietta Turns Resilience into Inspiration on Latest Single “Gotta Get Up”

by Erica Danielle Garcia
Chinwe © 2020
Music, PremieresAugust 18, 2020<March 15, 2024

Premiere: Chinwe’s “Intoxicated” Is a Seductive, Hypnotic & Dreamy Indulgence

by Mitch Mosk
The Hails © Kat DeBarros
Music, PremieresAugust 18, 2020<August 18, 2020

Premiere: A Hopeful Pulse in The Hails’ Aching New Single “Heartbeat”

by Mitch Mosk
Madelline © Betsy May Smith
Music, Music Videos, PremieresAugust 18, 2020<August 18, 2020

Premiere: Madelline Stands Up for Herself in “On a Different Wave!”, a Wake Up Call to Those Who Dragged Her Down

by Alicia Bugallo
Posts pagination
1 … 393 394 395 396 397 … 727

Brand New

  • “We Are Here and We Deserve to Be Here”: Grandmas House Bring UK Post-Punk to the USA
  • “The Return of Intuition”: An Essay by Tenille Townes
  • “Seductive, Anxious, and a Little Unhinged”: NYC’s NOSHOWS Unleashes His “FOMO” in a Primal Indie Rock Fever Dream
  • Raye’s ‘THIS MUSIC MAY CONTAIN HOPE.’ Is Cinematic Pop That Dazzles and Delivers
  • Paris Paloma’s “Miyazaki” Is a Love Letter to Human Creation
  • “I think it’s time just to make awesome rock music”: Jonny Tex Returns to SXSW with a New Sound, New Band, & New Sense of Purpose
  • “I’m listening to me this time”: Brit Taylor Trusts the Signs on ‘Land of the Forgotten’

:: discover something new ::

Recent Posts

  • “We Are Here and We Deserve to Be Here”: Grandmas House Bring UK Post-Punk to the USA April 9, 2026
  • “The Return of Intuition”: An Essay by Tenille Townes April 9, 2026
  • “Seductive, Anxious, and a Little Unhinged”: NYC’s NOSHOWS Unleashes His “FOMO” in a Primal Indie Rock Fever Dream April 9, 2026
  • Raye’s ‘THIS MUSIC MAY CONTAIN HOPE.’ Is Cinematic Pop That Dazzles and Delivers April 8, 2026
  • Paris Paloma’s “Miyazaki” Is a Love Letter to Human Creation April 8, 2026
  • “I think it’s time just to make awesome rock music”: Jonny Tex Returns to SXSW with a New Sound, New Band, & New Sense of Purpose April 7, 2026
  • “I’m listening to me this time”: Brit Taylor Trusts the Signs on ‘Land of the Forgotten’ April 7, 2026
  • “It’s all waiting there for you”: Harry Styles Captures the Beauty of Music Discovery & Offers an Outlook on Life Itself on “Carla’s Song” April 7, 2026
  • “You Can Reject the Script That’s Handed to You”: The Undercover Dream Lovers’ Matt Koenig Is Living Life on His Own Terms (And You Can, Too) April 6, 2026
  • Roundtable Discussion: A Review of Harry Styles’ ‘Kiss All The Time. Disco, Occasionally.’ April 6, 2026
ABOUT US
PITCHING US
Privacy policy
GET INVOLVED!

Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
Back to top
  • New Music Releases
  • Recent
  • Features
  • Interviews
  • Editor’s Picks
  • Reviews
    • Our Take
    • Debuts
    • Videos
    • Live
  • Columns
    • Premieres
    • Today’s Song
    • Weekly Roundup
    • Music You Should Know
    • Nostalgia Tracks
  • Home
  • About
  • New Music Calendar
  • 2025 Artists to Watch
  • Get Involved
  • Pitching Us
  • Contact
  • Bio Services