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Flora Hibberd ©
Music, PremieresSeptember 24, 2020<September 24, 2020

EP Premiere: Flora Hibberd’s ‘Archipelago’ Intertwines Love with Ghostly Romanticised Landscapes

by Frankie Rose
Breaking The Record 2020
Breaking the Record, Columns, MusicSeptember 24, 2020<September 23, 2020

Breaking the Record with Roan Yellowthorn, Part 33: How It Feels

by Guest Writer
Columns, Music, Today's SongSeptember 24, 2020<September 23, 2020

Today’s Song: TENDER Leave Their Hearts on the Line in “Own Up”

by Maggie McHale
Movement EP - CIEL
Debut, Music, ReviewsSeptember 24, 2020<September 23, 2020

Review: Brighton’s CIEL Consider Interpersonal Connections on Debut EP ‘Movement’

by Robin Fulton
Twin Heavy - Willie J Healey
Music, ReviewsSeptember 23, 2020<September 23, 2020

Review: Willie J Healey’s ‘Twin Heavy’ Is an Invitation to an Emotional Rollercoaster

by Nina Schaarschmidt
Features, Interviews, MusicSeptember 23, 2020<March 2, 2025

Where We All Go to Dance: Community, Connection, & Music with Saxophonist Jess Gillam

by Emily Frances Algar
Side Street - Joe Kollar 8
Debut, Features, Music, Our Take, Reviews, Track-by-TrackSeptember 23, 2020<December 15, 2020

Feature: Joe Kollar’s Stirring Space Folk Soars on Debut Album ‘Side Street’

by Mitch Mosk
Music, Music Videos, PremieresSeptember 23, 2020<September 23, 2020

Premiere: Jamie-Lee Dimes Finds Inner Peace in Saying “Goodbye”

by Adrian Vargas
Interviews, MusicSeptember 23, 2020<September 22, 2020

Interview: SC.Undercover Spins Excellent Dark Pop Out of His Troubled Past

by Josh Weiner
Bastille © Sarah Louise Bennett
Music, Reviews, This Just InSeptember 23, 2020<September 23, 2020

Stop Pretending Everything’s Fine: Bastille’s “survivin'” Is a Vulnerable & Uplifting Pop Reinvention

by Nina Schaarschmidt
indigoworld
Debut, Music, PremieresSeptember 23, 2020<September 22, 2020

EP Premiere: indigoworld Burst into Existence with Compelling Debut EP ‘FOLD’

by Mitch Mosk
Left at London © West Smith
Columns, Music, Today's SongSeptember 23, 2020<September 23, 2020

Today’s Song: Left at London’s “Safety First” Is More Vulnerable Than We Deserve

by Jesse Herb
Debut, Music, Reviews, Track-by-TrackSeptember 22, 2020<September 22, 2020

Track-by-Track: NYC’s R O N I Captivates with Sleek & Seductive ‘Crown’ EP

by Mitch Mosk
Nostalgix © @beedee_
Interviews, Music, ReviewsSeptember 22, 2020<September 28, 2020

Interview: Nostalgix Is Making Electronica That Can Brighten Spirits Across the Globe

by Josh Weiner
TyDi
MusicSeptember 22, 2020<September 22, 2020

Reaching for Silver Linings: A Conversation with Tydi

by Guest Writer
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Brand New

  • “It Wasn’t a Typical Sad Song”: Sasha Joy Found a New Kind of Clarity on “Got You Something”
  • “Life Is Much More Colorful”: Heddy Edwards Summons the Divine on ‘The Other Side of Hell Is a Heaven So Delicate’
  • “Drama Is Pleasure”: Flare and Fear from Planette Automatic’s Sparkling “Dance Around”
  • “I Loved You Then and I Love You Now”: William Harries Graham Traces the Afterlife of Connection on “NYC,” a Brooding Ambient Folk Reverie from ‘Belrose Motel’
  • “This Time I Intend to Swim”: Satya Comes Home to Herself on ‘Yellow House,’ a Soul-Stirring Debut of Healing, Love, & Release
  • Editor’s Picks 156: Green Gardens, Casper Sage, MUANH, Filiah, Lockimara, & Widemouth!
  • “The Alchemy Is Getting Stronger”: Montreal’s Art-Rock Band Museums Are Well Worth a Visit

:: discover something new ::

Recent Posts

  • “It Wasn’t a Typical Sad Song”: Sasha Joy Found a New Kind of Clarity on “Got You Something” June 5, 2026
  • “Life Is Much More Colorful”: Heddy Edwards Summons the Divine on ‘The Other Side of Hell Is a Heaven So Delicate’ June 5, 2026
  • “Drama Is Pleasure”: Flare and Fear from Planette Automatic’s Sparkling “Dance Around” June 4, 2026
  • “I Loved You Then and I Love You Now”: William Harries Graham Traces the Afterlife of Connection on “NYC,” a Brooding Ambient Folk Reverie from ‘Belrose Motel’ June 4, 2026
  • “This Time I Intend to Swim”: Satya Comes Home to Herself on ‘Yellow House,’ a Soul-Stirring Debut of Healing, Love, & Release June 4, 2026
  • Editor’s Picks 156: Green Gardens, Casper Sage, MUANH, Filiah, Lockimara, & Widemouth! June 3, 2026
  • “The Alchemy Is Getting Stronger”: Montreal’s Art-Rock Band Museums Are Well Worth a Visit June 3, 2026
  • “Truth Calls Us Back to Who We Were Made to Be”: Watashi Wa Meet Themselves Again on “I Am,” a Radiant Power-Pop Revival of Faith, Identity, & the Divine Spirit June 3, 2026
  • “Where’s the Optimist in Me?”: Oakwood Reflect on Bygone Days and Look to the Future on ‘Blurred Away’ June 3, 2026
  • “I Sang to Fill the Emptiness”: London’s chantel Finds Their Voice on “Into Song Again,” a Tender, Tactile Debut Born of Grief, Belonging, & Return June 3, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
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