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Navvy © Matt Hurley
Music, Music Videos, PremieresSeptember 28, 2020<September 27, 2020

Premiere: Navvy Revels in Exuberant Delight on “Somebody Else” Video

by Luke Pettican
Atwood Magazine's Weekly Roundup Sept 25 2020
Columns, Music, Weekly RoundupSeptember 25, 2020<October 6, 2020

Atwood Magazine’s Weekly Roundup: September 25, 2020

by Atwood Magazine Staff
Nicolas Michaux © Alessandro Bertoncini
Music, ReviewsSeptember 25, 2020<September 25, 2020

Nicolas Michaux’s ‘Amour Colère’ Is a Summing Up of Life in All Its Varied Ways

by Frankie Rose
Columns, Music, Today's SongSeptember 25, 2020<September 30, 2020

Today’s Song: Georgia & The Vintage Youth Anticipate the Future Through Genres of the Past on “Overthinker”

by Erica Danielle Garcia
Features, Interviews, MusicSeptember 25, 2020<September 29, 2021

Historic Moments & Grand Beginnings: A Conversation with Silvana Estrada

by Adrian Vargas
Shannen James © 2020
Debut, Features, Music, Reviews, Track-by-TrackSeptember 25, 2020<September 25, 2020

Sun-Drenched, Groovy, & Lush: Melbourne’s Shannen James Strikes Hot with Debut ‘Arrows’ EP

by Mitch Mosk
The Islas © 2020
MusicSeptember 25, 2020<September 25, 2020

Interview: Norwich, England’s The Islas Rise & Shine with an Indie Rock Flame

by Mitch Mosk
Let Yourself Be Loved Album - Joy Denalane
Music, Reviews, Track-by-TrackSeptember 25, 2020<February 19, 2021

Track-by-Track: Joy Denalane’s Effusive & Energetic Album ‘Let Yourself Be Loved’

by Mariel Fechik
Soda Blonde 2020 © Ste Murray
Music, Reviews, This Just InSeptember 24, 2020<September 24, 2020

This Just In: Soda Blonde’s Intimate New Song “Love Me World” Is an Irresistible Indulgence

by Mitch Mosk
Izzy Heltai © Joanna Chattman
Music, PremieresSeptember 24, 2020<September 24, 2020

Premiere: Izzy Heltai’s “Father” Is a Gentle, Cerebral Reminder About the Facts of Life

by Jesse Herb
Fly by Night x Shoffy © 2020 3
Music, PremieresSeptember 24, 2020<September 23, 2020

Premiere: Fly By Midnight Jolt Us Awake with a Heavy Dose of “Caffeine” ft. Shoffy

by Mitch Mosk
Atwood Magazine Editor's Picks 40
MusicSeptember 24, 2020<October 6, 2020

Editor’s Picks: COIN, McCall, Ayoni, Eve Owen, Fergus, & Close Talker!

by Mitch Mosk
Pillow Queens © Faolán Carey
Features, Interviews, Music, ReviewsSeptember 24, 2020<September 23, 2020

Feature: Pillow Queens Challenge Themselves & Their City on ‘In Waiting’

by Oliver Crook
Delaney Jane © 2020
Music, PremieresSeptember 24, 2020<September 24, 2020

Premiere: Toronto’s Delaney Jane Lets ‘Em Down Easy in Aching “On Paper”

by Mitch Mosk
Rearrange Us - Mt. Joy
Features, Interviews, MusicSeptember 24, 2020<October 6, 2020

Interview: Mt. Joy Soar in Triumphant & Stirring Second Album ‘Rearrange Us’

by Mitch Mosk
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Brand New

  • “It Wasn’t a Typical Sad Song”: Sasha Joy Found a New Kind of Clarity on “Got You Something”
  • “Life Is Much More Colorful”: Heddy Edwards Summons the Divine on ‘The Other Side of Hell Is a Heaven So Delicate’
  • “Drama Is Pleasure”: Flare and Fear from Planette Automatic’s Sparkling “Dance Around”
  • “I Loved You Then and I Love You Now”: William Harries Graham Traces the Afterlife of Connection on “NYC,” a Brooding Ambient Folk Reverie from ‘Belrose Motel’
  • “This Time I Intend to Swim”: Satya Comes Home to Herself on ‘Yellow House,’ a Soul-Stirring Debut of Healing, Love, & Release
  • Editor’s Picks 156: Green Gardens, Casper Sage, MUANH, Filiah, Lockimara, & Widemouth!
  • “The Alchemy Is Getting Stronger”: Montreal’s Art-Rock Band Museums Are Well Worth a Visit

:: discover something new ::

Recent Posts

  • “It Wasn’t a Typical Sad Song”: Sasha Joy Found a New Kind of Clarity on “Got You Something” June 5, 2026
  • “Life Is Much More Colorful”: Heddy Edwards Summons the Divine on ‘The Other Side of Hell Is a Heaven So Delicate’ June 5, 2026
  • “Drama Is Pleasure”: Flare and Fear from Planette Automatic’s Sparkling “Dance Around” June 4, 2026
  • “I Loved You Then and I Love You Now”: William Harries Graham Traces the Afterlife of Connection on “NYC,” a Brooding Ambient Folk Reverie from ‘Belrose Motel’ June 4, 2026
  • “This Time I Intend to Swim”: Satya Comes Home to Herself on ‘Yellow House,’ a Soul-Stirring Debut of Healing, Love, & Release June 4, 2026
  • Editor’s Picks 156: Green Gardens, Casper Sage, MUANH, Filiah, Lockimara, & Widemouth! June 3, 2026
  • “The Alchemy Is Getting Stronger”: Montreal’s Art-Rock Band Museums Are Well Worth a Visit June 3, 2026
  • “Truth Calls Us Back to Who We Were Made to Be”: Watashi Wa Meet Themselves Again on “I Am,” a Radiant Power-Pop Revival of Faith, Identity, & the Divine Spirit June 3, 2026
  • “Where’s the Optimist in Me?”: Oakwood Reflect on Bygone Days and Look to the Future on ‘Blurred Away’ June 3, 2026
  • “I Sang to Fill the Emptiness”: London’s chantel Finds Their Voice on “Into Song Again,” a Tender, Tactile Debut Born of Grief, Belonging, & Return June 3, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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