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Angels Devils Eli Moon
Music, Reviews, Track-by-TrackSeptember 22, 2020<September 22, 2020

Track-by-Track: Eli Moon Explores Morality, Hedonism, and Control on EP ‘Angels, Devils and Empty Vessels’

by Bethan Harper
Cameron Hawthorn © 2020
Interviews, MusicSeptember 22, 2020<September 22, 2020

Interview: Cameron Hawthorn on New Video Inspiration, LGBTQ+ Activism, & More

by Chloe Robinson
Into It. Over It.
Interviews, MusicSeptember 22, 2020<September 22, 2020

Courtesy Greetings: A Conversation with Into It. Over It.

by James Crowley
Steven van Betten
Debut, Music, PremieresSeptember 22, 2020<September 22, 2020

Premiere: Stillness & Surrender in Steven van Betten’s “Flame In Your Eye” ft. Johanna Samuels & Ted Taforo

by Mitch Mosk
Columns, Music, Today's SongSeptember 22, 2020<September 21, 2020

Today’s Song: Ryal Searches for “Closure” in Breezy Electropop Jam

by Anthony Kozlowski
Maggie Miles 2020
Debut, Features, Music, Reviews, Track-by-TrackSeptember 21, 2020<September 21, 2020

Track-by-Track: Maggie Miles Perfects Alt-Pop Intimacy on Debut Album ‘Am I Drowning or Am I Just Learning to Swim’

by Mitch Mosk
Host - Cults
Features, Music, Reviews, Track-by-TrackSeptember 21, 2020<September 21, 2020

“Spooky, Goofy, & Sad”: Cults Dwell in Deep, Dazzling Depths on New Album ‘Host’

by Mitch Mosk
Interviews, MusicSeptember 21, 2020<September 20, 2020

Semisonic Reunite With A Message: You’re Not Alone

by Ben Beamish
Betty Who © Zak Cassar
Features, Interviews, MusicSeptember 21, 2020<November 15, 2020

Interview: Betty Who Once Again Proves That Love Is Love in ‘Unpregnant’ Feature Film Debut

by Anthony Kozlowski
Future Teens © 2020
Columns, Music, Today's SongSeptember 21, 2020<September 21, 2020

Today’s Song: Future Teens Break the Meme with Their “All Star” Cover

by James Crowley
Columns, Features, Music, Weekly RoundupSeptember 18, 2020<September 18, 2020

Atwood Magazine’s Weekly Roundup: September 18, 2020

by Atwood Magazine Staff
McCall © Haley Kreofsky 10
Features, Music, Reviews, Track-by-TrackSeptember 18, 2020<April 15, 2022

Artist to Watch: McCall’s ‘On Self Loathing’ EP Is a Stunning Tapestry of Vulnerable, Electrifying Music

by Mitch Mosk
The Tibbs © Sven Benjamins
Music, PremieresSeptember 18, 2020<September 18, 2020

Premiere: Amsterdam Blue-Eyed Soul Band The Tibbs Seduce with “Damaged Heart”

by Mitch Mosk
Fenne Lily © Nicole Loucaides
Features, Interviews, MusicSeptember 18, 2020<September 18, 2020

Questioning Loneliness & Transition: A Conversation with Fenne Lily

by Frankie Rose
Handsome Ghost © 2020
Features, Interviews, MusicSeptember 18, 2020<March 7, 2023

Handsome Ghost Dive into Stunning Depths on ‘Some Still Morning’, a Beautifully Haunting Reckoning

by Mitch Mosk
Posts pagination
1 … 394 395 396 397 398 … 737

Brand New

  • “It Wasn’t a Typical Sad Song”: Sasha Joy Found a New Kind of Clarity on “Got You Something”
  • “Life Is Much More Colorful”: Heddy Edwards Summons the Divine on ‘The Other Side of Hell Is a Heaven So Delicate’
  • “Drama Is Pleasure”: Flare and Fear from Planette Automatic’s Sparkling “Dance Around”
  • “I Loved You Then and I Love You Now”: William Harries Graham Traces the Afterlife of Connection on “NYC,” a Brooding Ambient Folk Reverie from ‘Belrose Motel’
  • “This Time I Intend to Swim”: Satya Comes Home to Herself on ‘Yellow House,’ a Soul-Stirring Debut of Healing, Love, & Release
  • Editor’s Picks 156: Green Gardens, Casper Sage, MUANH, Filiah, Lockimara, & Widemouth!
  • “The Alchemy Is Getting Stronger”: Montreal’s Art-Rock Band Museums Are Well Worth a Visit

:: discover something new ::

Recent Posts

  • “It Wasn’t a Typical Sad Song”: Sasha Joy Found a New Kind of Clarity on “Got You Something” June 5, 2026
  • “Life Is Much More Colorful”: Heddy Edwards Summons the Divine on ‘The Other Side of Hell Is a Heaven So Delicate’ June 5, 2026
  • “Drama Is Pleasure”: Flare and Fear from Planette Automatic’s Sparkling “Dance Around” June 4, 2026
  • “I Loved You Then and I Love You Now”: William Harries Graham Traces the Afterlife of Connection on “NYC,” a Brooding Ambient Folk Reverie from ‘Belrose Motel’ June 4, 2026
  • “This Time I Intend to Swim”: Satya Comes Home to Herself on ‘Yellow House,’ a Soul-Stirring Debut of Healing, Love, & Release June 4, 2026
  • Editor’s Picks 156: Green Gardens, Casper Sage, MUANH, Filiah, Lockimara, & Widemouth! June 3, 2026
  • “The Alchemy Is Getting Stronger”: Montreal’s Art-Rock Band Museums Are Well Worth a Visit June 3, 2026
  • “Truth Calls Us Back to Who We Were Made to Be”: Watashi Wa Meet Themselves Again on “I Am,” a Radiant Power-Pop Revival of Faith, Identity, & the Divine Spirit June 3, 2026
  • “Where’s the Optimist in Me?”: Oakwood Reflect on Bygone Days and Look to the Future on ‘Blurred Away’ June 3, 2026
  • “I Sang to Fill the Emptiness”: London’s chantel Finds Their Voice on “Into Song Again,” a Tender, Tactile Debut Born of Grief, Belonging, & Return June 3, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
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