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Lido © Michael Drummond
Features, Interviews, MusicSeptember 18, 2020<September 18, 2020

Interview with Lido: Looping Past Loves Through Conceptual Ideas

by Lexi Lane
Sir Sly 2020 © Kevin Clark
Interviews, MusicSeptember 18, 2020<October 6, 2020

Interview: Sir Sly Return with Hope, Relief, & Positivity in New Single “Material Boy”

by Mitch Mosk
Songhoy Blues © 2020
Columns, Music, Today's SongSeptember 18, 2020<September 17, 2020

Today’s Song: Mali’s Songhoy Blues Capture a Nation’s Struggle for Change in “Barre”

by Oliver Crook
Blood Root © Micah Mathewson
Music, ReviewsSeptember 17, 2020<September 17, 2020

EP Review: Embracing Intimate Upheavals with Blood Root’s Debut ‘Crux’

by Mitch Mosk
Get What's Mine for You - Jack Swing
Music, Music Videos, PremieresSeptember 17, 2020<September 18, 2020

Premiere: Pittsburgh’s Jack Swing Soak Up the Groove on Fresh & Funky “Get What’s Mine for You”

by Mitch Mosk
Kane & James
Music, PremieresSeptember 17, 2020<September 17, 2020

Premiere: Kane & James’ Reflective “Thinking of You” Is the Product of Its Environment

by Nick Matthopoulos
Columns, Music, Today's SongSeptember 17, 2020<September 17, 2020

Today’s Song: Tyson Kelly Lets Fate Run Its Course in New Single “Am I Ever Gonna See You Again”

by Joe Beer
Breaking The Record 2020
Breaking the Record, Columns, MusicSeptember 17, 2020<September 17, 2020

Breaking the Record with Roan Yellowthorn, Part 32: New Things

by Guest Writer
Campbell Sibthorpe
Features, Music, Reviews, Track-by-TrackSeptember 16, 2020<September 16, 2020

Intimate, Freeing, & Expansive: Campbell Sibthorpe Dives Deep into Himself in ‘YTown’ EP

by Mitch Mosk
Chance Peña © 2020
Music, PremieresSeptember 16, 2020<September 16, 2020

EP Premiere: Singer/Songwriter Chance Peña Embraces Life’s Trials in Stunning ‘The Inevitable’

by Mitch Mosk
EVER © Marcus Rexford
Music, PremieresSeptember 16, 2020<September 16, 2020

Premiere: EVER’s Beautifully Bittersweet “Counting Flowers” Is a Stirring, Poignant Love Letter

by Mitch Mosk
Leah Haworth
Columns, Music, Today's SongSeptember 16, 2020<September 15, 2020

Today’s Song: Leah Haworth’s “The Space He Left” Fills in the Gaps of Heartbreak

by Lexi Lane
Arlo Parks © Alexandra Waespi
Features, Interviews, MusicSeptember 16, 2020<March 2, 2025

On Turning Poems into Songs: A Conversation with Arlo Parks

by Lowndes Commander
The Sophomore Series 6
Music, Sophomore SeriesSeptember 15, 2020<October 27, 2020

The Sophomore Series: King Krule’s ‘The OOZ’ & Phoebe Bridgers’ ‘Punisher’

by Leo Culp
Fay Wildhagen © Johanna Siring
Interviews, MusicSeptember 15, 2020<September 15, 2020

Astral, Intimate, and Soaring: A Conversation with Fay Wildhagen

by Mitch Mosk
Posts pagination
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Brand New

  • “It Wasn’t a Typical Sad Song”: Sasha Joy Found a New Kind of Clarity on “Got You Something”
  • “Life Is Much More Colorful”: Heddy Edwards Summons the Divine on ‘The Other Side of Hell Is a Heaven So Delicate’
  • “Drama Is Pleasure”: Flare and Fear from Planette Automatic’s Sparkling “Dance Around”
  • “I Loved You Then and I Love You Now”: William Harries Graham Traces the Afterlife of Connection on “NYC,” a Brooding Ambient Folk Reverie from ‘Belrose Motel’
  • “This Time I Intend to Swim”: Satya Comes Home to Herself on ‘Yellow House,’ a Soul-Stirring Debut of Healing, Love, & Release
  • Editor’s Picks 156: Green Gardens, Casper Sage, MUANH, Filiah, Lockimara, & Widemouth!
  • “The Alchemy Is Getting Stronger”: Montreal’s Art-Rock Band Museums Are Well Worth a Visit

:: discover something new ::

Recent Posts

  • “It Wasn’t a Typical Sad Song”: Sasha Joy Found a New Kind of Clarity on “Got You Something” June 5, 2026
  • “Life Is Much More Colorful”: Heddy Edwards Summons the Divine on ‘The Other Side of Hell Is a Heaven So Delicate’ June 5, 2026
  • “Drama Is Pleasure”: Flare and Fear from Planette Automatic’s Sparkling “Dance Around” June 4, 2026
  • “I Loved You Then and I Love You Now”: William Harries Graham Traces the Afterlife of Connection on “NYC,” a Brooding Ambient Folk Reverie from ‘Belrose Motel’ June 4, 2026
  • “This Time I Intend to Swim”: Satya Comes Home to Herself on ‘Yellow House,’ a Soul-Stirring Debut of Healing, Love, & Release June 4, 2026
  • Editor’s Picks 156: Green Gardens, Casper Sage, MUANH, Filiah, Lockimara, & Widemouth! June 3, 2026
  • “The Alchemy Is Getting Stronger”: Montreal’s Art-Rock Band Museums Are Well Worth a Visit June 3, 2026
  • “Truth Calls Us Back to Who We Were Made to Be”: Watashi Wa Meet Themselves Again on “I Am,” a Radiant Power-Pop Revival of Faith, Identity, & the Divine Spirit June 3, 2026
  • “Where’s the Optimist in Me?”: Oakwood Reflect on Bygone Days and Look to the Future on ‘Blurred Away’ June 3, 2026
  • “I Sang to Fill the Emptiness”: London’s chantel Finds Their Voice on “Into Song Again,” a Tender, Tactile Debut Born of Grief, Belonging, & Return June 3, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
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