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No Pressure - Logic
Music, Our Take, ReviewsSeptember 15, 2020<September 15, 2020

Our Take: Logic Has Lost None of His Gift for Entertaining Fans on ‘No Pressure’

by Josh Weiner
Photo Ops © 2020
Music, Premieres, ReviewsSeptember 15, 2020<September 14, 2020

Album Premiere: Photo Ops’ Stirring 3rd Album ‘Pure at Heart’ Is a Confessional Alt-Folk Dream

by Mitch Mosk
Columns, Music, Today's SongSeptember 15, 2020<September 15, 2020

Today’s Song: London’s Another Sky Soar on New Single “Fell in Love with the City”

by Bethan Harper
Bottler © Rick Perez
Music, PremieresSeptember 14, 2020<September 14, 2020

Premiere: Brooklyn Duo Bottler Transport Listeners to a Place of Pure Tranquility with “Soft Winds”

by Chloe Robinson
Features, Interviews, Music, ReviewsSeptember 14, 2020<September 13, 2020

Feature: Lilly Hiatt Is ‘Walking Proof’ That The Traveller’s Life Is the Fullest

by Oliver Crook
girl in red © Isak Jensen
Columns, Music, Today's SongSeptember 14, 2020<September 14, 2020

Today’s Song: girl in red’s Essential and Euphoric “rue”

by Nicole Almeida
Autumn Nicholas © 2020 1
Music, PremieresSeptember 14, 2020<September 14, 2020

Premiere: Singer/Songwriter Autumn Nicholas Elevates Equal Rights in New Single “Side by Side”

by Mitch Mosk
Fergus © Vivien Tomasello
Music, Reviews, This Just InSeptember 11, 2020<January 21, 2021

This Just In: Fergus’ Stunning Inner Reckoning “Enough for You” Is an Alt-Pop Outpouring

by Mitch Mosk
Blitzen Trapper's Eric Earley © Jason Quigley
Features, Interviews, MusicSeptember 11, 2020<October 6, 2020

Interview with Blitzen Trapper: Strumming Through the Bardo with ‘Holy Smokes Future Jokes’

by Ilana Kalish
Atwood Magazine's Weekly Roundup Sept 11 2020
Columns, Features, Music, Weekly RoundupSeptember 11, 2020<September 11, 2020

Atwood Magazine’s Weekly Roundup: September 11, 2020

by Atwood Magazine Staff
The XO
Columns, Debut, Music, Today's SongSeptember 11, 2020<September 11, 2020

Today’s Song: The XO Capture the Cold with Debut Single “November”

by Lowndes Commander
Atwood Magazine Editor's Picks 39
Columns, Editor's Picks, Features, MusicSeptember 11, 2020<September 11, 2020

Editor’s Picks 39: Timothy Nelson, TRISHES, Indiana, Kyle Dion, Tom Joshua, & The Knocks x MUNA

by Mitch Mosk
“Drive Thru” & “Take it From Me” - The Undercover Dream Lovers
Interviews, MusicSeptember 10, 2020<September 10, 2020

Interview: The Undercover Dream Lovers Enchants with Intent & Deep Grooves in “Drive Thru” / “Take It From Me”

by Mitch Mosk
The Sea The Sea © Kiki Vassilakis
Features, Interviews, Music, Reviews, Track-by-TrackSeptember 10, 2020<December 11, 2020

“Simple & True”: The Sea The Sea Stun with Enchanting, Warm & Wondrous 3rd Album ‘Stumbling Home’

by Mitch Mosk
Music, Premieres, ReviewsSeptember 10, 2020<September 10, 2020

Album Premiere: Somber & Thrilling Collide on Le Couleur’s ‘Concorde’

by Adrian Vargas
Posts pagination
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Brand New

  • “It Wasn’t a Typical Sad Song”: Sasha Joy Found a New Kind of Clarity on “Got You Something”
  • “Life Is Much More Colorful”: Heddy Edwards Summons the Divine on ‘The Other Side of Hell Is a Heaven So Delicate’
  • “Drama Is Pleasure”: Flare and Fear from Planette Automatic’s Sparkling “Dance Around”
  • “I Loved You Then and I Love You Now”: William Harries Graham Traces the Afterlife of Connection on “NYC,” a Brooding Ambient Folk Reverie from ‘Belrose Motel’
  • “This Time I Intend to Swim”: Satya Comes Home to Herself on ‘Yellow House,’ a Soul-Stirring Debut of Healing, Love, & Release
  • Editor’s Picks 156: Green Gardens, Casper Sage, MUANH, Filiah, Lockimara, & Widemouth!
  • “The Alchemy Is Getting Stronger”: Montreal’s Art-Rock Band Museums Are Well Worth a Visit

:: discover something new ::

Recent Posts

  • “It Wasn’t a Typical Sad Song”: Sasha Joy Found a New Kind of Clarity on “Got You Something” June 5, 2026
  • “Life Is Much More Colorful”: Heddy Edwards Summons the Divine on ‘The Other Side of Hell Is a Heaven So Delicate’ June 5, 2026
  • “Drama Is Pleasure”: Flare and Fear from Planette Automatic’s Sparkling “Dance Around” June 4, 2026
  • “I Loved You Then and I Love You Now”: William Harries Graham Traces the Afterlife of Connection on “NYC,” a Brooding Ambient Folk Reverie from ‘Belrose Motel’ June 4, 2026
  • “This Time I Intend to Swim”: Satya Comes Home to Herself on ‘Yellow House,’ a Soul-Stirring Debut of Healing, Love, & Release June 4, 2026
  • Editor’s Picks 156: Green Gardens, Casper Sage, MUANH, Filiah, Lockimara, & Widemouth! June 3, 2026
  • “The Alchemy Is Getting Stronger”: Montreal’s Art-Rock Band Museums Are Well Worth a Visit June 3, 2026
  • “Truth Calls Us Back to Who We Were Made to Be”: Watashi Wa Meet Themselves Again on “I Am,” a Radiant Power-Pop Revival of Faith, Identity, & the Divine Spirit June 3, 2026
  • “Where’s the Optimist in Me?”: Oakwood Reflect on Bygone Days and Look to the Future on ‘Blurred Away’ June 3, 2026
  • “I Sang to Fill the Emptiness”: London’s chantel Finds Their Voice on “Into Song Again,” a Tender, Tactile Debut Born of Grief, Belonging, & Return June 3, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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