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Mundy's Bay ©
Columns, Debut, Music, Music You Should Know, ReviewsApril 15, 2020<April 15, 2020

Music You Should Know: Mundy’s Bay’s Debut ‘Lonesome Valley’ Is Must-Hear Material for Dream Pop Fans

by Ben Niesen
Slow Down - GRAE
Music, Reviews, This Just InApril 15, 2020<April 15, 2020

Review: “Slow Down” with GRAE in the Heat of the Moment on Her Seductive, Sultry Song

by Mitch Mosk
Flora Cash © Daniel C. Shippey
Features, Interviews, MusicApril 15, 2020<April 14, 2020

Baby, It’s Okay: An Interview with Indie Pop Couple Flora Cash

by Mitch Mosk
Firewoodisland - Firewoodisland
Interviews, Music, Reviews, Track-by-TrackApril 15, 2020<May 3, 2023

Feature: Inside Firewoodisland’s Hopeful & Hauntingly Beautiful Self-Titled Album

by Mitch Mosk
Columns, Music, Today's SongApril 15, 2020<April 15, 2020

Today’s Song: Audri Asks for Shelter and Security on “Harbor Me”

by Tim Horwood
Edward and Jane © Brooke Hamilton
Music, PremieresApril 15, 2020<May 29, 2020

Premiere: Edward and Jane’s Cinematic New Song “The Knife” Glows with Heartaching Beauty

by Mitch Mosk
Tomo © Jessie Rose Parker
Music, PremieresApril 15, 2020<April 14, 2020

Premiere: Tomo’s Second Single “For None to See” Offers a Peaceful Perspective

by Kelly McCafferty Dorogy
JOY - Seazoo
Music, Reviews, Track-by-TrackApril 14, 2020<August 7, 2023

Track-by-Track: Seazoo’s Sophomore Album Is a Feverish, Uplifting Bundle of ‘JOY’

by Mitch Mosk
Eternal Atake - Lil Uzi Vert 8.1
Music, Our Take, ReviewsApril 14, 2020<December 15, 2020

Our Take: Fans of Hip-Hop & Sci-Fi Will Enjoy the Expansive Thrills of Lil Uzi Vert’s Two-Part Release, ‘Eternal Atake’

by Josh Weiner
Caroline Rose
Features, Interviews, MusicApril 14, 2020<March 2, 2025

Interview with Caroline Rose: COVID-19 Camaraderie, Concept Albums, and Crunching Cellophane

by Tim Horwood
Columns, Debut, Music, Today's SongApril 14, 2020<April 15, 2020

Today’s Song: Soft Plastics Play in Campy Fugue on “Rope off the Tigers”

by Ben Niesen
Sonia Stein "Passerby" still 5
Music, PremieresApril 14, 2020<April 13, 2020

Premiere: London’s Sonia Stein Blurs Intimate Lines with Majestic “Passerby”

by Mitch Mosk
The 1975's Matty Healy live © Ruth Kilpatrick
Editorials, MusicApril 13, 2020<April 26, 2020

Essay: CMJ, Amazing Radio, and Live (Music) in the Time of Coronavirus

by Guest Writer
Interviews, MusicApril 13, 2020<April 13, 2020

Interview: Transatlantic Trio Raynes on Folk Music, Philosophical Ideals, and Isolation

by Chloe Robinson
Mo Lowda
Music, Music Videos, PremieresApril 13, 2020<April 13, 2020

Premiere: Mo Lowda & the Humble Show That Memories Are Like Fragile “Pearls”

by Nina Schaarschmidt
Posts pagination
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Brand New

  • “Change Lies at Your Footsteps”: Vienna Vienna Turns Overstimulation into Motion on “Idle Hands”
  • “This Is What It Feels Like to Not Feel Anything”: Petey USA on Turning Private Thoughts into Shared Space & the Fictional Truths of ‘The Yips’
  • “We’re all just friends making music”: Brooklyn’s Anyhow Are an Emerging Indie Rock Duo Built on Collaboration, Trust, & Guitars
  • Atwood Magazine Presents Mistletones: 2025’s Best New Holiday Songs, Pt. 1!
  • “I Serve Me. I Take Care of Me. I Am My Keeper”: Medium Build on Surviving the Dream, Choosing Himself, & More Takeaways From a Career-Defining Year
  • Interview: From Malawi to Massachusetts, The Kasambwe Brothers Are Strumming Their Way to Success
  • “You Have Me Marked as Nice”: Ski Team Sits With Desire, Restraint, & the Mercy of Boundaries on “Santa”

:: discover something new ::

Recent Posts

  • “Change Lies at Your Footsteps”: Vienna Vienna Turns Overstimulation into Motion on “Idle Hands” December 20, 2025
  • “This Is What It Feels Like to Not Feel Anything”: Petey USA on Turning Private Thoughts into Shared Space & the Fictional Truths of ‘The Yips’ December 19, 2025
  • “We’re all just friends making music”: Brooklyn’s Anyhow Are an Emerging Indie Rock Duo Built on Collaboration, Trust, & Guitars December 19, 2025
  • Atwood Magazine Presents Mistletones: 2025’s Best New Holiday Songs, Pt. 1! December 19, 2025
  • “I Serve Me. I Take Care of Me. I Am My Keeper”: Medium Build on Surviving the Dream, Choosing Himself, & More Takeaways From a Career-Defining Year December 18, 2025
  • Interview: From Malawi to Massachusetts, The Kasambwe Brothers Are Strumming Their Way to Success December 18, 2025
  • “You Have Me Marked as Nice”: Ski Team Sits With Desire, Restraint, & the Mercy of Boundaries on “Santa” December 18, 2025
  • Atwood Magazine’s 2025 Albums of the Year December 18, 2025
  • “Raw, Experimental, & Definitive”: Low.bō Debuts with a Bruised, Intimate Alt-R&B Reckoning on ‘husk’ December 17, 2025
  • “Anger, Death, & Acceptance”: Adult Mom’s Stevie Knipe Gives Life’s Hardest Feelings a Voice on ‘Natural Causes’ December 17, 2025
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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