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Columns, Music, Today's SongJanuary 31, 2020<January 31, 2020

Today’s Song: Soccer Mommy Pulls Back the Curtain on “circle the drain”

by Nicole Almeida
Sløtface © Jonathan Vivaas Kise
Features, Interviews, MusicJanuary 30, 2020<January 30, 2020

Interview: Sløtface Want You to Know You’re Not Alone on ‘Sorry for the Late Reply’

by Oliver Crook
Tyson Motsenbocker
Music, PremieresJanuary 30, 2020<January 30, 2020

Premiere: Tyson Motsenbocker Wants You to “Come to California” in His Golden New Song

by Mitch Mosk
Jack Symes
Music, PremieresJanuary 30, 2020<January 30, 2020

Premiere: Feel the Love in Jack Symes’ Seductive, Sunny Song “Baby, My Baby”

by Mitch Mosk
Comme des Garçons - Rina Sawayama
Columns, Music, Today's SongJanuary 30, 2020<January 30, 2020

Rina Sawayama Channels Early 2000s Swagger in Her Drippingly Confident “Comme des Garçons”

by Danny Vagnoni
Music, Music Videos, Premieres, ReviewsJanuary 30, 2020<January 30, 2020

Video Premiere: Daggy Man Combines Distortion and Elegance on “A Reliable Figure”

by Adrian Vargas
A Light | Dusk - Granite to Glass
Music, ReviewsJanuary 29, 2020<January 29, 2020

Brooklyn’s Granite to Glass Weave Wondrous Orchestral Folk in “A Light | Dusk”

by Mitch Mosk
Amy Milner © Tim Larcombe
Debut, Music, Premieres, ReviewsJanuary 29, 2020<January 29, 2020

EP Premiere: Amy Milner’s ‘Plans’ EP Is an Uplifting, Spellbinding Experience

by Mitch Mosk
TEME © Bo Morgan
Music, PremieresJanuary 29, 2020<January 29, 2020

Premiere: TEME’s Haunting Song “PRLYSD” Manifests Intimate Grief

by Mitch Mosk
Debut, Music, PremieresJanuary 29, 2020<January 28, 2020

Premiere: CHERITON Brings Summer Early with Debut Single “Parallel”

by Baylee Less
Columns, Music, Today's SongJanuary 29, 2020<January 28, 2020

Common’s “My Fancy Free Future Love,” Remixed by Tom Misch: Settling Down Meets Getting on Up

by Tim Horwood
Circa Waves © 2020
Features, Interviews, MusicJanuary 29, 2020<February 6, 2020

Making Music Videos, Self-Deprecation and the End of the World: An Interview with Circa Waves

by Bethan Harper
Me & The Monster
Debut, Music, Premieres, ReviewsJanuary 28, 2020<January 28, 2020

Premiere: Me & the Monster Emerge with Urgency in Raw, Stirring Self-Titled Debut EP

by Mitch Mosk
Atwood Editor's Picks Jan 27 2020
Columns, Editor's Picks, MusicJanuary 28, 2020<January 28, 2020

Editor’s Picks: January 27, 2020

by Mitch Mosk
Music, Music Videos, PremieresJanuary 28, 2020<January 28, 2020

Video Premiere: Draag Submerges Listeners in a Pool of Ominous Bliss on “Trauma Kit”

by Adrian Vargas
Posts pagination
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Brand New

  • “This Is What It Feels Like to Not Feel Anything”: Petey USA on Turning Private Thoughts into Shared Space & the Fictional Truths of ‘The Yips’
  • “We’re all just friends making music”: Brooklyn’s Anyhow Are an Emerging Indie Rock Duo Built on Collaboration, Trust, & Guitars
  • Atwood Magazine Presents Mistletones: 2025’s Best New Holiday Songs, Pt. 1!
  • “I Serve Me. I Take Care of Me. I Am My Keeper”: Medium Build on Surviving the Dream, Choosing Himself, & More Takeaways From a Career-Defining Year
  • Interview: From Malawi to Massachusetts, The Kasambwe Brothers Are Strumming Their Way to Success
  • “You Have Me Marked as Nice”: Ski Team Sits With Desire, Restraint, & the Mercy of Boundaries on “Santa”
  • Atwood Magazine’s 2025 Albums of the Year

:: discover something new ::

Recent Posts

  • “This Is What It Feels Like to Not Feel Anything”: Petey USA on Turning Private Thoughts into Shared Space & the Fictional Truths of ‘The Yips’ December 19, 2025
  • “We’re all just friends making music”: Brooklyn’s Anyhow Are an Emerging Indie Rock Duo Built on Collaboration, Trust, & Guitars December 19, 2025
  • Atwood Magazine Presents Mistletones: 2025’s Best New Holiday Songs, Pt. 1! December 19, 2025
  • “I Serve Me. I Take Care of Me. I Am My Keeper”: Medium Build on Surviving the Dream, Choosing Himself, & More Takeaways From a Career-Defining Year December 18, 2025
  • Interview: From Malawi to Massachusetts, The Kasambwe Brothers Are Strumming Their Way to Success December 18, 2025
  • “You Have Me Marked as Nice”: Ski Team Sits With Desire, Restraint, & the Mercy of Boundaries on “Santa” December 18, 2025
  • Atwood Magazine’s 2025 Albums of the Year December 18, 2025
  • “Raw, Experimental, & Definitive”: Low.bō Debuts with a Bruised, Intimate Alt-R&B Reckoning on ‘husk’ December 17, 2025
  • “Anger, Death, & Acceptance”: Adult Mom’s Stevie Knipe Gives Life’s Hardest Feelings a Voice on ‘Natural Causes’ December 17, 2025
  • “None of us are free until all of us are free”: Rick Alverson & Emilie Rex on Making ‘Passages: Artists in Solidarity with Immigrants, Refugees, and Asylum Seekers’ December 17, 2025
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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  • New Music Releases
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