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Ethan Gruska © Josh Rothstein
Features, InterviewsMarch 24, 2020<March 24, 2020

Interview: Ethan Gruska on Experimentation, Subtle Magic, and ‘En Garde’

by Mariel Fechik
Big Yawn © 2020
Debut, Music, ReviewsMarch 24, 2020<March 24, 2020

Review: Melbourne’s Big Yawn Arrive Mightily on the Underground Scene with Delirious Debut ‘No!’

by Guest Writer
Columns, Music, Reviews, Today's SongMarch 24, 2020<March 26, 2020

Today’s Song: Pip Millett’s “June” Warms Us With Nostalgia for a Simpler Time

by Baylee Less
Sea Wolf © Mia Kirby
Features, InterviewsMarch 23, 2020<March 23, 2020

Feature: Sea Wolf Tackles Love, Loss and Starting Over on ‘Through a Dark Wood’

by Oliver Crook
Turn Around - Ester
Music, Premieres, ReviewsMarch 23, 2020<March 23, 2020

Album Premiere: Ester’s Visceral Sophomore Record ‘Turn Around’ Is a Turbulent Coming-of-Age Experience

by Mitch Mosk
Peco McLoughlin
Columns, Music, Today's SongMarch 23, 2020<March 26, 2020

Today’s Song: Peco’s Timely & Relevant “Some Folk” Is a Call for Empathy

by Kelly McCafferty Dorogy
Atwood Magazine's Weekly Roundup March 21 2020
Columns, Features, Music, Weekly RoundupMarch 21, 2020<March 21, 2020

Atwood Magazine’s Weekly Roundup: March 21, 2020

by Atwood Magazine Staff
Caution - The Killers
Music, Reviews, This Just InMarch 20, 2020<May 15, 2020

This Just In: The Killers Throw “Caution” to the Wind in a Restless, Impassioned Upheaval

by Mitch Mosk
Interviews, MusicMarch 20, 2020<November 9, 2021

The Life & Times of a Quarantined Artist: A Conversation with Alexandra Stréliski

by Adrian Vargas
Bury the Moon - Asgeir
Features, Interviews, MusicMarch 20, 2020<March 20, 2020

Finding Oneself Deep Down Inside the Mind: Ásgeir Discusses His New Album ‘Bury the Moon’

by Ilana Kalish
Two Feet © Republic Records
Debut, Features, Interviews, MusicMarch 20, 2020<March 20, 2020

Interview: Two Feet’s Zachary Dess Dives into Heartfelt Debut Album ‘Pink’

by Ben Beamish
Falling Asleep at the Wheel - Holly Humberstone
Columns, Debut, Music, Today's SongMarch 20, 2020<March 20, 2020

Artist to Watch: Holly Humberstone’s Second Single “Falling Asleep at the Wheel” Is a Hauntingly Intimate Upheaval

by Mitch Mosk
Eclipse - addy 10
Debut, Music, Our Take, Reviews, Track-by-TrackMarch 19, 2020<December 15, 2020

Track-by-Track: Inside addy’s Beautifully Haunting, Introspective Debut ‘Eclipse’

by Mitch Mosk
JST FRNDS © Zachary Deloach
Breaking the Record, Music, PremieresMarch 19, 2020<March 19, 2020

Premiere: JST FRNDS’ Aching “Long Nights” Is an Intimate Anthem for Social Distancing Times

by Mitch Mosk
Features, Interviews, MusicMarch 19, 2020<March 19, 2020

Escaping Monotony: An Interview with Alfie Templeman

by Baylee Less
Posts pagination
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Brand New

  • “Flying Over Highways Like We Weren’t Butterflies”: Kevin Morby Reflects on What It Means to “Die Young” in a Road-Worn Reverie
  • “I’m loving my lust for life”: Suki Waterhouse Reclaims Her Glow on “Back in Love”
  • Editor’s Picks 152: Tired of Fighting, LIFE, Alemeda, aleksiah, Pierre Da Silva, & ill peach!
  • Roundtable Discussion: A Review of Mitski’s ‘Nothing’s About to Happen to Me’
  • “You Can Take Me As I Come”: Andrea Bejar Confesses Her Truth on “Delicately”
  • Atwood Magazine’s Weekly Roundup: April 10, 2026
  • “We Are Here and We Deserve to Be Here”: Grandmas House Bring UK Post-Punk to the USA

:: discover something new ::

Recent Posts

  • “Flying Over Highways Like We Weren’t Butterflies”: Kevin Morby Reflects on What It Means to “Die Young” in a Road-Worn Reverie April 12, 2026
  • “I’m loving my lust for life”: Suki Waterhouse Reclaims Her Glow on “Back in Love” April 11, 2026
  • Editor’s Picks 152: Tired of Fighting, LIFE, Alemeda, aleksiah, Pierre Da Silva, & ill peach! April 10, 2026
  • Roundtable Discussion: A Review of Mitski’s ‘Nothing’s About to Happen to Me’ April 10, 2026
  • “You Can Take Me As I Come”: Andrea Bejar Confesses Her Truth on “Delicately” April 10, 2026
  • Atwood Magazine’s Weekly Roundup: April 10, 2026 April 10, 2026
  • “We Are Here and We Deserve to Be Here”: Grandmas House Bring UK Post-Punk to the USA April 9, 2026
  • “The Return of Intuition”: An Essay by Tenille Townes April 9, 2026
  • “Seductive, Anxious, and a Little Unhinged”: NYC’s NOSHOWS Unleashes His “FOMO” in a Primal Indie Rock Fever Dream April 9, 2026
  • Raye’s ‘THIS MUSIC MAY CONTAIN HOPE.’ Is Cinematic Pop That Dazzles and Delivers April 8, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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