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Lastlings © 2020
Columns, Music, Today's SongMarch 19, 2020<March 21, 2020

Today’s Song: Gold Coast’s Lastlings Hold on Tight in Pulsing “Take My Hand,” Their First with Astralwerks

by Josh Weiner
Blonder © 2020
Music, Music Videos, PremieresMarch 19, 2020<March 19, 2020

Premiere: Blonder Holds Together an Idea of Love with “Glue”

by Maggie McHale
Breaking The Record 2020
Breaking the Record, Columns, MusicMarch 19, 2020<March 16, 2020

Breaking the Record with Roan Yellowthorn, Part 7: Mastering & More

by Guest Writer
Izzy Thomas © Dorota Szostek
Interviews, MusicMarch 18, 2020<March 18, 2020

Interview: Izzy Thomas Is “Mad” as Hell on Fierce New Single

by Anthony Kozlowski
Beach Tiger © Lindsey McCleskey
Music, PremieresMarch 18, 2020<March 18, 2020

Premiere: Beach Tiger Returns for Good with Buoyant “Hard to Love,” an Aching Indie Pop Anthem

by Mitch Mosk
Finlay - Stranger © 2020
Music, Music Videos, PremieresMarch 18, 2020<March 18, 2020

Video Premiere: Finlay Unveils the Majesty of the World on “Strange”

by Adrian Vargas
Locate S,1 © Ebru Yildiz
Music, PremieresMarch 18, 2020<March 18, 2020

Premiere: Locate S,1’s Delightfully Cynical “Even the Good Boys Are Bad”

by Mariel Fechik
cabane © Elise Péroi
Columns, Music, Today's SongMarch 18, 2020<March 18, 2020

Today’s Song: Cabane’s Brilliantly Unique “Tu ne Joueras Plus à L’amour” (ft. Bonnie “Prince” Billy)

by Kelly McCafferty Dorogy
Jasmine Jethwa © Jenna Coombs
Debut, Features, Interviews, MusicMarch 18, 2020<April 16, 2020

In the Eye of the Hurricane: An Interview with Jasmine Jethwa

by Nicole Almeida
Local Nomad © 2020
Music, Music Videos, PremieresMarch 17, 2020<March 19, 2020

Premiere: Artist-to-Watch Local Nomad Ignites with Intimate Indie Pop Anthem “Gates”

by Mitch Mosk
Ella M. © 2020
Interviews, MusicMarch 17, 2020<March 17, 2020

Interview: Ella M. Attempts to Wash Away the Negativity with “Take Yourself Home”

by Chloe Robinson
The Allegory - Royce da 5'9" 7.5
Music, Our Take, ReviewsMarch 17, 2020<December 15, 2020

Our Take: Royce da 5’9″ Remains a Hip-Hop Megatalent on Eighth Album ‘The Allegory’

by Josh Weiner
Interviews, MusicMarch 17, 2020<March 17, 2020

How to Break the Curse of the Black Orlov: A Conversation with JW Paris

by Josh Weiner
Atwood Magazine Editor's Picks 31
Columns, Editor's Picks, Features, MusicMarch 17, 2020<May 15, 2020

Editor’s Picks: March 17, 2020

by Mitch Mosk
Big Society © 2020
Music, Reviews, Today's SongMarch 17, 2020<March 17, 2020

Today’s Song: Manchester’s Big Society Encourage Youthful Exploration on New Single “Feel”

by Bethan Harper
Posts pagination
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Brand New

  • “Flying Over Highways Like We Weren’t Butterflies”: Kevin Morby Reflects on What It Means to “Die Young” in a Road-Worn Reverie
  • “I’m loving my lust for life”: Suki Waterhouse Reclaims Her Glow on “Back in Love”
  • Editor’s Picks 152: Tired of Fighting, LIFE, Alemeda, aleksiah, Pierre Da Silva, & ill peach!
  • Roundtable Discussion: A Review of Mitski’s ‘Nothing’s About to Happen to Me’
  • “You Can Take Me As I Come”: Andrea Bejar Confesses Her Truth on “Delicately”
  • Atwood Magazine’s Weekly Roundup: April 10, 2026
  • “We Are Here and We Deserve to Be Here”: Grandmas House Bring UK Post-Punk to the USA

:: discover something new ::

Recent Posts

  • “Flying Over Highways Like We Weren’t Butterflies”: Kevin Morby Reflects on What It Means to “Die Young” in a Road-Worn Reverie April 12, 2026
  • “I’m loving my lust for life”: Suki Waterhouse Reclaims Her Glow on “Back in Love” April 11, 2026
  • Editor’s Picks 152: Tired of Fighting, LIFE, Alemeda, aleksiah, Pierre Da Silva, & ill peach! April 10, 2026
  • Roundtable Discussion: A Review of Mitski’s ‘Nothing’s About to Happen to Me’ April 10, 2026
  • “You Can Take Me As I Come”: Andrea Bejar Confesses Her Truth on “Delicately” April 10, 2026
  • Atwood Magazine’s Weekly Roundup: April 10, 2026 April 10, 2026
  • “We Are Here and We Deserve to Be Here”: Grandmas House Bring UK Post-Punk to the USA April 9, 2026
  • “The Return of Intuition”: An Essay by Tenille Townes April 9, 2026
  • “Seductive, Anxious, and a Little Unhinged”: NYC’s NOSHOWS Unleashes His “FOMO” in a Primal Indie Rock Fever Dream April 9, 2026
  • Raye’s ‘THIS MUSIC MAY CONTAIN HOPE.’ Is Cinematic Pop That Dazzles and Delivers April 8, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
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