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The Sweater Set © Plume Photography (Amanda Reynolds)
Music, PremieresMarch 31, 2020<March 31, 2020

Premiere: DC Duo The Sweater Set Weave Sweet Folk & Romance into “Hostage”

by Mitch Mosk
Debut, Music, Our Take, ReviewsMarch 31, 2020<December 15, 2020

Acoustics, Electropop & Inner Turmoil Add up to Leila Sunier’s Successful Debut EP ‘If Only to Bleed Out the White Noise’

by Josh Weiner
Debut, Interviews, MusicMarch 31, 2020<March 31, 2020

Transporting to a Wistful World: Polartropica Dives into Debut Album ‘Dreams Come True’

by Chloe Robinson
Brian Bradley 'Nocturnes' © 2020
Features, Interviews, MusicMarch 31, 2020<March 30, 2020

Interview: Environment Is Sound for Brian Bradley and His New EP ‘Nocturnes’

by Coco Rich
Waxahatchee © Molly Matalon
Columns, Music, Today's SongMarch 31, 2020<March 31, 2020

Today’s Song: Waxahatchee’s “Can’t Do Much” Is an Apt Blend of Reality and Dreaminess

by Frankie Rose
The Jacks © Paige Sara
Music, Reviews, Track-by-TrackMarch 30, 2020<March 31, 2020

Heart, Soul, & Ignition: The Jacks’ ‘Remember You’ EP Is Pure 21st Century Indie Rock

by Mitch Mosk
Interviews, MusicMarch 30, 2020<March 30, 2020

Interview: Minneapolis Collective Doomtree Re-Establish Their Genre-Defying Aesthetic on “Five Alive”

by Ryan Feyre
All You're Not - FERGUS
Music, PremieresMarch 30, 2020<March 30, 2020

Premiere: FERGUS’ Vulnerable & Bittersweet Song “All You’re Not” Unveils a Heavy, Aching Wound

by Mitch Mosk
Rocket - Rose Betts
Music, PremieresMarch 30, 2020<March 30, 2020

Premiere: Rose Betts’ Timely “Rocket” Ignites with Childlike Optimism, Urgency, and Hope

by Mitch Mosk
Features, Interviews, MusicMarch 30, 2020<March 30, 2020

Interview: Peach Pit Tackle Challenging Themes with Satire on Sophomore Album ‘You and Your Friends’

by Harper Beattie
Future Nostalgia - Dua Lipa 9
Music, Our Take, ReviewsMarch 30, 2020<December 15, 2020

Our Take: All Queue Up for the Party of the Year on Dua Lipa’s ‘Future Nostalgia’

by Josh Weiner
MAVICA © Sofía Boriosi
Music, PremieresMarch 30, 2020<March 30, 2020

Premiere: Mavica Returns to Her Roots, Bringing It Back Home with “Ada Road”

by Alicia Bugallo
Rachel Levin © Riker Brothers Photography
Columns, Interviews, Music, Today's SongMarch 30, 2020<March 30, 2020

Today’s Song: YouTuber Rachel Levin Launches Music Career with “Myself,” a Positive Anthem of Self-Acceptance

by Josh Weiner
Delacey Black Coffee © Aysia Marotta 2020 9.7
Debut, Features, Music, Our Take, Reviews, Track-by-TrackMarch 27, 2020<December 15, 2020

Feature: Delacey Dives into Her Grungy, Emotional, Messy Debut Album ‘Black Coffee’

by Mitch Mosk
OK, All Right - David Archuleta
Features, Interviews, MusicMarch 27, 2020<November 13, 2024

Interview: David Archuleta on Overcoming Anxiety, The Office, and New Single “OK, All Right”

by Mitch Mosk
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Brand New

  • “Deep Falling Towards Myself Again”: Melbourne Duo Wishlist Drift, Pulse, & Unravel on the Hypnotic “I’m Sorry,” a Weightless Emotional Spiral
  • “It Wasn’t a Typical Sad Song”: Sasha Joy Found a New Kind of Clarity on “Got You Something”
  • “Life Is Much More Colorful”: Heddy Edwards Summons the Divine on ‘The Other Side of Hell Is a Heaven So Delicate’
  • “Drama Is Pleasure”: Flare and Fear from Planette Automatic’s Sparkling “Dance Around”
  • “I Loved You Then and I Love You Now”: William Harries Graham Traces the Afterlife of Connection on “NYC,” a Brooding Ambient Folk Reverie from ‘Belrose Motel’
  • “This Time I Intend to Swim”: Satya Comes Home to Herself on ‘Yellow House,’ a Soul-Stirring Debut of Healing, Love, & Release
  • Editor’s Picks 156: Green Gardens, Casper Sage, MUANH, Filiah, Lockimara, & Widemouth!

:: discover something new ::

Recent Posts

  • “Deep Falling Towards Myself Again”: Melbourne Duo Wishlist Drift, Pulse, & Unravel on the Hypnotic “I’m Sorry,” a Weightless Emotional Spiral June 6, 2026
  • “It Wasn’t a Typical Sad Song”: Sasha Joy Found a New Kind of Clarity on “Got You Something” June 5, 2026
  • “Life Is Much More Colorful”: Heddy Edwards Summons the Divine on ‘The Other Side of Hell Is a Heaven So Delicate’ June 5, 2026
  • “Drama Is Pleasure”: Flare and Fear from Planette Automatic’s Sparkling “Dance Around” June 4, 2026
  • “I Loved You Then and I Love You Now”: William Harries Graham Traces the Afterlife of Connection on “NYC,” a Brooding Ambient Folk Reverie from ‘Belrose Motel’ June 4, 2026
  • “This Time I Intend to Swim”: Satya Comes Home to Herself on ‘Yellow House,’ a Soul-Stirring Debut of Healing, Love, & Release June 4, 2026
  • Editor’s Picks 156: Green Gardens, Casper Sage, MUANH, Filiah, Lockimara, & Widemouth! June 3, 2026
  • “The Alchemy Is Getting Stronger”: Montreal’s Art-Rock Band Museums Are Well Worth a Visit June 3, 2026
  • “Truth Calls Us Back to Who We Were Made to Be”: Watashi Wa Meet Themselves Again on “I Am,” a Radiant Power-Pop Revival of Faith, Identity, & the Divine Spirit June 3, 2026
  • “Where’s the Optimist in Me?”: Oakwood Reflect on Bygone Days and Look to the Future on ‘Blurred Away’ June 3, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
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