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Music, ReviewsFebruary 28, 2020<February 28, 2020

Review: Big Thief’s ‘Two Hands’ is a Raw, Authentic, and Earthy Experience

by Nina Schaarschmidt
RLUMR
Debut, Features, Interviews, MusicFebruary 28, 2020<February 28, 2020

A Conduit for Codifying Honesty: A Conversation with R.LUM.R

by Maggie McHale
Emotional Oranges
Columns, Music, Today's SongFebruary 28, 2020<February 28, 2020

Today’s Song: Emotional Oranges Quench Your Morning Thirst with “Sundays”

by Kelsey Fitzgerald
EDEN © Drew Escriva
Features, Interviews, MusicFebruary 27, 2020<March 16, 2021

Feature: Chaos, Hope, and EDEN’s Intimate 2nd Album ‘no future’

by Dalia
Cailin Russo © Naserin Bogado
Features, Interviews, MusicFebruary 27, 2020<February 27, 2020

Making the Most Out of ‘The Drama’: A Conversation with Cailin Russo

by Nicole Almeida
Heartracer - Main Press shot (credit Chapin Mathews) - hi res
Music, Music Videos, PremieresFebruary 27, 2020<February 27, 2020

Premiere: Heartracer’s Pulsing Power-Ballad “Darling” Conveys a Universal Truth

by Mitch Mosk
A Brighter Day - Grant Earl Lavalley
Music, PremieresFebruary 27, 2020<February 27, 2020

Album Premiere: Grant Earl LaValley’s ‘A Brighter Day’ Is a Haunting Celebration of Psychedelic Sound

by Chloe Robinson
Taylor Swift © Valheria Rocha
Essays, Features, MusicFebruary 27, 2020<February 27, 2020

If I Was The Man, Then I’d Be The Man: An Essay Inspired by Taylor Swift

by Lexi Lane
The Slow Rush - Tame Impala 7.9
Music, Our Take, ReviewsFebruary 27, 2020<December 15, 2020

Our Take: Tame Impala Meditates House Music and Mindfulness on ‘The Slow Rush’

by Ben Niesen
Columns, Music, Today's SongFebruary 27, 2020<August 16, 2021

Today’s Song: Meredith Shock Captures Giving Love a Try in “Trial Run”

by Erica Danielle Garcia
Color Theory © Kremer Johnson
Music, PremieresFebruary 27, 2020<February 27, 2020

Premiere: Color Theory’s “This Whole Nothing” Dwells in Radiant Synthwave Dreams

by Mitch Mosk
Brother Moses © Lowndes Commander
Music, PremieresFebruary 27, 2020<February 26, 2020

Premiere: Brother Moses’ Thoughtfully Written “Bathroom Floor” Is a Snapshot of Honest Emotion

by Lowndes Commander
Breaking The Record 2020
Breaking the Record, Columns, MusicFebruary 27, 2020<February 26, 2020

Breaking the Record with Roan Yellowthorn, Part 4: Aftermath

by Guest Writer
Atwood Magazine Editor's Picks 29
Columns, Editor's Picks, Features, MusicFebruary 26, 2020<March 6, 2020

Editor’s Picks: February 26, 2020

by Mitch Mosk
Little Hurt © Deanie Chen
Columns, Music, Today's SongFebruary 26, 2020<March 27, 2020

Colin Dieden’s Little Hurt Turns Pain into Beauty with “Better Drugs”

by Mitch Mosk
Posts pagination
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Brand New

  • “Flying Over Highways Like We Weren’t Butterflies”: Kevin Morby Reflects on What It Means to “Die Young” in a Road-Worn Reverie
  • “I’m loving my lust for life”: Suki Waterhouse Reclaims Her Glow on “Back in Love”
  • Editor’s Picks 152: Tired of Fighting, LIFE, Alemeda, aleksiah, Pierre Da Silva, & ill peach!
  • Roundtable Discussion: A Review of Mitski’s ‘Nothing’s About to Happen to Me’
  • “You Can Take Me As I Come”: Andrea Bejar Confesses Her Truth on “Delicately”
  • Atwood Magazine’s Weekly Roundup: April 10, 2026
  • “We Are Here and We Deserve to Be Here”: Grandmas House Bring UK Post-Punk to the USA

:: discover something new ::

Recent Posts

  • “Flying Over Highways Like We Weren’t Butterflies”: Kevin Morby Reflects on What It Means to “Die Young” in a Road-Worn Reverie April 12, 2026
  • “I’m loving my lust for life”: Suki Waterhouse Reclaims Her Glow on “Back in Love” April 11, 2026
  • Editor’s Picks 152: Tired of Fighting, LIFE, Alemeda, aleksiah, Pierre Da Silva, & ill peach! April 10, 2026
  • Roundtable Discussion: A Review of Mitski’s ‘Nothing’s About to Happen to Me’ April 10, 2026
  • “You Can Take Me As I Come”: Andrea Bejar Confesses Her Truth on “Delicately” April 10, 2026
  • Atwood Magazine’s Weekly Roundup: April 10, 2026 April 10, 2026
  • “We Are Here and We Deserve to Be Here”: Grandmas House Bring UK Post-Punk to the USA April 9, 2026
  • “The Return of Intuition”: An Essay by Tenille Townes April 9, 2026
  • “Seductive, Anxious, and a Little Unhinged”: NYC’s NOSHOWS Unleashes His “FOMO” in a Primal Indie Rock Fever Dream April 9, 2026
  • Raye’s ‘THIS MUSIC MAY CONTAIN HOPE.’ Is Cinematic Pop That Dazzles and Delivers April 8, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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