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Heaven - Fretland
Music, PremieresFebruary 26, 2020<February 26, 2020

Premiere: Washington’s Fretland Emerge with Empathy, Passion, & Americana Warmth in “Heaven”

by Mitch Mosk
Phoebe Bridgers © Olof Grind
Music, Reviews, This Just InFebruary 26, 2020<March 6, 2020

This Just In: Phoebe Bridgers’ Mesmerizing New Single “Garden Song” Cuts Deep into Your Soul

by Lexi Lane
Debut, Features, Interviews, MusicFebruary 26, 2020<February 26, 2020

It’s All in His Head: The Undercover Dream Lovers Bridges the Old & the New

by Nina Schaarschmidt
Sea Offs © 2020
Music, PremieresFebruary 26, 2020<February 25, 2020

Premiere: Sea Offs’ Folky Single “For Familiarity’s Sake” Tells Us to Let Old Love Die

by Oliver Crook
Twist Helix © Jay Dawson
Music, PremieresFebruary 26, 2020<February 26, 2020

Premiere: UK Trio Twist Helix’s Unapologetic “Louder” Is a Call for Gender Equality

by Alicia Bugallo
James Gillespie © 2020
Music, Music Videos, PremieresFebruary 26, 2020<February 25, 2020

Video Premiere: James Gillespie’s “ICFTI” Is Awash in Autumnal Hues & Seductive Visuals

by Bethan Harper
Gordi © Jess Gleeson
Music, Reviews, This Just InFebruary 25, 2020<March 6, 2020

Gordi’s Beautiful Song “Sandwiches” Captures the Powerful Weight of a Loved One’s Absence

by Mitch Mosk
Mannequin Online © Meghan Cummings
Music, PremieresFebruary 25, 2020<February 25, 2020

Premiere: Say “I Do” with Mannequin Online’s Sultry New Late-Night Song

by Mitch Mosk
Boardmasters Festival 2020
Festival, Music, PreviewsFebruary 25, 2020<February 25, 2020

Preview: Boardmasters Festival 2020 Lineup Features Musical Giants King of Leon, The 1975 & More

by Bethan Harper
Georgi Kay © Morgan Demeter
Features, Interviews, MusicFebruary 25, 2020<March 2, 2025

Interview: Georgi Kay Stays Optimistic in a Time of “Scary People” with New EP ‘Reimagined’

by Chloe Robinson
Mielo
Music, PremieresFebruary 25, 2020<February 25, 2020

Premiere: Through Somber Introspection, Mielo & Mariya Stoeva Learn “A Lesson in Waking Up”

by Mitch Mosk
No Time for That - Tone Legit
Columns, Music, Today's SongFebruary 25, 2020<February 24, 2020

Today’s Song: Tone Legit Continues Milwaukee’s Stellar Run with “No Time For That”

by Ryan Feyre
Rose Cousins © Denis Duquette
Music, Music Videos, PremieresFebruary 25, 2020<February 25, 2020

Premiere: Rose Cousins Enthralls with Scenic & Stirring “The Lullaby (My Oldest Love)”

by Luke Pettican
Voodoo Bandits © Christopher Brew
Music, PremieresFebruary 24, 2020<February 25, 2020

Premiere: Isle of Man Artist-to-Watch Voodoo Bandits Inject Unrelenting Energy into “Empty Swimming Pool”

by Mitch Mosk
peach Pit © 2019
Columns, Music, Today's SongFebruary 24, 2020<February 24, 2020

Today’s Song: Peach Pit’s “Shampoo Bottles” Highlights the Entertaining Side to Lost Love

by Frankie Rose
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Brand New

  • “Flying Over Highways Like We Weren’t Butterflies”: Kevin Morby Reflects on What It Means to “Die Young” in a Road-Worn Reverie
  • “I’m loving my lust for life”: Suki Waterhouse Reclaims Her Glow on “Back in Love”
  • Editor’s Picks 152: Tired of Fighting, LIFE, Alemeda, aleksiah, Pierre Da Silva, & ill peach!
  • Roundtable Discussion: A Review of Mitski’s ‘Nothing’s About to Happen to Me’
  • “You Can Take Me As I Come”: Andrea Bejar Confesses Her Truth on “Delicately”
  • Atwood Magazine’s Weekly Roundup: April 10, 2026
  • “We Are Here and We Deserve to Be Here”: Grandmas House Bring UK Post-Punk to the USA

:: discover something new ::

Recent Posts

  • “Flying Over Highways Like We Weren’t Butterflies”: Kevin Morby Reflects on What It Means to “Die Young” in a Road-Worn Reverie April 12, 2026
  • “I’m loving my lust for life”: Suki Waterhouse Reclaims Her Glow on “Back in Love” April 11, 2026
  • Editor’s Picks 152: Tired of Fighting, LIFE, Alemeda, aleksiah, Pierre Da Silva, & ill peach! April 10, 2026
  • Roundtable Discussion: A Review of Mitski’s ‘Nothing’s About to Happen to Me’ April 10, 2026
  • “You Can Take Me As I Come”: Andrea Bejar Confesses Her Truth on “Delicately” April 10, 2026
  • Atwood Magazine’s Weekly Roundup: April 10, 2026 April 10, 2026
  • “We Are Here and We Deserve to Be Here”: Grandmas House Bring UK Post-Punk to the USA April 9, 2026
  • “The Return of Intuition”: An Essay by Tenille Townes April 9, 2026
  • “Seductive, Anxious, and a Little Unhinged”: NYC’s NOSHOWS Unleashes His “FOMO” in a Primal Indie Rock Fever Dream April 9, 2026
  • Raye’s ‘THIS MUSIC MAY CONTAIN HOPE.’ Is Cinematic Pop That Dazzles and Delivers April 8, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
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