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Maggie Rogers © Olivia Bee
Music, Reviews, This Just InNovember 21, 2019<December 5, 2019

This Just In: Maggie Rogers’ Poetically Tangible “Love You for a Long Time”

by Kelly McCafferty Dorogy
Desingly © Yoris Photographer
Music, ReviewsNovember 21, 2019<November 22, 2019

The Dreamy, Aching Warmth of Desingly’s “Anna” feat. Racoon Racoon

by Mitch Mosk
Fay Wildhagen © Johanna Siring
Music, Music Videos, PremieresNovember 21, 2019<November 21, 2019

Premiere: The Empowering Embrace of Fay Wildhagen’s Vibrant “Different”

by Mitch Mosk
Asher Knight
Interviews, MusicNovember 21, 2019<November 21, 2019

Interview: UK’s Asher Knight Steps Back to Reflect on a Year of Many Firsts

by Josh Weiner
Nick Leng
Columns, Music, Reviews, Today's SongNovember 21, 2019<November 21, 2019

Today’s Song: Nick Leng Captivates on Achingly Beautiful “Lonely Shade of Blue”

by Adrian Vargas
The 1975 © Nicole Almeida
Concerts, Music, ReviewsNovember 20, 2019<November 20, 2019

Live Review: It’s Time to Rebel with The 1975

by Nicole Almeida
Indiana music
Features, Interviews, MusicNovember 20, 2019<November 20, 2019

Interview: Breaking the Habit with Dazzling UK Pop Starlet Indiana

by Mitch Mosk
More Brilliant Is the Hand that Throws the Coin - Margaux
Music, ReviewsNovember 20, 2019<November 20, 2019

Artist to Watch: Dive into Margaux’s Dazzling Dream Pop Debut ‘More Brilliant Is the Hand that Throws the Coin’

by Mitch Mosk
Columns, Music, Today's SongNovember 20, 2019<November 20, 2019

Today’s Song: THe LYONZ “Fall” into Jazz-Tinged Self-Reflections

by Anthony Kozlowski
Big Fox © Anna Brånhede
Music, PremieresNovember 19, 2019<November 19, 2019

Premiere: The Raw Folk Beauty of Big Fox’s Love Song “All I’m Trying”

by Mitch Mosk
Weird Milk
Editorials, Music, ReviewsNovember 19, 2019<November 19, 2019

Artist to Watch: Weird Milk Distinguish Themselves as One of UK’s Finest with “Time Machine”

by Adrian Vargas
Hypersonic Missiles - Sam Fender 8.3
Debut, Music, Our Take, ReviewsNovember 19, 2019<December 15, 2020

Our Take: Sam Fender’s ‘Hypersonic Missiles’ Is a Protest Piece Tailor-Made for the 21st Century

by Alicia Bugallo
Marie Lang © Mahir Jahmal
Columns, Music, Today's SongNovember 19, 2019<November 19, 2019

Today’s Song: Marie Lang Transcends with Soulful Dive “Body”

by Ben Beamish
HAIM © Grant Spanier
Music, Reviews, This Just InNovember 18, 2019<November 18, 2019

This Just In: HAIM’s “Hallelujah” Is a Breathtaking Ode to Love, Connection & Support

by Mitch Mosk
Loote © 2019
Music, Music Videos, PremieresNovember 18, 2019<November 16, 2019

Video Premiere: Nostalgia & Rocking Out Make Loote’s “All The F*cking Time”

by Kelly McCafferty Dorogy
Posts pagination
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Brand New

  • “Change Lies at Your Footsteps”: Vienna Vienna Turns Overstimulation into Motion on “Idle Hands”
  • “This Is What It Feels Like to Not Feel Anything”: Petey USA on Turning Private Thoughts into Shared Space & the Fictional Truths of ‘The Yips’
  • “We’re all just friends making music”: Brooklyn’s Anyhow Are an Emerging Indie Rock Duo Built on Collaboration, Trust, & Guitars
  • Atwood Magazine Presents Mistletones: 2025’s Best New Holiday Songs, Pt. 1!
  • “I Serve Me. I Take Care of Me. I Am My Keeper”: Medium Build on Surviving the Dream, Choosing Himself, & More Takeaways From a Career-Defining Year
  • Interview: From Malawi to Massachusetts, The Kasambwe Brothers Are Strumming Their Way to Success
  • “You Have Me Marked as Nice”: Ski Team Sits With Desire, Restraint, & the Mercy of Boundaries on “Santa”

:: discover something new ::

Recent Posts

  • “Change Lies at Your Footsteps”: Vienna Vienna Turns Overstimulation into Motion on “Idle Hands” December 20, 2025
  • “This Is What It Feels Like to Not Feel Anything”: Petey USA on Turning Private Thoughts into Shared Space & the Fictional Truths of ‘The Yips’ December 19, 2025
  • “We’re all just friends making music”: Brooklyn’s Anyhow Are an Emerging Indie Rock Duo Built on Collaboration, Trust, & Guitars December 19, 2025
  • Atwood Magazine Presents Mistletones: 2025’s Best New Holiday Songs, Pt. 1! December 19, 2025
  • “I Serve Me. I Take Care of Me. I Am My Keeper”: Medium Build on Surviving the Dream, Choosing Himself, & More Takeaways From a Career-Defining Year December 18, 2025
  • Interview: From Malawi to Massachusetts, The Kasambwe Brothers Are Strumming Their Way to Success December 18, 2025
  • “You Have Me Marked as Nice”: Ski Team Sits With Desire, Restraint, & the Mercy of Boundaries on “Santa” December 18, 2025
  • Atwood Magazine’s 2025 Albums of the Year December 18, 2025
  • “Raw, Experimental, & Definitive”: Low.bō Debuts with a Bruised, Intimate Alt-R&B Reckoning on ‘husk’ December 17, 2025
  • “Anger, Death, & Acceptance”: Adult Mom’s Stevie Knipe Gives Life’s Hardest Feelings a Voice on ‘Natural Causes’ December 17, 2025
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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