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The Griswolds
Music, ReviewsFebruary 24, 2020<February 24, 2020

Getting It Right Someday: The Griswolds Return with ‘ALL MY FRIENDS’ EP

by Maggie McHale
Features, Music, Weekly RoundupFebruary 21, 2020<February 21, 2020

Atwood Magazine’s Weekly Roundup: February 21, 2020

by Atwood Magazine Staff
shYbeast's Devin Oliver
Debut, Interviews, MusicFebruary 21, 2020<February 21, 2020

Threading Rock, Electronica & Vulnerability Together: A Conversation with shYbeast

by Josh Weiner
Karima Francis © Joseph Calhoun
Interviews, MusicFebruary 21, 2020<February 21, 2020

Interview: Karima Francis Brilliantly Conveys Just How Rough It Is on the “Shelf Life”

by Chloe Robinson
The Strokes band 2020 © Jason McDonald
Music, Reviews, This Just InFebruary 21, 2020<February 21, 2020

This Just In: The Strokes’ Feverish New Song “Bad Decisions” Is Anything But One

by Lexi Lane
talker © Kiersten Friesen
Columns, Music, This Just In, Today's SongFebruary 21, 2020<February 21, 2020

This Just In: talker Grapples with Identity on Blistering Rocker “Suck Up”

by Anthony Kozlowski
Hello Forever
Features, Interviews, MusicFebruary 21, 2020<February 21, 2020

Topanga Collective Hello Forever Revel in Love & Euphoria on Kaleidoscopic Debut ‘Whatever It Is’

by Mitch Mosk
Her Silo © GIGIL Photography
Debut, Music, PremieresFebruary 20, 2020<February 20, 2020

Premiere: Her Silo Digs for Hope in Darkness on “When Did I Give Up This Fight”

by Mitch Mosk
Spanish Love Songs
Music, ReviewsFebruary 20, 2020<February 20, 2020

Doom and Gloom: Spanish Love Songs Enlighten a Horrible World with ‘Brave Faces Everyone’

by James Crowley
Beulahbelle © Connor Ellmann
Columns, Debut, Music, Today's SongFebruary 20, 2020<February 20, 2020

Today’s Song: Beulahbelle Fade In and Out of Love in Debut “Raleigh”

by Nicole Almeida
Good Kids EP - HALIE
Music, PremieresFebruary 20, 2020<February 20, 2020

Premiere: Norway’s HALIE Stands Up for Love in Unapologetic Song “Starved”

by Mitch Mosk
Breaking The Record 2020
Breaking the Record, Columns, MusicFebruary 20, 2020<February 19, 2020

Breaking the Record with Roan Yellowthorn, Part 3: In the Studio

by Guest Writer
Temporary Love - April Ivy
Music, PremieresFebruary 20, 2020<February 19, 2020

Premiere: April Ivy’s Tender & Seductive Song “Temporary Love”

by Bethan Harper
Music, PremieresFebruary 20, 2020<February 20, 2020

Premiere: Theodore’s Love Song “The Lisper” Is a Breath of Innocence & Authenticity

by Mitch Mosk
Delta Rae © Shervin Lainez
Features, Interviews, MusicFebruary 19, 2020<February 28, 2020

Interview: Delta Rae’s Ian Hölljes on the Band’s Witchy Ways & New Album ‘The Light’

by Ilana Kalish
Posts pagination
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Brand New

  • “Flying Over Highways Like We Weren’t Butterflies”: Kevin Morby Reflects on What It Means to “Die Young” in a Road-Worn Reverie
  • “I’m loving my lust for life”: Suki Waterhouse Reclaims Her Glow on “Back in Love”
  • Editor’s Picks 152: Tired of Fighting, LIFE, Alemeda, aleksiah, Pierre Da Silva, & ill peach!
  • Roundtable Discussion: A Review of Mitski’s ‘Nothing’s About to Happen to Me’
  • “You Can Take Me As I Come”: Andrea Bejar Confesses Her Truth on “Delicately”
  • Atwood Magazine’s Weekly Roundup: April 10, 2026
  • “We Are Here and We Deserve to Be Here”: Grandmas House Bring UK Post-Punk to the USA

:: discover something new ::

Recent Posts

  • “Flying Over Highways Like We Weren’t Butterflies”: Kevin Morby Reflects on What It Means to “Die Young” in a Road-Worn Reverie April 12, 2026
  • “I’m loving my lust for life”: Suki Waterhouse Reclaims Her Glow on “Back in Love” April 11, 2026
  • Editor’s Picks 152: Tired of Fighting, LIFE, Alemeda, aleksiah, Pierre Da Silva, & ill peach! April 10, 2026
  • Roundtable Discussion: A Review of Mitski’s ‘Nothing’s About to Happen to Me’ April 10, 2026
  • “You Can Take Me As I Come”: Andrea Bejar Confesses Her Truth on “Delicately” April 10, 2026
  • Atwood Magazine’s Weekly Roundup: April 10, 2026 April 10, 2026
  • “We Are Here and We Deserve to Be Here”: Grandmas House Bring UK Post-Punk to the USA April 9, 2026
  • “The Return of Intuition”: An Essay by Tenille Townes April 9, 2026
  • “Seductive, Anxious, and a Little Unhinged”: NYC’s NOSHOWS Unleashes His “FOMO” in a Primal Indie Rock Fever Dream April 9, 2026
  • Raye’s ‘THIS MUSIC MAY CONTAIN HOPE.’ Is Cinematic Pop That Dazzles and Delivers April 8, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
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