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Boardmasters Festival 2020
Festival, Music, PreviewsFebruary 25, 2020<February 25, 2020

Preview: Boardmasters Festival 2020 Lineup Features Musical Giants King of Leon, The 1975 & More

by Bethan Harper
Georgi Kay © Morgan Demeter
Features, Interviews, MusicFebruary 25, 2020<March 2, 2025

Interview: Georgi Kay Stays Optimistic in a Time of “Scary People” with New EP ‘Reimagined’

by Chloe Robinson
Mielo
Music, PremieresFebruary 25, 2020<February 25, 2020

Premiere: Through Somber Introspection, Mielo & Mariya Stoeva Learn “A Lesson in Waking Up”

by Mitch Mosk
No Time for That - Tone Legit
Columns, Music, Today's SongFebruary 25, 2020<February 24, 2020

Today’s Song: Tone Legit Continues Milwaukee’s Stellar Run with “No Time For That”

by Ryan Feyre
Rose Cousins © Denis Duquette
Music, Music Videos, PremieresFebruary 25, 2020<February 25, 2020

Premiere: Rose Cousins Enthralls with Scenic & Stirring “The Lullaby (My Oldest Love)”

by Luke Pettican
Voodoo Bandits © Christopher Brew
Music, PremieresFebruary 24, 2020<February 25, 2020

Premiere: Isle of Man Artist-to-Watch Voodoo Bandits Inject Unrelenting Energy into “Empty Swimming Pool”

by Mitch Mosk
peach Pit © 2019
Columns, Music, Today's SongFebruary 24, 2020<February 24, 2020

Today’s Song: Peach Pit’s “Shampoo Bottles” Highlights the Entertaining Side to Lost Love

by Frankie Rose
The Griswolds
Music, ReviewsFebruary 24, 2020<February 24, 2020

Getting It Right Someday: The Griswolds Return with ‘ALL MY FRIENDS’ EP

by Maggie McHale
Features, Music, Weekly RoundupFebruary 21, 2020<February 21, 2020

Atwood Magazine’s Weekly Roundup: February 21, 2020

by Atwood Magazine Staff
shYbeast's Devin Oliver
Debut, Interviews, MusicFebruary 21, 2020<February 21, 2020

Threading Rock, Electronica & Vulnerability Together: A Conversation with shYbeast

by Josh Weiner
Karima Francis © Joseph Calhoun
Interviews, MusicFebruary 21, 2020<February 21, 2020

Interview: Karima Francis Brilliantly Conveys Just How Rough It Is on the “Shelf Life”

by Chloe Robinson
The Strokes band 2020 © Jason McDonald
Music, Reviews, This Just InFebruary 21, 2020<February 21, 2020

This Just In: The Strokes’ Feverish New Song “Bad Decisions” Is Anything But One

by Lexi Lane
talker © Kiersten Friesen
Columns, Music, This Just In, Today's SongFebruary 21, 2020<February 21, 2020

This Just In: talker Grapples with Identity on Blistering Rocker “Suck Up”

by Anthony Kozlowski
Hello Forever
Features, Interviews, MusicFebruary 21, 2020<February 21, 2020

Topanga Collective Hello Forever Revel in Love & Euphoria on Kaleidoscopic Debut ‘Whatever It Is’

by Mitch Mosk
Her Silo © GIGIL Photography
Debut, Music, PremieresFebruary 20, 2020<February 20, 2020

Premiere: Her Silo Digs for Hope in Darkness on “When Did I Give Up This Fight”

by Mitch Mosk
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Brand New

  • “It’s an Ugly Old Trick to View ‘Different’ as Dangerous”: Luke Beling Humanizes the Immigrant Experience on “Just Like Your Mama,” an Urgent Protest Song
  • Today’s Song: Anthony Arya’s Warm & Wistful “Sugar on Your Shades” Is an All Acoustic Folk Dream
  • Atwood Magazine’s Weekly Roundup: April 17, 2026
  • “I Hit the Floor and It’s Breaking My Heart”: CASTLEBEAT Drifts Through Distance & Longing on “My Love,” a Hypnotic Dream-Pop Spiral
  • Interview: LAPêCHE Discuss Vulnerability, Distance, & Finding Meaning in the Process on ‘Autotelic,’ an Album Where Creation Was the Point
  • “I Was Born a Clown, But Now I’m Known to Cry”: Royel Otis Stir the Heart with “Sweet Hallelujah,” an Achingly Beautiful Love Letter of Goodbye
  • Live Review: Sophia Galaté Is Meant to Perform

:: discover something new ::

Recent Posts

  • “It’s an Ugly Old Trick to View ‘Different’ as Dangerous”: Luke Beling Humanizes the Immigrant Experience on “Just Like Your Mama,” an Urgent Protest Song April 19, 2026
  • Today’s Song: Anthony Arya’s Warm & Wistful “Sugar on Your Shades” Is an All Acoustic Folk Dream April 18, 2026
  • Atwood Magazine’s Weekly Roundup: April 17, 2026 April 17, 2026
  • “I Hit the Floor and It’s Breaking My Heart”: CASTLEBEAT Drifts Through Distance & Longing on “My Love,” a Hypnotic Dream-Pop Spiral April 17, 2026
  • Interview: LAPêCHE Discuss Vulnerability, Distance, & Finding Meaning in the Process on ‘Autotelic,’ an Album Where Creation Was the Point April 16, 2026
  • “I Was Born a Clown, But Now I’m Known to Cry”: Royel Otis Stir the Heart with “Sweet Hallelujah,” an Achingly Beautiful Love Letter of Goodbye April 16, 2026
  • Live Review: Sophia Galaté Is Meant to Perform April 16, 2026
  • Music You Should Know: Father John Misty Keeps It Together for His “Mental Health” April 16, 2026
  • “I Owe You My Life”: Sublime Pay Homage to Bradley Nowell with “Until the Sun Explodes,” a Stunning Tribute to Legacy and Loss April 16, 2026
  • “Swimming on the Surface”: Ivory Layne Faces the Fear of Falling on “Skim,” a Cinematic Surge of Desire and Self-Protection April 16, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
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