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MisterWives 2019 © Shervin Lainez
Features, Interviews, MusicOctober 28, 2019<October 28, 2019

Real Songs, Real Talk, and Real People: A Conversation with MisterWives

by Kelly McCafferty Dorogy
Opia © 2019
Columns, Music, Today's SongOctober 28, 2019<October 28, 2019

Today’s Song: Opia Make Cynicism Sound Sexy with “Beverly Blues”

by Anthony Kozlowski
Blaenavon - Everything that Makes You Happy
Music, Reviews, This Just InOctober 25, 2019<October 25, 2019

Review: Blaenavon’s Chaotically Human and Gorgeous ‘Everything That Makes You Happy’

by Nicole Almeida
Hanorah © GRL Photographie
Features, Interviews, MusicOctober 25, 2019<October 25, 2019

The Good, The Bad, and Everything in Between: A Conversation with Hanorah

by Nicole Almeida
Our Favorite Albums of 2012
Albums of the Decade, Columns, Features, MusicOctober 25, 2019<December 5, 2019

Our Favorite Albums of the Decade: 2012

by Atwood Magazine Staff
Without Fear - Dermot Kennedy
Debut, Music, ReviewsOctober 25, 2019<October 24, 2019

Review: Dermot Kennedy Forges His Own Path on Debut Album ‘Without Fear’

by Erica Danielle Garcia
Myylo
Columns, Music, Today's SongOctober 25, 2019<October 25, 2019

Today’s Song: Myylo Stands Up Against Toxic Masculity in Latest Single “Sad Boys”

by Alicia Bugallo
The 1975
Music, Reviews, This Just InOctober 25, 2019<October 25, 2019

The 1975 Address Social Anxiety on New Single “Frail State of Mind”

by Madison Vettorino
Marinho © Marta Olive
Debut, Features, Interviews, MusicOctober 24, 2019<October 24, 2019

Interview: Marinho Dives into her Intimately Vulnerable Debut Album ‘~’

by Mitch Mosk
Will Samson © Desiree Rousseau
Music, PremieresOctober 24, 2019<October 24, 2019

Premiere: Will Samson Blends Grief & Bliss into Ethereal New Song “Flowerbed”

by Mitch Mosk
Kaleb Mitchell
Interviews, MusicOctober 24, 2019<October 24, 2019

Patience and Internet-Savviness Rewarded: A Conversation with Kaleb Mitchell

by Josh Weiner
Columns, Music, Today's SongOctober 24, 2019<October 23, 2019

Today’s Song: Elliot Moss Fights Anxieties and Builds a “Barricade”

by Maggie McHale
Melt Yourself Down
Concerts, MusicOctober 24, 2019<October 23, 2019

Live Review: Melt Yourself Down’s Magnetic Show Dazzles at London’s Studio 9294

by Luke Pettican
Will Orchard © Julia Fiengold
Music, PremieresOctober 23, 2019<June 17, 2025

Premiere: “Turning Back Again” Marks a Sweet New Start for Will Orchard

by Mitch Mosk
Sawyer © Daniel Chaney
Music, PremieresOctober 23, 2019<October 23, 2019

EP Premiere: Sawyer Shine Bright in Buoyant & Bold EP ‘Less Than More Than’

by Mitch Mosk
Posts pagination
1 … 454 455 456 457 458 … 712

Brand New

  • “Change Lies at Your Footsteps”: Vienna Vienna Turns Overstimulation into Motion on “Idle Hands”
  • “This Is What It Feels Like to Not Feel Anything”: Petey USA on Turning Private Thoughts into Shared Space & the Fictional Truths of ‘The Yips’
  • “We’re all just friends making music”: Brooklyn’s Anyhow Are an Emerging Indie Rock Duo Built on Collaboration, Trust, & Guitars
  • Atwood Magazine Presents Mistletones: 2025’s Best New Holiday Songs, Pt. 1!
  • “I Serve Me. I Take Care of Me. I Am My Keeper”: Medium Build on Surviving the Dream, Choosing Himself, & More Takeaways From a Career-Defining Year
  • Interview: From Malawi to Massachusetts, The Kasambwe Brothers Are Strumming Their Way to Success
  • “You Have Me Marked as Nice”: Ski Team Sits With Desire, Restraint, & the Mercy of Boundaries on “Santa”

:: discover something new ::

Recent Posts

  • “Change Lies at Your Footsteps”: Vienna Vienna Turns Overstimulation into Motion on “Idle Hands” December 20, 2025
  • “This Is What It Feels Like to Not Feel Anything”: Petey USA on Turning Private Thoughts into Shared Space & the Fictional Truths of ‘The Yips’ December 19, 2025
  • “We’re all just friends making music”: Brooklyn’s Anyhow Are an Emerging Indie Rock Duo Built on Collaboration, Trust, & Guitars December 19, 2025
  • Atwood Magazine Presents Mistletones: 2025’s Best New Holiday Songs, Pt. 1! December 19, 2025
  • “I Serve Me. I Take Care of Me. I Am My Keeper”: Medium Build on Surviving the Dream, Choosing Himself, & More Takeaways From a Career-Defining Year December 18, 2025
  • Interview: From Malawi to Massachusetts, The Kasambwe Brothers Are Strumming Their Way to Success December 18, 2025
  • “You Have Me Marked as Nice”: Ski Team Sits With Desire, Restraint, & the Mercy of Boundaries on “Santa” December 18, 2025
  • Atwood Magazine’s 2025 Albums of the Year December 18, 2025
  • “Raw, Experimental, & Definitive”: Low.bō Debuts with a Bruised, Intimate Alt-R&B Reckoning on ‘husk’ December 17, 2025
  • “Anger, Death, & Acceptance”: Adult Mom’s Stevie Knipe Gives Life’s Hardest Feelings a Voice on ‘Natural Causes’ December 17, 2025
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
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